本文關(guān)鍵詞： 中日 傳統(tǒng)家具 雕刻裝飾 比較 審美　出處：《中南林業(yè)科技大學(xué)》2010年碩士論文　論文類型：學(xué)位論文

【摘要】：中國和日本作為同處于東亞文化圈下的鄰國,其傳統(tǒng)家具因適應(yīng)不同文化習(xí)俗與審美觀念而形成了兩種不同的家具風(fēng)格。但由于中日古代文化與傳統(tǒng)建筑之間的深刻淵源和密切的交流關(guān)系,中日兩國傳統(tǒng)家具雕刻裝飾藝術(shù)有著較大的可比性。 本文以明清時期的中國傳統(tǒng)家具以及同時期的日本傳統(tǒng)家具為主要研究對象,通過平行比較研究法、影響比較研究法對中日傳統(tǒng)家具雕刻裝飾及其影響因素進行比較分析,旨在找出中日傳統(tǒng)家具雕刻裝飾之間形成異同的成因,提供了一種新的視角來比較中日傳統(tǒng)家具之間的相同及不同之處。 論文以中日兩國文化交流為比較研究背景,分析了中日兩國建筑文化交流對兩國傳統(tǒng)家具的影響,發(fā)現(xiàn)中國傳統(tǒng)文化對于日本傳統(tǒng)文化所造成的沖擊很大程度上是通過建筑這一媒介來實現(xiàn)的,探討了中日傳統(tǒng)繪畫、木作技術(shù)和審美意識的交流對兩國傳統(tǒng)家具雕刻裝飾的影響；通過對兩國傳統(tǒng)家具雕刻裝飾的演變的研究,從雕刻手法、雕刻題材、雕刻形式以及雕刻用材四個方面,研究了兩國傳統(tǒng)家具在雕刻裝飾上的特征。在此基礎(chǔ)之上進行平行比較研究,指出了兩國傳統(tǒng)家具在雕刻裝飾上的相同之處與不同之處；二者相同之處在于,雕飾手法的工藝流程與加工工具基本相同,雕飾題材大多具有相同的寓意與內(nèi)涵,雕飾形式多以精雅質(zhì)樸的局部雕飾表現(xiàn)家具的藝術(shù)風(fēng)格,雕飾用材善于利用材料特殊功能和材質(zhì)的天然質(zhì)感和紋理；不同之處在于,在雕飾手法上,中國以多種技法結(jié)合的混合雕為主,日本則以線雕和透雕為主；在雕飾題材上,中國偏好吉祥寓意紋飾,而日本則偏好自然花草紋飾；在雕飾形式上,中國講求對稱,以繁復(fù)華麗的形式和曲線造型來表現(xiàn)恢宏氣勢,日本則偏好非對稱,以簡潔質(zhì)樸的的形式和直線造型來表現(xiàn)纖小細(xì)膩之美。在此基礎(chǔ)上通過對中日傳統(tǒng)家具雕刻裝飾異同的比較分析得出,生活方式高矮上的差異、審美意識趣向上的不同、自然地理環(huán)境優(yōu)劣的不同、對待西方藝術(shù)風(fēng)格態(tài)度上的差異是導(dǎo)致中日傳統(tǒng)家具雕刻裝飾形成異同的主要成因。 綜合上述比較研究結(jié)果,指出：中日兩國傳統(tǒng)家具雕刻裝飾雖然在各自領(lǐng)域都取得了巨大的藝術(shù)成就,但由于在吸納外來文化方式和保持自身文化獨特性上的優(yōu)勢,讓日本傳統(tǒng)家具雕刻裝飾藝術(shù)得以延續(xù)至今并發(fā)揚光大。
[Abstract]:China and Japan are neighbors under the same East Asian cultural circle. Its traditional furniture has formed two different furniture styles because of adapting to different cultural customs and aesthetic concepts, but because of the deep origin and close communication relationship between Chinese and Japanese ancient culture and traditional architecture. Chinese and Japanese traditional furniture carving and decoration art has greater comparability. This article takes the Chinese traditional furniture of the Ming and Qing dynasties and the Japanese traditional furniture of the same period as the main research object, through the parallel comparative research method. In order to find out the causes of the similarities and differences between Chinese and Japanese traditional furniture carving decoration, this paper makes a comparative analysis of the Chinese and Japanese traditional furniture carving decoration and its influencing factors. Provides a new perspective to compare the similarities and differences between Chinese and Japanese traditional furniture. This paper takes the cultural exchange between China and Japan as the comparative research background and analyzes the influence of the Sino-Japanese architectural cultural exchange on the traditional furniture of the two countries. It is found that the impact of Chinese traditional culture on Japanese traditional culture is to a large extent realized through the medium of architecture, and the traditional painting between China and Japan is discussed. The influence of woodwork technology and aesthetic consciousness on the carving and decoration of traditional furniture in the two countries; Through the study of the evolution of the two countries' traditional furniture carving decoration, from the carving techniques, sculpture theme, carving form and carving materials four aspects. This paper studies the characteristics of carving decoration of traditional furniture in the two countries, and points out the similarities and differences between the two countries' traditional furniture in carving decoration on the basis of parallel comparative study. The similarity between the two is that the process of engraving and processing tools are basically the same, most of the sculpture theme has the same meaning and connotation, and most of the sculpture forms express the artistic style of furniture with refined and simple local decoration. The engraving material is good at making use of the material special function and the natural texture and texture of the material; The difference is that, in the engraving techniques, China is based on the combination of a variety of techniques, while Japan is based on line carving and through carving. On the theme of sculpture, China prefers auspicious implicature, while Japan prefers natural flowers and plants. In the form of sculpture, China stresses symmetry, with complex and gorgeous form and curve shape to show grandeur, Japan prefers asymmetry. On the basis of the comparison and analysis of the similarities and differences between Chinese and Japanese traditional furniture carving decoration, the difference of life style on height and height is obtained. The difference of aesthetic consciousness, natural geographical environment and attitude towards western art style is the main cause of the similarities and differences between Chinese and Japanese traditional furniture carving and decoration. Synthesizing the above comparative research results, it is pointed out that although the traditional furniture carving and decoration of China and Japan have made great artistic achievements in their respective fields. However, because of its advantages in absorbing foreign culture and maintaining its own cultural uniqueness, the traditional Japanese furniture carving and decoration art has been continued and developed to this day.
【學(xué)位授予單位】：中南林業(yè)科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J53

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