本文選題：蒙古族家具　切入點(diǎn)：藏傳佛教　出處：《內(nèi)蒙古大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：13世紀(jì)藏傳佛教傳入蒙古地區(qū),經(jīng)歷著一個漫長曲折的過程,對蒙古族的生活方式、宗教信仰、生活習(xí)俗、文化交流等方面均產(chǎn)生了不同的影響。其文化痕跡折射到蒙古族生活的方方面面。 蒙古族家具作為中國傳統(tǒng)家具的組成部分,具有鮮明的民族特征與地方特色。蒙古族家具的裝飾圖案、裝飾造型、工藝制作等都是在蒙古民族生產(chǎn)、生活的歷史長河中積淀下來的視覺藝術(shù)形態(tài)之一。通過對蒙古族家具裝飾圖案的探索,能夠看出蒙古民族的游牧生活方式、濃郁的草原文化以及強(qiáng)烈的民族凝聚力及審美情趣。 藏傳佛教傳入蒙古草原后,對蒙古人的宗教觀念產(chǎn)生了深遠(yuǎn)的影響,在蒙古族家具裝飾圖案同樣得以呈現(xiàn),家具裝飾風(fēng)格類別也以宗教題材居多。分析蒙古族家具中出現(xiàn)的若干藏傳佛教圖案,對于藏傳佛教藝術(shù)以怎樣的形式影響到蒙古族牧人的日常生活,會有更加直觀、形象的認(rèn)識。由于北方地理環(huán)境影響家具的材質(zhì),家具的材質(zhì)影響了家具的裝飾,所以重彩繪、雕刻、彩繪與雕刻相結(jié)合成為蒙古族家具的鮮明藝術(shù)特色。 本文通過對中國北方地區(qū)蒙古族家具裝飾圖案中的藏傳佛教因素研究,特別是關(guān)于蒙古族家具文化與藏傳佛教文化相融合的分析研究,深入探討多民族、多元文化融合的相互影響。
[Abstract]:In 13th century, Tibetan Buddhism was introduced into Mongolia, which experienced a long and tortuous process. Cultural exchange and other aspects have different effects. Its cultural trace reflects every aspect of Mongolian life. As a part of traditional Chinese furniture, Mongolian furniture has distinct national and local characteristics. The decorative patterns, decorative modeling and craftsmanship of Mongolian furniture are all produced in Mongolia. Through the exploration of the decoration patterns of Mongolian furniture, we can see the nomadic life style, rich grassland culture, strong national cohesion and aesthetic taste of Mongolian nationality. After Tibetan Buddhism was introduced into the Mongolian grassland, it had a profound influence on the religious concept of the Mongols, and the decoration patterns of Mongolian furniture were also presented. The types of furniture decoration style are also dominated by religious themes. It is more intuitive to analyze some Tibetan Buddhist patterns that appear in Mongolian furniture and how Tibetan Buddhist art affects the daily life of Mongolian herdsmen. Because the geographical environment of the north influences the material of the furniture and the material of the furniture affects the decoration of the furniture, the combination of heavy color painting, engraving, color painting and carving has become the distinctive artistic feature of Mongolian furniture. Based on the study of Tibetan Buddhism factors in the decoration patterns of Mongolian furniture in northern China, especially the analysis and study on the integration of Mongolian furniture culture and Tibetan Buddhist culture, this paper probes into the multi-nationality in depth. The interplay of multiculturalism.
【學(xué)位授予單位】：內(nèi)蒙古大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J525.3;J522

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本文編號：1644480