本文選題：陳萬里 + 20世紀(jì)二三十年代　； 參考：《福建師范大學(xué)》2013年碩士論文

【摘要】：20世紀(jì)二三十年代是中國攝影藝術(shù)開始形成的重要階段,亦是我國攝影藝術(shù)民族化探索的源頭。陳萬里先生作為這段時(shí)期最主要的攝影創(chuàng)作者、攝影團(tuán)體發(fā)起人以及攝影活動(dòng)家,不僅在攝影創(chuàng)作上取得了卓越的成就,而且為攝影藝術(shù)化、民族化做出了重要貢獻(xiàn)。 本文以研究陳萬里攝影藝術(shù)為切入點(diǎn),以其同時(shí)代攝影家群體的探索與努力為歷史背景,探究這個(gè)時(shí)期攝影藝術(shù)所體現(xiàn)的個(gè)性化與民族化。從而為當(dāng)今攝影藝術(shù)的發(fā)展提供理論依據(jù)和歷史文本,以期對(duì)我國攝影藝術(shù)創(chuàng)作下一階段的民族化發(fā)展有所裨益。 為此,本研究在整理和分析陳萬里攝影創(chuàng)作與攝影活動(dòng)的基礎(chǔ)上,通過梳理20世紀(jì)二三十年代攝影發(fā)展的歷史資料,探討陳萬里個(gè)人攝影實(shí)踐活動(dòng)與我國攝影藝術(shù)啟蒙和發(fā)展的關(guān)系,并以當(dāng)時(shí)中國的社會(huì)、政治、經(jīng)濟(jì)及文藝等大環(huán)境為背景,對(duì)陳萬里攝影藝術(shù)進(jìn)行綜合性考量,展現(xiàn)我國早期攝影家賦予攝影藝術(shù)以民族特色的創(chuàng)造精神。同時(shí),從中華傳統(tǒng)文化和藝術(shù)美學(xué)的視角出發(fā),梳理出這一時(shí)期中國攝影從匠藝向藝術(shù)化、民族化轉(zhuǎn)型的脈絡(luò)歷程,從而完成對(duì)這一時(shí)期我國攝影藝術(shù)發(fā)展的歷史敘事。
[Abstract]:The twenties and thirties of the 20th century is an important stage for the formation of Chinese photography art, and also the source of the exploration of the nationalization of Chinese photography art. As the most important photographer in this period, Mr. Chen Wanli has not only made outstanding achievements in photography creation, but also made important contributions to the art and nationalization of photography. This article takes the research of Chen Wanli's photography art as the breakthrough point, taking the exploration and the effort of his contemporary photographer group as the historical background, probes into the individuation and nationalization of the photography art of this period. Therefore, it can provide theoretical basis and historical text for the development of photography art nowadays, in order to benefit the nationalization development of the next stage of photography art creation in our country. Therefore, on the basis of collating and analyzing Chen Wanli's photographic creation and activities, this study combs the historical data of photography development in the 1920s and 1930s. This paper probes into the relationship between Chen Wanli's personal photography practice and the enlightenment and development of photography art in China, and makes a comprehensive consideration of Chen Wanli's photography art against the background of the social, political, economic and literary environment of China at that time. Show the creative spirit of Chinese early photographers to give photography art with national characteristics. At the same time, from the perspective of Chinese traditional culture and art aesthetics, this paper combs out the course of the transformation of Chinese photography from craftsmanship to artistry and nationalization, so as to complete the historical narration of the development of Chinese photography art in this period.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：K825.7;J409.2

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本文編號(hào)：1971547