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社會學影像創(chuàng)作中的探索

發(fā)布時間:2018-12-11 09:24
【摘要】:縱觀人類藝術(shù)史,自攝影藝術(shù)的發(fā)生,作為呈現(xiàn)和記錄事物的全新視覺媒介,在近180年的攝影藝術(shù)實踐中,經(jīng)歷過無數(shù)關(guān)于藝術(shù)語言與形式的探索,攝影作為一門藝術(shù),從未偏離過對人類精神的關(guān)懷。起源于十九世紀三四十年代的社會學是系統(tǒng)地研究社會行為與人類群體的科學,藝術(shù)一直都在和社會發(fā)生著關(guān)系,當代藝術(shù)家紛紛將社會學調(diào)查加入自己的作品中,作為當代藝術(shù)中的重要成員——攝影,也因獨特的創(chuàng)作優(yōu)勢快速與社會學形成一種新型關(guān)系。在層出不窮的影像作品中,大部分影像給予觀者的思考通常中止于畫面之內(nèi),對于畫面之外的社會學層面的問題,作為創(chuàng)作者的攝影師和作為受眾的觀者都不是一時可以給出答案的。那么,社會學在攝影藝術(shù)中擔任什么樣的角色?當代藝術(shù)中的攝影與社會學又是怎樣的一種關(guān)系?社會學的研究對當代攝影創(chuàng)作又有什么樣的影響呢?筆者通過畢業(yè)作品的拍攝,對這一問題進行了深入的研究。主要是將作品主題與社會學、人類學聯(lián)系起來,從社會出發(fā),確定主題,尋找題材,開始準備一系列案頭工作,然后進行田野式調(diào)查,將拍攝對象結(jié)合事先撰寫好的劇本進行綜合篩選,最后進行一個個實地拍攝。另外,拍攝過程中為了降低同類型樣本的重復率,不斷進行方案調(diào)整,分階段地編輯與小結(jié)。通過拍攝項目不斷地實施與跟進,一些準備工作中未預料的問題也開始出現(xiàn),除了技術(shù)上的問題逐漸解決,這組作品的深層意義也不斷浮現(xiàn)出來。
[Abstract]:Throughout the history of human art, since the emergence of photography art, as a new visual medium to present and record things, in the recent 180 years of photographic art practice, has experienced countless exploration of artistic language and form, photography as an art, Never deviated from the concern for the human spirit. Sociology, which originated in the 1930s and 1940s, is a systematic study of social behavior and the science of human groups. Art has always been related to society, and contemporary artists have incorporated sociological investigations into their works. As an important member of contemporary art, photography forms a new relationship with sociology because of its unique creative advantages. In the endless stream of video works, most of the images give the viewer thought which is usually suspended in the picture, for the problem of the sociological level outside the picture, Neither a photographer as a creator nor a viewer as an audience can give an answer for a while. So what role does sociology play in the art of photography? What is the relationship between photography and sociology in contemporary art? What is the impact of sociological research on contemporary photographic creation? The author made a deep research on this problem through the shooting of graduation works. It is mainly to link the theme of the work with sociology and anthropology, from the point of view of society, to determine the theme, to look for the subject matter, to begin to prepare a series of desk work, and then to conduct fieldwork. The subjects will be combined with a pre-written script for comprehensive screening, and finally a field shoot. In addition, in order to reduce the repetition rate of the same type of samples during the shooting process, the scheme is adjusted continuously and edited and summarized in stages. Through the continuous implementation and follow-up of the shooting project, some unexpected problems in the preparation work also began to appear. In addition to the technical problems gradually resolved, the deep significance of this group of works is also emerging.
【學位授予單位】:上海師范大學
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:J404

【參考文獻】

相關(guān)期刊論文 前1條

1 蕭子揚;;“流動的酒席”:后(新)鄉(xiāng)土中國的一個表征[J];長春教育學院學報;2016年10期

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本文編號:2372302

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