本文選題：解析 + 當(dāng)代��； 參考：《美術(shù)觀察》2013年04期

【摘要】：正隨著攝影收藏市場(chǎng)的興盛,攝影藝術(shù)在當(dāng)代中國(guó)藝術(shù)中已經(jīng)占到極為重要的地位。攝影的功能從一開(kāi)始就是顯而易見(jiàn)的,注重精確反映現(xiàn)實(shí)的能力和具有表情達(dá)意的潛能。我們一直強(qiáng)調(diào)攝影是一種具有獨(dú)特的性質(zhì)或?qū)傩缘奶厥饷浇椤z影的主要功能就是利用光學(xué)成像原理盡可能客觀、準(zhǔn)確、清晰地記錄現(xiàn)實(shí)事物的外在現(xiàn)象。在這種現(xiàn)實(shí)理論的支撐下,攝影具有科學(xué)的確定性,它應(yīng)當(dāng)是一種記錄客觀事物的攝影類型,對(duì)于真實(shí)、正面的歷史而言,相片是最具有客觀科
[Abstract]:With the prosperity of photography collection market, photography art has occupied an extremely important position in contemporary Chinese art. The function of photography was obvious from the beginning, focusing on the ability to accurately reflect reality and the potential of expression. We have always emphasized that photography is a special medium with unique properties or attributes. The main function of photography is to use the principle of optical imaging to record the external phenomena of real things as objectively, accurately and clearly as possible. Supported by this realistic theory, photography has scientific certainty. It should be a type of photography that records objective things. For real and positive history, photograph is the most objective subject.
【作者單位】： 華南師范大學(xué)美術(shù)學(xué)院;
【分類號(hào)】：J409.2
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本文編號(hào)：1934834