本文選題：紀(jì)實(shí)攝影 + 城市化　； 參考：《安徽大學(xué)》2014年碩士論文

【摘要】：中國(guó)的紀(jì)實(shí)攝影在20世紀(jì)80年代迎來了“春天”,不僅在學(xué)術(shù)上有了符合中國(guó)特色的探索進(jìn)步,而且在記錄、表現(xiàn)、傳承上都有了新的轉(zhuǎn)變、新的突破、新的發(fā)展。而城市作為政治、經(jīng)濟(jì)、文化、人口等多方面因素的聚集地,以城市為題材的紀(jì)實(shí)攝影逐漸走進(jìn)了人們的視野。于是,“城市表情”也逐漸成為表現(xiàn)城市的重要方式之一。攝影家、媒體記者、社會(huì)大眾等逐漸開始用圖片紀(jì)實(shí)方式來反映城市的千姿百態(tài)、記錄社會(huì)發(fā)展變化具體歷程、揭示城市化帶來的問題、聚焦城市邊緣化群體的生存狀況等等,這種直接、方便、且具有現(xiàn)場(chǎng)感的視覺手段得到了社會(huì)大眾的一致認(rèn)可,并傳播利用開來。 “城市表情”一詞源自復(fù)旦大學(xué)新聞傳播學(xué)院教授、著名紀(jì)實(shí)攝影家、攝影評(píng)論家、策展人顧錚的《城市表情》一書,也是特指以城市為題材的攝影。隨著紀(jì)實(shí)攝影的逐步普及與發(fā)展,以城市為題材的攝影作品也從單一宣傳到立體視角轉(zhuǎn)變、從客觀記錄到城市表現(xiàn)的轉(zhuǎn)變、從物質(zhì)生活到精神追求的轉(zhuǎn)變、從內(nèi)容單一到追求城市變化的轉(zhuǎn)變。而伴隨著城市紀(jì)實(shí)攝影語言的變化,手機(jī)、微博、微信等多樣化傳播媒介的使用,促使了該類攝影伴隨著城市化運(yùn)動(dòng)、城市記憶、城市審美、城市空間認(rèn)知等也發(fā)生了明顯變化,這與新聞傳播領(lǐng)域的研究也息息相關(guān)。對(duì)城市紀(jì)實(shí)攝影的研究,不僅可以為新聞傳播研究者提供掌握城市化信息、研究城市公共領(lǐng)域傳播手段、記錄真實(shí)現(xiàn)場(chǎng)等提供了依據(jù),也成為整合社會(huì)有利資源、客觀記錄城市發(fā)展軌跡、解決城市化發(fā)展問題、促進(jìn)城市健康有序發(fā)展等的必要手段之一。 一座城市需要一本紀(jì)錄,一本影集,更需要一段回憶。本論文以安徽省的省會(huì)城市合肥為例,以都市報(bào)《合肥晚報(bào)》的紀(jì)實(shí)攝影專欄“快鏡”為切入口,梳理了近四年的401部攝影作品,從系統(tǒng)、全面的文本分析入手,從傳播學(xué)、社會(huì)學(xué)、心理學(xué)等角度,全面透徹對(duì)該欄目?jī)?nèi)容、選題、版面、標(biāo)題、特點(diǎn)等進(jìn)行了數(shù)據(jù)統(tǒng)計(jì)、劃分整理、歸納分析,對(duì)紀(jì)實(shí)攝影與城市化、紀(jì)實(shí)攝影與城市記憶之間的關(guān)系進(jìn)行了詳細(xì)的分析闡述,通過紀(jì)實(shí)攝影發(fā)展脈絡(luò)的歸納整理、中外紀(jì)實(shí)攝影的內(nèi)容對(duì)比、城市紀(jì)實(shí)攝影個(gè)案分析等,逐層闡釋了以城市為題材的紀(jì)實(shí)攝影特點(diǎn)、功能、意義,以及當(dāng)前存在的不足,從而較為完整、具體、系統(tǒng)的梳理和探討了城市與紀(jì)實(shí)攝影之間的關(guān)系,進(jìn)而發(fā)現(xiàn)目前該類攝影面臨的問題以及對(duì)現(xiàn)代紀(jì)實(shí)攝影的意義與作用。 本文共分為四個(gè)部分。第一部分主要是從國(guó)內(nèi)外以城市為題材的紀(jì)實(shí)攝影發(fā)展?fàn)顩r入手,著重探討了中國(guó)紀(jì)實(shí)攝影的出現(xiàn)、發(fā)展?fàn)顩r,并梳理出城市為題材的紀(jì)實(shí)攝影呈現(xiàn)的特點(diǎn)和功能。第二部分是以《合肥晚報(bào)》的“快鏡”欄目為例,在梳理了2010-2013年近四年的紀(jì)實(shí)攝影作品的基礎(chǔ)上,從拍攝的內(nèi)容、主題、標(biāo)題、版面等分類討論,對(duì)該題材的紀(jì)實(shí)攝影與城市合肥之間的關(guān)系做了深入的探討。第三部分則是延續(xù)了城市與紀(jì)實(shí)攝影之間的關(guān)系的分析,對(duì)紀(jì)實(shí)攝影與城市化、紀(jì)實(shí)攝影與城市記憶兩個(gè)主題進(jìn)行了深入剖析,試圖從新的視角來展現(xiàn)城市與紀(jì)實(shí)攝影之間的關(guān)系。第四部分則是對(duì)當(dāng)前城市題材的紀(jì)實(shí)攝影發(fā)展進(jìn)步的原因進(jìn)行了逐條分析,從主要原因、根本原因、主要影響因素等加以剖析。最后是對(duì)中國(guó)該類題材的紀(jì)實(shí)攝影的反思,反觀紀(jì)實(shí)攝影當(dāng)前的發(fā)展現(xiàn)狀,從商業(yè)利益、消費(fèi)底層、主流價(jià)值觀缺失、地域文化特色流失、社會(huì)互動(dòng)不強(qiáng)、作品深度不夠等具體問題,全面而透徹地揭示當(dāng)前存在的不足與問題,通過分析探討、歸納總結(jié),對(duì)城市題材紀(jì)實(shí)攝影的發(fā)展需要面對(duì)的新形勢(shì)、新問題、新壓力加以闡述,從而推動(dòng)了城市紀(jì)實(shí)攝影的長(zhǎng)足發(fā)展,也為記錄社會(huì)發(fā)展、掌握社會(huì)輿情、解決城市化問題等提供了參考依據(jù)。
[Abstract]:In 1980s, China's documentary photography ushered in the "spring" in 1980s. It not only has the exploration and progress with Chinese characteristics, but also has a new transformation, a new breakthrough and a new development in the record, performance and inheritance. The city is the gathering place of many factors, such as political, economic, cultural, and population, and the discipline of the city. Real photography has gradually entered people's field of vision. Therefore, "urban expression" has gradually become one of the most important ways to show the city. Photographers, media journalists, and social masses have gradually begun to reflect the various forms of the city by the way of documentary evidence, record the specific course of social development and change, reveal the problems brought about by the urbanization, focus on the city side. The survival of the marginalized group and so on, this direct, convenient, and on-site visual means has been recognized by the public and spread and utilized.
The word "city expression" derives from the professor of the school of Journalism and communication of Fudan University, a famous documentary photographer, a photographic critic and a curator, Gu Zheng's "city expression > a book", but also a photo of the city as a subject. With the gradual popularization and development of documentary photography, photography works on the theme of city also change from a single publicity to a stereoscopic perspective. From the objective record to the transformation of urban performance, from material life to spiritual pursuit, from the single content to the change in urban change, with the change of city documentary photography language, the use of diversified media such as mobile phone, micro-blog, WeChat and other media has prompted this kind of photography to be accompanied by urbanization, urban memory, and urban aesthetics. The urban spatial cognition has also changed obviously, which is closely related to the research in the field of news and communication. The study of city documentary photography can not only provide information for news communication researchers to master urbanization information, study the means of communication in the public field of the city, record the real scene and so on, but also become a favorable resource for the integration of the society. It is necessary to record the urban development track objectively, solve the problem of urbanization development, and promote the healthy and orderly development of the city.
A city needs a record, a film, and a memory. This paper, taking Hefei, the capital of Anhui Province as an example, takes the "quick mirror" of the documentary photography column of the Hefei evening newspaper as the entrance, combing 401 photographs for nearly four years, starting with the system and comprehensive text analysis, from communication, sociology, psychology. On the other hand, a thorough and thorough analysis of the content, topic selection, layout, title, and characteristics of the column is carried out. The relationship between documentary photography and urbanization, documentary photography and urban memory is analyzed in detail, and the context of documentary photography is summarized, and the contents of documentary photography in China and foreign countries are compared. The case analysis of urban documentary photography, etc., explains the characteristics, functions, significance, and the current shortcomings of the documentary photography subject to the city, which is more complete, concrete and systematic, and discusses the relationship between the city and the documentary photography, and then finds out the problems facing this kind of photography and the modern documentary photography. Meaning and function.
This article is divided into four parts. The first part is mainly from the development of documentary photography with the theme of city at home and abroad. It focuses on the appearance and development of documentary photography in China, and combs out the features and functions of the documentary photography of the city as a subject. The second part is an example of the "fast mirror" column of the "Hefei Evening News" as an example. On the basis of 2010-2013 years' documentary photography of nearly four years, from the content, subject, title, and layout of the photograph, the relationship between the documentary photography of the subject and the city Hefei is discussed deeply. The third part is the continuation of the analysis of the relationship between the city and the documentary photography, the documentary photography and the urbanization, The two themes of documentary photography and urban memory are deeply analyzed, trying to show the relationship between city and documentary photography from a new perspective. The fourth part is an analysis of the reasons for the development of documentary photography of the current urban themes, from the main reasons, the fundamental reasons, the main influencing factors and so on. Finally, it is the analysis of the main reasons, the main influence factors and so on. Reflecting on the documentary photography of this kind of subject in China, looking back on the current development situation of documentary photography, from the commercial interests, the bottom of the consumption, the loss of the mainstream values, the loss of regional cultural characteristics, the lack of social interaction and the lack of the depth of the works, we fully and thoroughly reveal the shortcomings and problems of the current existence, and summarize the general situation through the analysis and discussion. The new situation, new problems and new pressures are discussed in the development of documentary photography in urban areas, thus promoting the rapid development of urban documentary photography, and providing a reference for the development of society, social public opinion, and the problem of urbanization.

【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J419.1

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 劉剛;紀(jì)實(shí)攝影的本質(zhì)內(nèi)涵、本土特色和未來發(fā)展[J];安徽師范大學(xué)學(xué)報(bào)(人文社會(huì)科學(xué)版);2005年03期

2 林籽舟;;紀(jì)實(shí)攝影與中國(guó)城市化運(yùn)動(dòng)[J];今傳媒;2012年06期

3 林路;;影像追溯記憶的四種方式(二)——布克萊尋找的家族史[J];東方藝術(shù);2013年13期

4 曹智;;從自我意識(shí)的變遷看當(dāng)代中國(guó)紀(jì)實(shí)攝影的流變[J];黑龍江史志;2008年15期

5 李婧;;淺談對(duì)紀(jì)實(shí)攝影的認(rèn)識(shí)[J];科教文匯(下旬刊);2009年02期

6 楊莉莉;;紀(jì)實(shí)攝影,抑或當(dāng)代藝術(shù)——當(dāng)代紀(jì)實(shí)攝影的走向[J];美苑;2007年03期

7 申已凡;;紀(jì)實(shí)攝影形象表現(xiàn)力之我見[J];黑龍江省社會(huì)主義學(xué)院學(xué)報(bào);2009年03期

8 王寅;任艷麗;;顧錚 我的身體就是一根天線[J];南方人物周刊;2007年07期

9 顧錚;紀(jì)實(shí)攝影:人類獨(dú)特的記憶方式[J];社會(huì)觀察;2004年10期

10 周曉虹;學(xué)術(shù)傳統(tǒng)的延續(xù)與斷裂——以社會(huì)學(xué)中的符號(hào)互動(dòng)論為例[J];社會(huì)科學(xué);2004年12期

，

本文編號(hào)：1784025