本文選題：挪用　切入點(diǎn)：觀念攝影　出處：《青島大學(xué)》2017年碩士論文

【摘要】：在后現(xiàn)代主義語(yǔ)境下,“挪用”作為后現(xiàn)代主義藝術(shù)中一個(gè)重要的創(chuàng)作手法,在觀念攝影中被運(yùn)用。在“讀圖時(shí)代”觀念攝影作為一種新的攝影形式,觀念是其核心。后現(xiàn)代主義的藝術(shù)家們利用觀念攝影這一新的媒介對(duì)人們熟知的、辨識(shí)度高的公共圖像,及現(xiàn)實(shí)生活中的圖像和信息采取一種拿來(lái)主義的態(tài)度,將挪用物進(jìn)行再創(chuàng)作。換掉了原有挪用物的語(yǔ)境,使其置入新的語(yǔ)境,介入當(dāng)下話題,提出時(shí)代深度意義的問(wèn)題,演繹為具有當(dāng)代語(yǔ)境的藝術(shù)作品。所以,“挪用”方法在觀念攝影中如何結(jié)合當(dāng)下現(xiàn)實(shí)生活,揭示當(dāng)下生活中存在的問(wèn)題及認(rèn)識(shí)提出自己的觀點(diǎn)與立場(chǎng),用自己的思想觀念來(lái)表達(dá),是很值得研究與實(shí)踐探索的。本文以“挪用”方法在觀念攝影中的運(yùn)用為出發(fā)點(diǎn),以如何結(jié)合當(dāng)下現(xiàn)實(shí)生活,揭示當(dāng)下生活中存在的問(wèn)題及認(rèn)識(shí)提出自己的觀點(diǎn)與立場(chǎng),用自己的思想觀念來(lái)表達(dá)出具有時(shí)代內(nèi)涵的藝術(shù)作品為研究?jī)?nèi)容,力求影響在我們的現(xiàn)實(shí)社會(huì)中,我們對(duì)存在問(wèn)題的態(tài)度觀念,及看待當(dāng)下現(xiàn)實(shí)世界的方式。本論文主要通過(guò)對(duì)“挪用”的表意方式來(lái)闡述“挪用”的內(nèi)涵、現(xiàn)實(shí)意義及美學(xué)價(jià)值。“挪用”在觀念攝影中的生成,通過(guò)對(duì)“挪用”的類別、方法、修辭手法及文化身份識(shí)別的理論闡述及案例剖析體會(huì)到了“挪用”手法對(duì)觀念攝影具有的重要理論價(jià)值和使用價(jià)值。從而歸納總結(jié)了“挪用”在當(dāng)代觀念攝影中價(jià)值和意義。進(jìn)而在此基礎(chǔ)上,指導(dǎo)自己進(jìn)行觀念攝影實(shí)踐探索。通過(guò)理論與實(shí)踐的相結(jié)合,相互融會(huì)貫通,更加認(rèn)識(shí)到“挪用”方法是觀念攝影重要的一個(gè)創(chuàng)作方法,對(duì)于觀念攝影的發(fā)展起到了很大的推動(dòng)作用。
[Abstract]:In the context of post-modernism, "misappropriation" as an important creative technique in post-modernist art, is used in conceptual photography. The idea is at the heart of it. Post-modernist artists use the new medium of conceptual photography to adopt an approach to familiar, highly recognizable public images, as well as images and information in real life. By re-creating the misappropriated objects, changing the context of the original misappropriated objects, putting them into a new context, intervening in the current topic and raising the question of the depth of the times, Therefore, the method of "misappropriating" how to combine the present real life, to reveal the existing problems in the present life and to put forward its own viewpoint and stand in the process of "misappropriation" in the photography of ideas. It is worth studying and exploring in practice to express one's own thoughts and ideas. This paper takes the application of "misappropriation" method in concept photography as the starting point and how to combine the present real life. To reveal the problems existing in the present life and to put forward their own views and positions, to express the artistic works with the connotation of the times as the research contents, and to make every effort to influence our real society. This paper mainly expounds the connotation, realistic significance and aesthetic value of "misappropriation" by means of the way of "misappropriation", the generation of "misappropriation" in conceptual photography. Through the classification of "misappropriation", the method, The theoretical exposition and case analysis of rhetorical devices and cultural identity recognition shows that "misappropriation" has important theoretical value and practical value to conceptual photography, and thus sums up "misappropriation" in contemporary conceptual photography. Value and meaning. And on that basis, Through the combination of theory and practice and mutual understanding, we realize that "misappropriation" method is an important creative method of concept photography. For the concept of photography has played a great role in promoting the development.
【學(xué)位授予單位】：青島大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J405

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