發(fā)布時(shí)間：2018-01-21 21:47

  本文關(guān)鍵詞： 徽州 古建筑 裝飾元素 瓦當(dāng)紋樣 文化內(nèi)涵　出處：《安徽工程大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：瓦當(dāng),對(duì)建筑屋檐起保護(hù)和裝飾作用,它是實(shí)用性和美學(xué)價(jià)值的綜合體現(xiàn),具有多樣化形式的紋樣和深厚的文化內(nèi)涵,這為設(shè)計(jì)帶來了豐富的創(chuàng)作素材。瓦當(dāng)作為建筑裝飾的構(gòu)件之一,它蘊(yùn)含著地方特有的藝術(shù)、文化和審美等特色,對(duì)它的研究從多方面出發(fā),這些體現(xiàn)出中國(guó)建筑裝飾的文化價(jià)值,延續(xù)了中國(guó)瓦當(dāng)元素的審美標(biāo)準(zhǔn)�；罩萁ㄖ弋�(dāng)裝飾,在滿足遮風(fēng)避雨、防止雨水侵蝕墻面的實(shí)用性作用同時(shí),還具備它特有的審美性,在瓦面的當(dāng)面上,用點(diǎn)、線、面的表現(xiàn)手法體現(xiàn)瓦當(dāng)之美�；罩萑讼矚g將生活中美好的期盼轉(zhuǎn)化為裝飾符號(hào),在倡導(dǎo)自然與人和諧發(fā)展的現(xiàn)代社會(huì),得到了多方面的共鳴。本文以徽州古建筑瓦當(dāng)裝飾元素的創(chuàng)新研究為研究對(duì)象,通過發(fā)現(xiàn)和總結(jié)徽州瓦當(dāng)與裝飾藝術(shù)的共同點(diǎn),提出解決徽州瓦當(dāng)現(xiàn)存的方法,同時(shí)保留徽州古建筑瓦當(dāng)裝飾元素在現(xiàn)代裝飾中的創(chuàng)新應(yīng)用,本文的主要內(nèi)容有以下幾個(gè)方面:首先,本文分析了徽州地區(qū)古建筑瓦當(dāng)裝飾元素的研究背景、研究現(xiàn)狀、研究目的、研究意義和研究方法。歸類總結(jié)了目前徽州瓦當(dāng)?shù)默F(xiàn)狀,并通過對(duì)中國(guó)建筑的屋頂發(fā)展變化、瓦當(dāng)?shù)膩碓�、時(shí)代發(fā)展及徽州地區(qū)的瓦當(dāng)發(fā)展進(jìn)行了剖析,瓦當(dāng)?shù)膩碓赐碛谕叩某霈F(xiàn),同時(shí)瓦當(dāng)?shù)募y樣受到陶瓷和青銅器的影響。其次,本文對(duì)徽州瓦當(dāng)?shù)牡赜蛱厣M(jìn)行分析,系統(tǒng)總結(jié)了徽州瓦當(dāng)?shù)难b飾藝術(shù),重點(diǎn)描述了瓦當(dāng)?shù)闹饕沃�、徽州瓦�?dāng)?shù)默F(xiàn)存紋樣和徽州的瓦當(dāng)文化背景。通過對(duì)徽州地區(qū)的文化背景的細(xì)節(jié)分析,來研究瓦當(dāng)在徽州地區(qū)的裝飾理念,呼應(yīng)傳統(tǒng)文化的社會(huì)屬性�；罩萃弋�(dāng)?shù)淖饔貌粌H是遮雨之物,而且它成為了歷史過程中的一個(gè)見證者,起到了傳承和輔佐建筑外檐的審美作用。最后,通過以上兩方面的研究,結(jié)合裝飾設(shè)計(jì)進(jìn)行分析,對(duì)當(dāng)前徽州瓦當(dāng)面臨的現(xiàn)狀問題,提出解決和建議徽州瓦當(dāng)裝飾元素可以傳承的方法。通過對(duì)瓦當(dāng)圖形的創(chuàng)新型研究,靈活運(yùn)用徽州瓦當(dāng)圖形的簡(jiǎn)單刪減、抽象變形和提取圖形特性來進(jìn)行創(chuàng)新,實(shí)踐徽州瓦當(dāng)?shù)陌咐龖?yīng)用,希望總結(jié)出徽州瓦當(dāng)特有的地域文化規(guī)律,為地域的文化遺產(chǎn)增加自己的一些理解。
[Abstract]:Wadang, which plays a protective and decorative role on the eaves of buildings, is a comprehensive embodiment of practicability and aesthetic value, and has diversified patterns and profound cultural connotations. This brings rich creative material for design. As one of the components of architectural decoration, Wadang contains local unique characteristics of art, culture and aesthetics, so the research on it starts from many aspects. These reflect the cultural value of Chinese architectural decoration and continue the aesthetic standards of Chinese Wadang elements. Huizhou Wadang decoration meets the practical function of shielding wind from rain and preventing Rain Water from eroding the wall at the same time. Also has its unique aesthetic, in the face of tile, with the point, line, face of expression techniques to reflect the beauty of Wadang. Huizhou people like to life the beautiful expectations into decorative symbols. In the modern society, which advocates the harmonious development of nature and man, it has been resonated in many aspects. This paper takes the innovative research on the decoration elements of Huizhou ancient architecture as the research object. By finding and summarizing the common ground between Huizhou Wadang and decorative art, this paper puts forward the existing methods to solve Huizhou Wadang, while retaining the innovative application of Huizhou ancient architecture Wadang decorative elements in modern decoration. The main contents of this paper are as follows: first of all, this paper analyzes the background, research status and purpose of the research on the decoration elements of ancient architecture in Huizhou area. Research significance and research methods. Classified and summarized the current situation of Huizhou Wadang, and through the roof development of Chinese architecture, the source of Wadang, the development of the times and Huizhou area of Wadang development were analyzed. The origin of Wadang is later than the appearance of tile, and the pattern of Wadang is influenced by ceramics and bronze ware. Secondly, this paper analyzes the regional characteristics of Huizhou Wadang, and summarizes the decorative art of Huizhou Wadang systematically. It mainly describes the main shape of Wadang, the existing patterns of Wadang in Huizhou and the cultural background of Wadang in Huizhou. Through the detailed analysis of the cultural background in Huizhou, the paper studies the decoration concept of Wadang in Huizhou. The role of Huizhou Wadang is not only to cover the rain, but also to become a witness in the historical process, which plays an aesthetic role of inheriting and assisting the outer eaves of buildings. Through the above two aspects of research, combined with decorative design to analyze the current situation of Huizhou Wadang problems. Through the innovative research on the Wadang figure, flexible use of simple deletion of Huizhou Wadang figure, abstract deformation and extraction of graphic characteristics to innovate. Practice the case of Huizhou Wadang, hope to sum up the unique regional culture law of Huizhou Wadang, and increase some understanding for the regional cultural heritage.
【學(xué)位授予單位】：安徽工程大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：TU-87;TU238

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本文編號(hào)：1452611