本文選題：新聞攝影 + 視覺傳播��； 參考：《華中師范大學(xué)》2017年碩士論文

【摘要】：數(shù)字技術(shù)和傳播手段的革新,極大豐富了媒介在傳播活動(dòng)中的信息載體和信息形態(tài)。全媒體融合帶來(lái)多重渠道的信息交互,讀圖時(shí)代為視覺影像在媒介生態(tài)中的傳播提供得天獨(dú)厚的優(yōu)勢(shì)。新聞攝影作為視覺影像的分支,從一個(gè)專業(yè)性概念的提出發(fā)展到廣泛應(yīng)用媒介傳播的各個(gè)環(huán)節(jié)中,并在改革開放后的幾十年中發(fā)生了質(zhì)的變化,其地位和作用不容小覷。但任何事物的發(fā)展過(guò)程必定帶有倫理爭(zhēng)議。關(guān)于媒介倫理的研究,一直是新聞傳播研究中的一個(gè)重要領(lǐng)域。本文以新聞攝影作品為研究主體,分析總結(jié)視覺影像在媒介傳播活動(dòng)中的倫理失范問題,主要從以下三方面對(duì)此進(jìn)行討論。通過(guò)對(duì)新聞攝影、倫理、媒介倫理、視覺傳播倫理等相關(guān)概念的界定,從倫理學(xué)、傳播學(xué)等研究領(lǐng)域,對(duì)視覺影像傳播倫理內(nèi)涵做出清晰地解釋和說(shuō)明,進(jìn)一步厘清新聞攝影活動(dòng)中兩對(duì)倫理關(guān)系的存在基礎(chǔ)及原因。通過(guò)結(jié)合部分新聞攝影案例,總結(jié)視覺傳播倫理存在的具體體現(xiàn),歸納倫理失范的四種現(xiàn)實(shí)表現(xiàn),即媒介視覺暴力、政治權(quán)力控制、視覺影像失實(shí)和二次傷害,并總結(jié)探究我國(guó)新聞攝影倫理失范問題產(chǎn)生的多種原因。針對(duì)新聞攝影的影像傳播倫理失范原因,正視媒介生態(tài)中亟待解決的倫理問題,從內(nèi)化專業(yè)、強(qiáng)化把關(guān)、培育意識(shí)、建立標(biāo)準(zhǔn)等多角度對(duì)視覺傳播倫理建設(shè)的路徑加以梳理,并提出解決對(duì)策,以期在建構(gòu)我國(guó)新聞視覺傳播倫理發(fā)展體系和脈絡(luò)中提出可行參考。
[Abstract]:The innovation of digital technology and means of communication has greatly enriched the information carrier and information form of media in communication activities. The whole media fusion brings multiple channels of information interaction, and the age of picture reading provides a unique advantage for the dissemination of visual images in the media ecology. News photography, as a branch of visual image, has developed from a professional concept to a wide range of media communication links, and has undergone qualitative changes in the decades after the reform and opening up, its status and role should not be underestimated. But there must be ethical controversy in the development of anything. The study of media ethics has always been an important field in the study of news communication. This paper takes the news photography as the research subject, analyzes and summarizes the ethical anomie of visual images in the media communication activities, and mainly discusses it from the following three aspects. Through the definition of news photography, ethics, media ethics, visual communication ethics and other related concepts, from the field of ethics, communication and other research fields, this paper makes a clear explanation and explanation of the ethical connotation of visual image communication. To further clarify the two pairs of news photography in the existence of ethical relations and reasons. By combining with some news photography cases, this paper summarizes the concrete embodiment of the existence of visual communication ethics, and concludes four kinds of practical manifestations of ethical anomie, that is, media visual violence, political power control, visual image misrepresentation and secondary injury. And summarizes and explores our country news photography ethics to lose the standard question produces many kinds of reasons. In view of the reason of the imperfection of the image communication ethics in the news photography, this paper faces the ethical problems in the media ecology urgently to be solved, and combs the path of the construction of visual communication ethics from the aspects of internalizing the specialty, strengthening the gateways, cultivating the consciousness, establishing the standard and so on. Some countermeasures are put forward in order to put forward the feasible reference in constructing the development system and context of news visual communication ethics in our country.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：G206;J419.1

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