本文關(guān)鍵詞： 宋代 墓葬裝飾 分區(qū)與分期 淵源 功能與意義　出處：《山東大學(xué)》2006年博士論文　論文類型：學(xué)位論文

【摘要】：近年來，古代墓葬裝飾研究逐漸得到考古學(xué)及美術(shù)史界的重視，繼漢、唐之后，宋代是墓葬裝飾發(fā)展的又一個高峰，但是面對豐富的考古資料，研究工作則相對滯后和薄弱。本文試圖在系統(tǒng)整理宋代磚石雕壁畫墓資料的基礎(chǔ)上，進(jìn)行分區(qū)與分期研究，建立宋墓裝飾發(fā)展的時空框架，總結(jié)其時代性及區(qū)域性特點，探討其淵源問題，結(jié)合歷史文獻(xiàn)及相關(guān)圖像資料對典型題材及圖像系統(tǒng)進(jìn)行解讀，并盡可能討論它在文化史、社會史層面的意義。 本文針對一段較長歷史時期的墓葬裝飾進(jìn)行綜合研究，因此研究方法的設(shè)計大體分以下幾個層次。一是利用傳統(tǒng)考古學(xué)的類型學(xué)方法對墓葬資料進(jìn)行分類梳理，尋找其階段性和地域性變化，在此基礎(chǔ)上進(jìn)行分期與分區(qū)，這是最基本的工作，為之后的討論建立一個時空的平臺。二是結(jié)合文獻(xiàn)及相關(guān)材料，探討宋墓裝飾的發(fā)展過程及淵源等問題。三是運用圖像學(xué)等方法對墓葬裝飾的功能與意義進(jìn)行解讀，從而復(fù)原圖像與墓葬本身的關(guān)系，以及圖像與喪葬意識和行為過程的關(guān)系。最后將墓葬裝飾研究與宋代社會、文化相鏈接，以期對復(fù)原當(dāng)時的社會、文化有所幫助。 全文共有八個部分，首先在緒論中對選題意義、研究對象及概念界定、研究目的及方法進(jìn)行說明。宋墓裝飾著重體現(xiàn)了民間層面的文化藝術(shù)和行為觀念，對它的研究必將彌補宋史中對民間層面的社會史、文化史和美術(shù)史研究的不足。 第一章介紹了宋代磚石雕壁畫墓的發(fā)現(xiàn)情況，并對宋墓裝飾研究進(jìn)行了學(xué)術(shù)史的簡要回顧。本文搜集到已發(fā)表的宋代磚石雕壁畫墓共240余座，包括發(fā)掘報告推測為宋末金初的一部分中原北方地區(qū)墓葬，其中以近30年內(nèi)的發(fā)現(xiàn)較為集中。盡管宋墓資料如此豐富，但無論是考古學(xué)還是美術(shù)史的研究者都沒有將過多的目光投向宋墓裝飾，頗具研究性的《白沙宋墓》考古報告和新近出版的《宋元明考古》中的相關(guān)論述是目前國內(nèi)較全面地研究宋墓裝飾的代表。 第二章宋墓裝飾的分類研究主要以墓葬形制、裝飾布局及內(nèi)容為分類依據(jù)，分類目的是將繁雜的資料條理化，總結(jié)各類型的時間、空間分布特點，為分區(qū)與分期提供具體參照。墓葬形制分類首先按照建筑材料不同分為磚室墓、石室墓、磚石混筑墓、土洞墓四大類，每一類又按照墓室多少分為單室墓、雙室墓、多室墓，之后再依據(jù)墓室平面形狀、墓室排列方式、墓室尺寸大小、墓頂形制等參數(shù)劃分型、式，以體現(xiàn)墓葬在形制、規(guī)模等方面的具體差異。墓葬裝飾的布局分類十分概括，主要是體現(xiàn)裝飾在墓葬中分布范圍的大小及位置差異。墓葬裝飾內(nèi)容的分類盡量避免簡單而生硬的分割，在考慮直觀上造型區(qū)別的同時，更多兼顧其
[Abstract]:In recent years, the ancient tombs decoration research gradually received the attention of archaeology and art history. After Han and Tang dynasties, Song Dynasty was another peak of tomb decoration development, but faced with rich archaeological materials. The research work is relatively lagging and weak. On the basis of systematically sorting out the tomb data of brick and stone carvings and murals of Song Dynasty, this paper attempts to study the division and stages, and establish the space-time framework for the development of tomb decoration in Song Dynasty. Summarize its epoch and regional characteristics, discuss its origin, combining with historical documents and related image materials to interpret the typical subjects and image system, and discuss it in the cultural history as much as possible. The meaning of social history. In this paper, a long historical period of tomb decoration for a comprehensive study. Therefore, the design of the research method can be divided into the following levels: first, the traditional archaeological typology method is used to sort out the graveyard data, to find its stage and regional changes. On this basis, staging and partitioning, which is the most basic work, for the subsequent discussion of the establishment of a space-time platform, the second is to combine literature and related materials. This paper discusses the development process and origin of tomb decoration in Song Dynasty. Thirdly, it interprets the function and significance of tomb decoration by means of imageology, so as to restore the relationship between image and tomb itself. Finally, it links the study of burial decoration with the society and culture of Song Dynasty, in order to help restore the society and culture at that time. There are eight parts in the full text, first of all in the introduction to the significance of the topic, research object and definition of the concept. The purpose and method of the study are explained. The tomb decoration of Song Dynasty emphasizes the folk culture and art and the concept of behavior, and its research will make up for the social history of the folk level in the history of Song Dynasty. Lack of research on cultural history and art history. The first chapter introduces the discovery of brick and stone mural tombs in Song Dynasty, and briefly reviews the academic history of the study on the decoration of Song tombs. This paper collects more than 240 published tombs of brick and stone carvings in Song Dynasty. Including excavation reports speculated to be part of the northern part of the Central Plains in the late Song Dynasty and the early Jin Dynasty, the discovery of which has been concentrated in the past 30 years, despite the abundance of data on the Song Tombs. However, no matter archaeology or art history researchers did not focus too much attention on the tomb decoration of the Song Dynasty. The archaeological report of Bai Sha Song Tomb and the related exposition in Song Yuan Ming Dynasty Archaeology published recently are the representatives of the comprehensive study of Song Dynasty tomb decoration in China. In the second chapter, the classification of tomb decoration in Song Dynasty is mainly based on tombs, decorative layout and content. The purpose of classification is to sum up the time and space distribution characteristics of various types of materials. The classification of tombs is firstly divided into four categories according to different building materials: brick tomb, stone tomb, masonry tomb, earth cave tomb, and each type is divided into single room tomb according to the number of tombs. Double-chamber tomb, multi-compartment tomb, and then according to the shape of the tomb, the way of arrangement, the size and size of the tomb, the shape of the top of the tomb and other parameters, the formula to reflect the tomb in shape. The size of the specific differences. Tombs decoration layout classification is very general. It mainly reflects the difference of the distribution range and position of decoration in tombs. The classification of the contents of tombs decoration avoids the simple and stiff segmentation as far as possible, while considering the differences in visual modeling, more attention is given to the classification of the decorative contents of tombs at the same time.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2006
【分類號】：K878.8

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本文編號：1452491