【摘要】：與西方的自拍史相比,中國的自拍史是斷層的、交叉的、突變的,其動態(tài)演進范圍主要集中在1996年數(shù)碼相機進入中國市場和互聯(lián)網(wǎng)登錄中國之后的時間段。隨著手機拍攝功能和互聯(lián)網(wǎng)技術(shù)的發(fā)展,自拍的主要受眾越來越多地分布在青少年人群中,自拍也由最初鏡像式的生活現(xiàn)場記錄發(fā)展到社交媒體自畫像的數(shù)字造顏,進而演化為群體凝視下的信息資本,實質(zhì)上是視覺消費從邊緣到中心的深入過程。這種視覺消費生成了一個臉譜共同體,自拍作為一項大眾文化實踐,不再是粗糙的感官消費和簡單的時間切割,它進行了一輪又一輪的空間轉(zhuǎn)向,現(xiàn)實生活的時間留存延異成虛擬空間的身體政治。
[Abstract]:Compared with the history of selfie in the West, the history of selfie in China is faulted, intersecting and abrupt. Its dynamic evolution range is mainly focused on the period after the digital camera entered the Chinese market and the Internet entered China in 1996. With the development of mobile phone shooting function and Internet technology, the main audience of selfie is more and more distributed among teenagers. Selfie has also developed from the original mirrored life scene record to the digital appearance of social media self-portrait. And then it evolves into the information capital under group gaze, which is essentially the deep process of visual consumption from edge to center. This kind of visual consumption creates a Facebook community, selfie as a popular cultural practice, no longer rough sensory consumption and simple time cutting, it goes through a round of space turns. The time of real life remains the body politics that devolves into virtual space.
【作者單位】： 暨南大學;網(wǎng)易LOFTcam;騰訊原創(chuàng)館;
【分類號】：J405
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本文編號：2199674