【摘要】：本文主要論述了中西方攝影對(duì)宗教題材的表現(xiàn)方式和呈現(xiàn)的文化內(nèi)涵,首先梳理了攝影起源到20世紀(jì)初期中西方攝影家對(duì)宗教題材的關(guān)注,列舉了約翰·湯姆森(John Thomson)、奧斯卡·古斯塔夫·雷蘭德(Oscar Gustave Rejlander)、莊學(xué)本等具有代表性的攝影家。其次以當(dāng)代攝影為切入點(diǎn),重點(diǎn)介紹了紀(jì)實(shí)攝影師呂楠對(duì)中國(guó)天主教和藏傳佛教的拍攝項(xiàng)目,杉本博司和安德烈斯·塞拉諾(Andres Serrano)以攝影的名義解讀宗教文化,還對(duì)大眾攝影消費(fèi)宗教題材的現(xiàn)象展開(kāi)了論述。蘭州的發(fā)展現(xiàn)狀,探討城市對(duì)民族融合發(fā)揮的作用。
[Abstract]:This paper mainly discusses the expression and cultural connotation of Chinese and Western photography on religious subjects. First, it combs the attention of Chinese and Western photographers to religious themes from the beginning of the 20th century. Some representative photographers such as John Thomson (John Thomson), Oscar Gustav Rayland (Oscar Gustave Rejlander), School are listed. Secondly, taking contemporary photography as the starting point, the paper focuses on the documentary photographer Lu Nan's shooting project of Chinese Catholicism and Tibetan Buddhism, and explains religious culture by Sugimoto and Andries Serrano (Andres Serrano) in the name of photography. It also discusses the phenomenon of mass photography consuming religious themes. The present situation of Lanzhou's development and the function of city to national integration are discussed.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J405

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 陳建中;;由“類型學(xué)攝影”到“景觀攝影”[J];中國(guó)攝影家;2010年04期

2 蔡萌;;景觀·靜觀 中國(guó)當(dāng)代攝影轉(zhuǎn)型的階段性總結(jié)[J];東方藝術(shù);2010年01期

相關(guān)碩士學(xué)位論文 前1條

1 王亞博;禪攝影的意境美研究[D];云南師范大學(xué);2013年

，

本文編號(hào)：2155145