本文關(guān)鍵詞：涼山彝族裝飾藝術(shù)符號(hào)系統(tǒng)解析　出處：《西南交通大學(xué)》2006年碩士論文　論文類型：學(xué)位論文

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【摘要】：涼山彝族是我國(guó)西南地區(qū)的少數(shù)民族，與其他民族一樣，涼山彝族在不斷發(fā)展壯大的過(guò)程中創(chuàng)造了富有本民族特色的文化藝術(shù)。位于四川省南部的涼山彝族自治州是我國(guó)彝族民眾聚集密度最高的地區(qū)之一，由于特殊的地理環(huán)境和獨(dú)特的社會(huì)發(fā)展歷程，使涼山彝族的文化藝術(shù)完整的保留了了自己的特點(diǎn)。涼山彝族的裝飾藝術(shù)，在繼承和發(fā)揚(yáng)彝族本民族傳統(tǒng)文化方面做出了巨大的貢獻(xiàn)。1956年后，涼山彝族社會(huì)直接從奴隸社會(huì)階段跨入到現(xiàn)代社會(huì)，廣大涼山彝族人民的生活水平和生存狀態(tài)得到了極大的改善，特別是20世紀(jì)90年代后期，隨著國(guó)家西部大開(kāi)發(fā)戰(zhàn)略的提出，民族地區(qū)建設(shè)力度的加強(qiáng)，經(jīng)濟(jì)水平較為落后的西部地區(qū)開(kāi)始了全面經(jīng)濟(jì)建設(shè)的高潮�，F(xiàn)在的涼山彝族地區(qū)，，交通、通訊等基礎(chǔ)設(shè)施條件大為改善，人們逐步從過(guò)去封閉的狀態(tài)之中解脫出來(lái)。遺憾的是在涼山彝族地區(qū)經(jīng)濟(jì)水平快速發(fā)展，民眾的生活質(zhì)量逐步提高的同時(shí)，也出現(xiàn)了一系列新的問(wèn)題，其中最為突出的問(wèn)題是涼山彝族傳統(tǒng)民間文化藝術(shù)開(kāi)始出現(xiàn)萎縮。在經(jīng)濟(jì)全球化的趨勢(shì)下，發(fā)達(dá)的商業(yè)文化對(duì)民間傳統(tǒng)文化造成了巨大的影響，傳統(tǒng)文化的各個(gè)層面均被波及，涼山彝族的傳統(tǒng)裝飾藝術(shù)也不能幸免。作為傳統(tǒng)文化重要組成部分的裝飾藝術(shù)面臨諸如社會(huì)環(huán)境變化，經(jīng)濟(jì)全球化背景下的商業(yè)文化的沖擊，涼山彝族傳統(tǒng)裝飾藝術(shù)從業(yè)者的生存環(huán)境惡化，從事民間裝飾藝術(shù)的人數(shù)急劇下降，民間裝飾藝術(shù)后繼乏人等一系列的問(wèn)題。對(duì)涼山彝族的裝飾藝術(shù)進(jìn)行研究整理，尋找應(yīng)對(duì)危機(jī)方法已經(jīng)刻不容緩，本文從涼山彝族裝飾藝術(shù)符號(hào)的構(gòu)成角度入手，結(jié)合民俗學(xué)、社會(huì)學(xué)和美學(xué)的相關(guān)內(nèi)容，對(duì)涼山彝族裝飾藝術(shù)中的社會(huì)傳統(tǒng)文化、涼山彝族的民風(fēng)民俗、宗教、涼山彝族裝飾藝術(shù)的色彩、圖形等多方面展開(kāi)分析，找出構(gòu)成涼山彝族裝飾藝術(shù)系統(tǒng)的符號(hào)體系，以及這些
[Abstract]:Liangshan Yi nationality is a minority in southwest China, just like other nationalities. Liangshan Yi nationality has created culture and art with its own characteristics in the process of continuous development and growth. Liangshan Yi Autonomous Prefecture located in the south of Sichuan Province is one of the areas with the highest concentration of Yi people in China. Because of the special geographical environment and the unique social development course, the Liangshan Yi nationality's culture and art has retained its own characteristic completely. The Liangshan Yi nationality decoration art. In the inheritance and development of the traditional culture of the Yi nationality made a great contribution. After 1956, Liangshan Yi society directly from the slave society into the modern society. Liangshan Yi people's living standards and living conditions have been greatly improved, especially in the late 1990s, with the proposed strategy of the national western development, the construction of ethnic areas has been strengthened. The western region, where the economic level is relatively backward, has begun the climax of overall economic construction. Now the Liangshan Yi nationality region, transportation, communications and other infrastructure conditions have been greatly improved. People gradually released from the closed state of the past. Unfortunately, in Liangshan Yi area, the rapid development of economic level, the quality of life of the people gradually improved, but also appeared a series of new problems. The most prominent problem is that the traditional folk culture and art of Liangshan Yi people began to shrink. Under the trend of economic globalization, the developed commercial culture has a great impact on the traditional folk culture. All aspects of traditional culture have been affected, Liangshan Yi traditional decorative art is not immune. As an important part of traditional culture decorative art is facing such as social environment changes. Under the background of economic globalization, the impact of commercial culture, Liangshan Yi traditional decorative arts practitioners' living environment deteriorated, the number of people engaged in folk decorative art decreased sharply. A series of problems, such as lack of successors in folk decorative art, are urgent to study and arrange the decoration art of Yi nationality in Liangshan, and to find ways to deal with the crisis. This article from the Liangshan Yi decorative art symbol composition angle, unifies the folklore, the sociology and the esthetics correlation content, to Liangshan Yi decoration art social tradition culture, Liangshan Yi folk custom, religion. The color and graphics of Liangshan Yi decorative art are analyzed, and the symbol system of Liangshan Yi decorative art system is found out.
【學(xué)位授予單位】：西南交通大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：J525

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前3條

1 譚瑩;涼山彝族漆藝在本地高校基礎(chǔ)圖案課程中的運(yùn)用研究[D];廣西師范大學(xué);2011年

2 張智艷;傳統(tǒng)蝙蝠紋樣藝術(shù)符號(hào)研究[D];湖南工業(yè)大學(xué);2009年

3 蘇廣婷;基于涼山彝族裝飾符號(hào)的公共設(shè)施設(shè)計(jì)研究[D];西南交通大學(xué);2010年

本文編號(hào)：1432744