本文關鍵詞： 宋代磁州窯 晚明景德鎮(zhèn)窯 審美習尚 陶瓷工藝 山水畫 山水裝飾　出處：《景德鎮(zhèn)陶瓷學院》2009年碩士論文　論文類型：學位論文

【摘要】： 全文共分六個部分論述了宋代磁州窯白地黑花和晚明景德鎮(zhèn)窯青花山水裝飾風格的形成及轉(zhuǎn)變。從藝術自身發(fā)展而言,陶瓷山水裝飾從萌芽、發(fā)展到成熟與前朝有著一脈相承地關系。社會的政治、經(jīng)濟、文化背景,審美習尚和工藝以及姊妹藝術,尤其是山水畫對陶瓷山水裝飾的風格形成有著重大的影響。宋代到晚明,時代的變遷、審美習尚和繪畫風格的轉(zhuǎn)變,無疑影響了陶瓷山水裝飾的風格。陶瓷藝術是工藝美術,離不開必要的技術這一先決條件,工藝的發(fā)展也推動著陶瓷山水裝飾不斷進步。
[Abstract]:The formation and transformation of the text is divided into six parts discusses the Song Dynasty Cizhou kiln black and white and the late Ming Jingdezhen kiln blue and white landscape decoration style. In terms of the development of art ceramics, landscape decoration from bud, development to mature and have close relationship. The former political, economic, cultural background, aesthetic conceptions and technology and art, especially the landscape paintings of ceramic landscape decoration style has great influence. The Song Dynasty to the late Ming Dynasty, the changes of the times, change of aesthetic conceptions and painting style, it will undoubtedly affect the ceramic landscape decoration style. Ceramic art is art, cannot do without the necessary prerequisite the process of development, but also to promote the progress of ceramic landscape decoration.

【學位授予單位】：景德鎮(zhèn)陶瓷學院
【學位級別】：碩士
【學位授予年份】：2009
【分類號】：J525.1
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本文編號：1552582