攝影藝術(shù)中的美感表現(xiàn)語言研究
發(fā)布時間:2018-06-30 16:55
本文選題:攝影藝術(shù) + 美感 ; 參考:《延邊大學(xué)》2011年碩士論文
【摘要】:本論文以攝影藝術(shù)中的美、美感及其表現(xiàn)語言為主要研究對象,主要研究了攝影藝術(shù)中美感的不同表現(xiàn)和其在攝影藝術(shù)審美關(guān)系和創(chuàng)作實踐中的應(yīng)用,意圖是通過理論與實踐的結(jié)合來論證美感表現(xiàn)語言在攝影藝術(shù)中的運(yùn)用,使其有助于提高攝影藝術(shù)的創(chuàng)作水平和審美素養(yǎng)。 攝影藝術(shù)是科學(xué)與藝術(shù)相結(jié)合的現(xiàn)代造型藝術(shù),是攝影者使用照相機(jī),運(yùn)用攝影技術(shù)和技巧,按照攝影藝術(shù)的審美規(guī)律和特點進(jìn)行的一種藝術(shù)創(chuàng)作。它是反映社會生活和自然現(xiàn)象,并表達(dá)創(chuàng)作者主觀思想情感的一種視覺藝術(shù)形態(tài)。 在傳統(tǒng)攝影中,主要通過光線、影調(diào)、色調(diào)、線條和拍攝角度來構(gòu)成作品的造型語言。傳統(tǒng)攝影作品里的被攝對象是客觀的存在物或是對客觀存在物的再現(xiàn)、再造和加工,創(chuàng)作者和欣賞者都是希望在其中尋求真實的美、瞬間的美,這種美來源于人類的生活和幻想,它是攝影藝術(shù)取之不斷的創(chuàng)作源泉。不管那些攝影作品得到了怎樣的評價,在攝影師按動快門和欣賞者的視線停留在照片的那一剎那,他們都感覺到了美,或是被某種感覺而吸引。 現(xiàn)當(dāng)代攝影中的美感,主要在超現(xiàn)實主義攝影、新紀(jì)實攝影、藝術(shù)攝影中表現(xiàn)得較典型。超現(xiàn)實主義攝影的藝術(shù)造型手段是多種多樣的,它以純粹的無意識狀態(tài)來表達(dá)思想的真實過程,在不受理性的任何控制、又沒有任何美學(xué)和道德的成見時超現(xiàn)實主義表現(xiàn)出思想的自由。新紀(jì)實攝影作品中我們不僅能感受到攝影師對生活與真實的獨特理解,更多的是使人感受心靈的真實與單純的美。當(dāng)代藝術(shù)攝影已成為最容易被人接受也最令人質(zhì)疑的藝術(shù),它的表現(xiàn)語言豐富多彩,或是把攝影當(dāng)做繪畫的另一種表現(xiàn)手段,或是把攝影當(dāng)做商品的宣傳工具,或是把攝影看做人們記錄生活感受和情境的媒介。 在以上理論研究的基礎(chǔ)上本人也進(jìn)行過實踐探索,以快感、痛感、真實感、同情感和新奇有趣感等一系列人類情感為主要素材,進(jìn)一步探討了這些因素在攝影藝術(shù)中怎樣產(chǎn)生出美感,認(rèn)為適當(dāng)?shù)剡\(yùn)用攝影藝術(shù)本身的造型語言能夠?qū)ι鐣钪谐R姷哪切┣榫爱a(chǎn)生不同的審美感受。美感本身就是感知與被感知的關(guān)系,我們被現(xiàn)實生活所感動,即而產(chǎn)生借助某種媒介記錄和表現(xiàn)出那令我們感動的情與物美,同時也能夠通過作品去感染其他人,尋求美感的共鳴,這是人類的一種獨特的心理要求,也是人們生活中必不可少的審美追求。藝術(shù)所表現(xiàn)的不都是歡樂與幸福的一面,其實更多的是表現(xiàn)與之相反的情感。這是因為在具體的藝術(shù)實踐過程中我們對事物的感覺是可以相互轉(zhuǎn)化的,并在一定條件下是可以使其轉(zhuǎn)化和升華為美,并使人感受到美。
[Abstract]:This thesis focuses on the beauty, aesthetic feeling and its expressive language in photography art. It mainly studies the different expressions of aesthetic feeling in photography art and its application in the aesthetic relationship and creative practice of photography art. The intention is to prove the application of aesthetic expression language in photography art through the combination of theory and practice, so that it can help to improve the creative level and aesthetic literacy of photography art. Photography art is a modern plastic art which combines science and art. It is a kind of artistic creation that photographers use cameras, photography techniques and techniques, according to the aesthetic law and characteristics of photography art. It is a visual art form that reflects social life and natural phenomena and expresses the creator's subjective thoughts and feelings. In traditional photography, the modeling language is mainly composed of light, shadow, tone, line and shooting angle. In traditional photographic works, the subject is an objective being or the reproduction, reconstruction and processing of an objective existence. Both the creator and the appreciator hope to seek the true beauty, the instant beauty, in it. This kind of beauty originates from human life and fantasy, and it is the creative source of photography art. No matter how the photographs are rated, they feel beautiful or attracted by a certain feeling as they press the shutter and the viewer's eyes stay in the picture. The aesthetic feeling in modern and contemporary photography is typical in surrealist photography, new documentary photography and art photography. The artistic modeling of surrealist photography is varied. It expresses the true process of thought in a purely unconscious state, with any control of inadmissibility. Yet there is no aesthetic or moral preconception when surrealism expresses freedom of thought. In the new documentary photography works, we can not only feel the photographer's unique understanding of life and reality, but also make people feel the true and simple beauty of the soul. Contemporary art photography has become one of the most acceptable and questionable forms of art, with rich and varied expressions, either as another form of expression of painting, or as a means of promoting photography as a commodity. Or use photography as a medium for recording people's feelings and situations in life. On the basis of the above theoretical research, I have also carried out practical exploration, taking a series of human emotions, such as pleasure, pain, reality, common emotion and novelty and fun, as the main material. This paper further discusses how these factors produce aesthetic feeling in photography art, and thinks that the proper use of the modeling language of photography art itself can produce different aesthetic feelings for those common situations in social life. Beauty itself is the relationship between perception and perception, and we are moved by real life, that is, by recording and expressing the feelings and things that move us through some media, and at the same time we are able to infect other people through our works. Seeking the resonance of aesthetic sense is a unique psychological requirement of human beings and an indispensable aesthetic pursuit in human life. Art is not all about joy and happiness, but more about the opposite emotion. This is because in the process of specific art practice, our feelings of things can be transformed into each other, and under certain conditions, it can be transformed and sublimated into beauty, and people can feel beauty.
【學(xué)位授予單位】:延邊大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2011
【分類號】:J401
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