本文選題：時裝攝影 + 敘事��； 參考：《南京師范大學(xué)》2006年碩士論文

【摘要】：時裝攝影在經(jīng)歷一個多世紀(jì)的發(fā)展之后，由最早的只是對服裝的一種簡單記錄，逐漸發(fā)展成為攝影的一個重要門類，有些時裝攝影作品甚至登上了藝術(shù)殿堂，逐漸為人們所認(rèn)可。從當(dāng)代西方時裝攝影的發(fā)展來看，時裝攝影被賦予了更多的內(nèi)容，時裝攝影在再現(xiàn)時裝特征的同時也反映著人類生活。 本文通過對西方時裝攝影發(fā)展脈絡(luò)的回顧，以及通過對一些典型的西方時裝攝影大師的作品進行分析，從而歸納出當(dāng)代西方時裝攝影在表現(xiàn)語言上，已經(jīng)擺脫了傳統(tǒng)意義上的時裝的拍攝方式。時裝攝影大量借鑒了電影和紀(jì)實攝影的敘事表現(xiàn)手法，從而形成了時裝攝影的敘事風(fēng)格。文章主要對當(dāng)代西方時裝攝影中的電影風(fēng)格和紀(jì)實性的快照風(fēng)格進行研究。通過對當(dāng)代著名的時裝攝影大師的典型作品分析，讓讀者認(rèn)識到敘事風(fēng)格在當(dāng)代西方時裝攝影中的重要性。隨著時裝攝影的不斷發(fā)展，時裝攝影的表現(xiàn)主體也發(fā)生了變化。在當(dāng)代時裝攝影中，原先時裝攝影表現(xiàn)的主體——時裝，已經(jīng)變成時裝攝影表現(xiàn)的一種道具，或者說是一種附屬。時裝攝影成為反映人類生活、文化、政治、經(jīng)濟的一種載體。 由于我國的時裝攝影相對西方起步較晚，因此到目前為止還沒有形成一定的系統(tǒng)和自己的表現(xiàn)語言。本文通過對西方時裝攝影中的敘事風(fēng)格進行研究，希望給國內(nèi)的時裝攝影師，以及相關(guān)人員一定的指導(dǎo)、借鑒，從而能夠促進中國時裝攝影的發(fā)展。
[Abstract]:After more than a century of development, fashion photography has gradually developed from a simple record of clothing to an important category of photography, some of which have even entered the art palace. Be accepted by people gradually. From the development of contemporary western fashion photography, fashion photography has been given more content, fashion photography not only reproduces the fashion characteristics, but also reflects human life. By reviewing the development of western fashion photography and analyzing the works of some typical western fashion photography masters, this paper sums up the expression language of contemporary western fashion photography. Has been out of the traditional sense of fashion shooting. Fashion photography draws lessons from the narrative techniques of film and documentary photography, thus forming the narrative style of fashion photography. This paper mainly studies the film style and documentary snapshot style in contemporary western fashion photography. Through the analysis of the typical works of the famous contemporary fashion photography master, the readers realize the importance of narrative style in contemporary western fashion photography. With the development of fashion photography, the main body of fashion photography has also changed. In contemporary fashion photography, the main body of fashion photography performance-fashion, has become a kind of props, or accessories. Fashion photography has become a carrier reflecting human life, culture, politics and economy. Because the fashion photography of our country started relatively late compared with the west, so far there has not been a certain system and its own performance language. By studying the narrative style of western fashion photography, this paper hopes to give some guidance and reference to domestic fashion photographers and related personnel, so as to promote the development of Chinese fashion photography.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2006
【分類號】：J41

【引證文獻】

相關(guān)碩士學(xué)位論文 前1條

1 林鳳秒;當(dāng)代西方時裝攝影中的情色表現(xiàn)與傳達研究[D];蘇州大學(xué);2010年

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本文編號：1957447