本文關(guān)鍵詞： 饕餮紋 現(xiàn)代裝飾藝術(shù) 影響　出處：《遼寧師范大學(xué)》2010年碩士論文　論文類型：學(xué)位論文

【摘要】： 饕餮紋是我國青銅時代裝飾藝術(shù)最為重要的一種紋飾,它的魅力至今還影響著現(xiàn)代的人們。對于饕餮紋的研究已經(jīng)涉及到了各個方面。那么它對于現(xiàn)代裝飾藝術(shù)的影響少有研究,是一個很新的命題。我從這個方面入手,希望能給日后的研究一個小小的參考。 本文從饕餮紋的造型特點、審美特點為角度出發(fā)。重點研究這些特點對現(xiàn)代裝飾領(lǐng)域的影響。現(xiàn)代裝飾很廣泛包括建筑、室內(nèi)設(shè)計、少數(shù)民族藝術(shù)、服裝等。從這些藝術(shù)形式都受到了饕餮紋的影響。饕餮紋涉及的范圍很多,這里主要抓住了饕餮紋的兩個方面,造型與審美。饕餮紋最主要的造型特點便是對稱與統(tǒng)一。從對稱與統(tǒng)一中看出中華民族的審美特點——和諧統(tǒng)一。他的審美特點便是代表著人們的一種宗教信仰和精神寄托。現(xiàn)在很多的現(xiàn)代裝飾設(shè)計都大量的運用了這種裝飾方法,既有民族特點又有現(xiàn)代氣息。是今后設(shè)計的主流思想。 在研究的過程中,我采用了古代的審美觀與現(xiàn)代的審美觀相結(jié)合的方法。從饕餮紋所反映的審美觀在現(xiàn)代裝飾領(lǐng)域的應(yīng)用入手,結(jié)合現(xiàn)代的實例進行分析。并對將來的設(shè)計思想進行了一定的預(yù)測。 饕餮紋的影響是非常巨大的,從古代到現(xiàn)代的今天,到處可以看見饕餮紋的影子。饕餮紋是商周時代的象征和代表,也是中華民族的代表。它的特點直到今天還影響著我們�？梢娺@種紋飾魅力與輝煌。 最后,根據(jù)我自己對饕餮紋的理解,結(jié)合我的畢業(yè)作品,簡單的探討了一下,饕餮紋在繩結(jié)藝術(shù)中的應(yīng)用。繩結(jié)藝術(shù)給人以粗獷和大氣之感,如何將現(xiàn)代的繩結(jié)藝術(shù)與饕餮紋很好的結(jié)合起來時我研究的重點。最后,對裝飾性器皿的研究,也做了一點小小的總結(jié)。希望我的研究能給其他學(xué)習(xí)者一個小小的參考。
[Abstract]:Taotie grain is the most important decorative decoration in the Bronze Age in China. Its charm still affects the modern people. The study of gluttony patterns has been involved in all aspects. So it has little research on the influence of modern decorative art. It is a very new proposition. I start with this aspect and hope to give a little reference to the future research. From the point of view of the shape and aesthetic characteristics of the Taotie patterns, this paper focuses on the impact of these characteristics on the field of modern decoration. Modern decoration covers a wide range of architecture, interior design, minority arts. Clothing and so on. From these art forms are affected by the gluttonous patterns. Gluttonous patterns involved a lot of scope, here mainly caught the two aspects of the gluttonous patterns. From symmetry and unity, we can see the aesthetic characteristics of the Chinese nation-harmony and unity. His aesthetic characteristics represent a kind of religious belief of people. And spiritual sustenance. Now a lot of modern decorative design are a lot of the use of this decoration method. It is the mainstream thought of design in the future. In the process of research, I adopted the combination of ancient aesthetics and modern aesthetics, starting with the application of Taotie patterns in the field of modern decoration. Combined with modern examples, this paper makes a certain prediction of the design idea in the future. The influence of gluttony grain is very great, from ancient to modern today, we can see the shadow of gluttonal grain everywhere. Gluttony grain is the symbol and representative of Shang and Zhou dynasties. It is also the representative of the Chinese nation. Its characteristics still affect us today. Finally, according to my own understanding of the gluttonous patterns, combined with my graduation work, a brief discussion of the application of gluttonal tattoos in the art of knots. Knot art gives people a rough and atmospheric feeling. How to combine the modern knot art with the gluttony pattern is the focus of my research. Finally, the study of decorative utensils. Also made a little summary. I hope my research can give other learners a small reference.
【學(xué)位授予單位】：遼寧師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：K876.41

【引證文獻】

相關(guān)期刊論文 前1條

1 李婷婷;;淺談商周青銅器之饕餮紋[J];青春歲月;2013年05期

相關(guān)碩士學(xué)位論文 前1條

1 錢宏旺;青銅器饕餮紋飾元素在中國現(xiàn)代家具設(shè)計中的運用研究[D];南昌大學(xué);2012年

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本文編號：1479791