【摘要】：攝影自發(fā)明以來就與時裝結(jié)下了不解之緣，兩個完美的結(jié)合，催生了人們多彩的夢幻與憧憬。它用二維的影像詮釋著多姿多彩的時裝魅力，記錄著人們在某一時期對某種服裝的追捧，這種追捧有時放浪不羈、有時委婉羞澀、有時飄渺不定、有時可望而不可及。這就是時裝攝影所產(chǎn)生的魅力。 在論文中結(jié)合21世紀(jì)的時裝攝影作品，解析當(dāng)代國內(nèi)外攝影的發(fā)展現(xiàn)狀及未來的發(fā)展趨勢。同時，通過自身的攝影實踐，來詮釋當(dāng)代時裝攝影各要素之間的關(guān)系。從一個攝影師的視角試圖去解析“時裝攝影”，以此來探討其中的奧秘，為今后的在實踐補充營養(yǎng)。 論文共分為五個大章節(jié)。在第一章節(jié)中分別敘述了時裝攝影的魅力、時裝攝影的價值以及國內(nèi)外時裝攝影的發(fā)展現(xiàn)狀。 在第二章節(jié)中，從攝影學(xué)的誕生談起，敘述了攝影與服裝的緣源。它們這種相輔相成的緊密結(jié)合，促使了服裝的發(fā)展，成為時裝的和時尚生活的推介，展現(xiàn)了人們在某一時期的穿著方式，，影響著人們時尚穿著的生活追求。 在第三章節(jié)中，論述了時裝攝影除了給人以藝術(shù)上的享受之外，它的終極目標(biāo)則是在于傳播時裝里蘊含的文化信息以及超前的引導(dǎo)消費。從而形成消費文化轉(zhuǎn)變?yōu)槿藗兩畹闹匾M成部分。在本章中同時也對時裝攝影的風(fēng)格進(jìn)行多方位的論述。 在第四，五章節(jié)中，先從理論上闡述了時裝、時裝攝影師、時裝模特、時裝傳播媒介，這四大時裝攝影的構(gòu)成元素。以此為基點，指導(dǎo)時裝攝影的拍攝實踐。在實踐這一章節(jié)中，以一個科研實際案例為基準(zhǔn)，從創(chuàng)意的主題設(shè)定，道具、形式的運用，結(jié)合光影、色彩、空間等表現(xiàn)手法交錯使用，歸納總結(jié)了一套時裝品牌的時裝攝影的創(chuàng)作方法和實施辦法，以此來實現(xiàn)主客觀的一致性，從而驗證理論與實踐的相結(jié)合。對我國時裝攝影的發(fā)展和人民生活水平的提高具有現(xiàn)實的啟發(fā)和指導(dǎo)意義。
[Abstract]:Photography and fashion since the invention of the bond, the two perfect combination, the birth of colorful dreams and vision. It uses two-dimensional images to interpret the colorful charm of fashion, recording people in a certain period of pursuit of a certain clothing, this kind of pursuit sometimes unrestrained, sometimes euphemistic shyness, sometimes ethereal, sometimes can not reach. This is the charm of fashion photography. In this paper, the present situation and future trend of contemporary photography at home and abroad are analyzed in combination with the work of fashion photography in the 21st century. At the same time, through its own photography practice, to explain the relationship between the elements of contemporary fashion photography. From a photographer's point of view, this paper tries to analyze fashion photography, so as to probe into the mystery and supplement nutrition in practice in the future. The paper is divided into five chapters. In the first chapter, the charm of fashion photography, the value of fashion photography and the development of fashion photography at home and abroad are described. In the second chapter, the origin of photography and clothing is described from the birth of photography. This close combination of them promotes the development of clothing, becomes the introduction of fashion and fashion life, shows the way people wear in a certain period, and affects the pursuit of people's fashion life. In the third chapter, it is discussed that the ultimate goal of fashion photography is to spread the cultural information contained in fashion and guide consumption ahead of time, in addition to giving people artistic enjoyment. Thus the formation of consumer culture into an important part of people's lives. The style of fashion photography is also discussed in this chapter. In the fourth and fifth chapters, the four major elements of fashion photography are discussed theoretically, such as fashion, fashion photographers, fashion models, fashion media. With this as the basis point, guide fashion photography shooting practice. In this chapter of practice, based on an actual case of scientific research, from the creative theme setting, props, the use of form, combined with light and shadow, color, space and other performance techniques staggered use, This paper summarizes a set of fashion photography creation methods and implementation methods to achieve subjective and objective consistency, so as to verify the combination of theory and practice. It has practical enlightening and guiding significance for the development of fashion photography and the improvement of people's living standard.
【學(xué)位授予單位】：西安工程大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J413.9

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