本文選題：視知覺 + 瞬間�。� 參考：《中國美術(shù)學(xué)院》2009年碩士論文

【摘要】： 在攝影術(shù)誕生的170年中,這門行走在科技領(lǐng)域和藝術(shù)領(lǐng)域的邊緣學(xué)科,在其技術(shù)領(lǐng)域與藝術(shù)理論研究領(lǐng)域的發(fā)展都未為壯觀。本文將以歷史上極具影響的女性攝影師為案例,以自拍這一常用技術(shù)手段在應(yīng)用時的各種表現(xiàn)為出發(fā)點(diǎn),分析女性攝影師基于性別差異而產(chǎn)生的影像藝術(shù)作品的性別問題。 在視知覺中,女性的自拍是一種自我的體認(rèn);在時間感知中,女性的自拍是一種自在的呈現(xiàn)場;在照片中,女性的自拍是一種感情意象的符號化。簡言之,我認(rèn)為大多數(shù)女性攝影師都有自拍意識,區(qū)別在于一種是讓自己作為符號以表征從同類事物中概括出來的形象特質(zhì),另一種是讓自己成為模式化的典型形象�？傊�,在照片中,一種情況是女性攝影師們在用其他事物來表征自己,另一種情況則是用自己來表征某種事物。
[Abstract]:In the 170 years since photography was born, it has been a marginal discipline in the field of science and technology and in the field of art theory, and its development has not been spectacular. This paper will take the highly influential female photographers in history as a case study to analyze the gender problems of female photographers' images based on gender differences by taking selfie as the starting point of various manifestations in the application of this commonly used technique. In the visual perception, the female selfie is a kind of self-recognition; in the time perception, the female selfie is a kind of free presentation field; in the photo, the female selfie is a symbol of the emotional image. In short, I think most female photographers have selfie consciousness, the difference is that they use themselves as symbols to represent the image traits that come from the same kind of thing, and the other is to make themselves a stereotypical image. In short, in a picture, a female photographer is using something else to represent herself, and another is to represent something by herself.
【學(xué)位授予單位】：中國美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J405

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