發(fā)布時(shí)間：2018-04-13 09:48

  本文選題：中國(guó)當(dāng)代 + 攝影　； 參考：《吉林大學(xué)》2013年碩士論文

【摘要】：中國(guó)當(dāng)代攝影的藝術(shù)化形態(tài)經(jīng)過(guò)近三十年來(lái)的次第分化與演進(jìn)逐漸呈現(xiàn)功能型向藝術(shù)型的轉(zhuǎn)變。在這短暫的30多年中，中國(guó)的攝影從開(kāi)始的對(duì)專制政治意識(shí)形態(tài)的背叛，到蛻變到今天全球化背景下的影像藝術(shù)和高度市場(chǎng)化的現(xiàn)實(shí)，可以從中折射出當(dāng)代中國(guó)的劇烈變化，以及中國(guó)當(dāng)代攝影的蓬勃發(fā)展。 本文首先大致回顧了中國(guó)攝影和影像藝術(shù)的歷程。在歷史的長(zhǎng)河中，中國(guó)時(shí)期的攝影和影像藝術(shù)與歷史是一個(gè)相對(duì)不長(zhǎng)不短的對(duì)話過(guò)程。通過(guò)對(duì)中國(guó)攝影歷史的回顧與發(fā)展趨勢(shì)的分析，可以看出，1976年，在新中國(guó)歷史上具有劃時(shí)代的意義，同時(shí)也拉開(kāi)了新時(shí)期攝影發(fā)展的序幕中國(guó)當(dāng)代攝影走上歷史舞臺(tái)。短短的30年時(shí)間，中國(guó)的攝影藝術(shù)從最初的依賴于政治階級(jí)，逐步擺脫掉政治的束縛，成為自由發(fā)展的攝影藝術(shù)，變化成為如今世界性、全球性的攝影藝術(shù)，其已經(jīng)高度藝術(shù)化，反應(yīng)出中國(guó)社會(huì)的歷史進(jìn)程與社會(huì)變化，但同樣也留給了我們很多等待解決的問(wèn)題。攝影作為影像記錄，其在半個(gè)世紀(jì)前就發(fā)展迅速，并且形成了自身的完整形態(tài)，在其發(fā)展歷程中出現(xiàn)了許多經(jīng)典作品，讓我們印象十分深刻，但中國(guó)攝影在這條路上任然任重道遠(yuǎn)。在通過(guò)轉(zhuǎn)型時(shí)期，發(fā)展時(shí)期，創(chuàng)造時(shí)期以及多樣時(shí)期的演變中國(guó)當(dāng)代攝影完成了功能型向藝術(shù)型的轉(zhuǎn)變。 論文最后提到，全球化下的中國(guó)當(dāng)代攝影面對(duì)的問(wèn)題，以及作為中國(guó)攝影人怎樣正確看待藝術(shù)品的市場(chǎng)化。攝影影像是一種具有多種功能的媒體，越來(lái)越多的人開(kāi)始重視攝影影像在社會(huì)生活中的重要作用，其成為記錄事實(shí)的重要工作，也在文化界中占據(jù)了重要的社會(huì)地位。影像自身的各種變換，也體現(xiàn)了中國(guó)攝影藝術(shù)家的文化變遷，其中經(jīng)歷了大概四代攝影藝術(shù)家的傳承。傳統(tǒng)的攝影面臨的新時(shí)代的挑戰(zhàn)，在全球化進(jìn)程中，傳統(tǒng)攝影面臨著痛苦的改變，，其到底應(yīng)該向哪個(gè)方向前進(jìn)？中國(guó)攝影影像藝術(shù)該如何前進(jìn)與創(chuàng)新，如何才能保持自身的獨(dú)立性與個(gè)性化，如何才能跟上時(shí)代前進(jìn)的步伐，這是個(gè)長(zhǎng)久地話題，這還是由中國(guó)攝影家的道德觀點(diǎn)、是否有著獨(dú)立的批判精神、是否通過(guò)影像構(gòu)建展現(xiàn)我國(guó)自身的社會(huì)生活種種細(xì)節(jié)等決定的。當(dāng)然，我們必須相信，中國(guó)攝影家們?cè)谶@樣的時(shí)代背景下會(huì)不斷成長(zhǎng)、不斷成熟，我們系統(tǒng)通過(guò)廣大中國(guó)攝影家的共同努力，中國(guó)的影像市場(chǎng)會(huì)逐漸成長(zhǎng)，并且與西方市場(chǎng)有所區(qū)別，以不一樣的標(biāo)準(zhǔn)來(lái)衡量中國(guó)的圖像市場(chǎng)，走出自身不一樣的、健康可持續(xù)發(fā)展的攝影道路。
[Abstract]:The artistic form of contemporary Chinese photography has gradually changed from function to art after nearly 30 years of secondary differentiation and evolution.In this short period of more than 30 years, Chinese photography has changed from its betrayal of autocratic political ideology to its transformation into the image art and highly market-oriented reality under the background of globalization today, which can reflect the dramatic changes in contemporary China.And the vigorous development of contemporary Chinese photography.This paper reviews the history of Chinese photography and image art.In the course of history, Chinese photography and video art and history is a relatively long dialogue process.By reviewing the history of Chinese photography and analyzing its development trend, we can see that 1976 was of epoch-making significance in the history of New China, and it also opened the prelude of the development of photography in the new period.In a short period of 30 years, the photography art of China gradually got rid of the shackles of politics from the initial reliance on the political class and became a photography art of free development, which has changed into a worldwide and global photography art.It has been highly artistic, reflecting the historical process and social changes of Chinese society, but also leaving us many problems to be solved.Photography, as an image record, developed rapidly half a century ago, and formed its own complete form. In its development, many classic works appeared, which impressed us very much.But Chinese photography still has a long way to go on this road.In the transition period, the development period, the creation period and the diverse period evolution, the Chinese contemporary photography has completed the function type to the artistic type transformation.At the end of the paper, the problems of contemporary Chinese photography under globalization and the marketization of art as Chinese photographers are mentioned.Photographic image is a kind of media with many functions. More and more people begin to attach importance to the important role of photographic image in social life. It becomes an important work of recording facts and occupies an important social position in the cultural field.The transformation of image itself also reflects the cultural changes of Chinese photography artists, including the inheritance of about four generations of photography artists.Traditional photography is facing the challenge of the new era, in the process of globalization, traditional photography is facing painful changes, which direction should it go?How to advance and innovate, how to maintain its own independence and individuality, how to keep pace with the advance of the times is a long-lasting topic, which is still the moral point of view of Chinese photographers.Whether has independent critical spirit, whether through the image construction displays our own social life each kind of detail and so on determination.Of course, we must believe that Chinese photographers will continue to grow and mature under this background of the times. Through the joint efforts of the vast number of Chinese photographers, China's image market will gradually grow.And different from the western market, to measure the image market of China by different standards, and walk out of their own different, healthy and sustainable development of photography.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J405

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