本文選題：紀(jì)實(shí)攝影　切入點(diǎn)：微博　出處：《廣西大學(xué)》2014年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：紀(jì)實(shí)攝影又稱(chēng)社會(huì)紀(jì)實(shí)攝影,是1936年在美國(guó)《生活》雜志上介紹的一種攝影形式,是攝影機(jī)構(gòu)、組織或攝影師等長(zhǎng)期關(guān)注并對(duì)具有政治、經(jīng)濟(jì)、文化、社會(huì)和歷史意義的題材進(jìn)行策劃并深入采訪(fǎng)、拍攝和編輯的一組(部)靜態(tài)或動(dòng)態(tài)影像。它記錄歷史、反映當(dāng)下,并為將來(lái)作影像實(shí)證,具有強(qiáng)烈的時(shí)代性,以美國(guó)農(nóng)業(yè)安置局(FSA)的“FSA計(jì)劃”拍攝活動(dòng)最為典型。二十世紀(jì)八十年代,“紀(jì)實(shí)攝影”這一概念經(jīng)我國(guó)翻譯家林少忠、王慧敏等翻譯并傳入我國(guó),經(jīng)過(guò)三十年的發(fā)展,中國(guó)的攝影理論家和實(shí)踐家不斷賦予它新的內(nèi)涵,紀(jì)實(shí)攝影在中國(guó)的傳播也從“禁忌”走向開(kāi)放,從影展、畫(huà)冊(cè)等傳統(tǒng)的呈現(xiàn)方式轉(zhuǎn)向互聯(lián)網(wǎng)、手機(jī)等新媒體形式。 微博作為一個(gè)信息傳播與分享的交互式平臺(tái),具有文、圖、視音頻等功能,信息分享即時(shí)、迅速,具有強(qiáng)大的影響力,紀(jì)實(shí)攝影的傳播由此走上微博這一平臺(tái),繼續(xù)發(fā)揮其參與生活、干預(yù)生活的作用。在新的平臺(tái)上紀(jì)實(shí)攝影的傳播在傳播主體、傳播內(nèi)容、傳播媒介、傳播形式、傳播受眾、傳播效果等方面都發(fā)生了顯著的變化,這些要素的變化有其優(yōu)勢(shì)、劣勢(shì),也存在著機(jī)會(huì)和威脅,因此,對(duì)這些變化進(jìn)行一次較系統(tǒng)的研究與分析并提出相應(yīng)的具體對(duì)策就顯得迫切而必要。 隨著社會(huì)經(jīng)濟(jì)和媒介技術(shù)的不斷發(fā)展,紀(jì)實(shí)攝影也將以新的傳播形式呈現(xiàn)在人們生活之中,因此,在宏觀(guān)上對(duì)微博之后的紀(jì)實(shí)攝影的傳播方式走向進(jìn)行概要性的分析對(duì)紀(jì)實(shí)攝影的發(fā)展也具有重要的指導(dǎo)意義。
[Abstract]:Documentary photography, also known as social documentary photography, is a form of photography introduced in the American Journal of Life in 1936. It is a long-term concern of photographic organizations, organizations or photographers and has political, economic, and cultural concerns. A group of static or dynamic images that are planned and deeply interviewed, photographed and edited by subjects of social and historical significance. They record history, reflect the present, and demonstrate the image for the future. In 1980s, the concept of "documentary photography" was translated and introduced into China by Chinese translators Lin Shaozhong, Wang Huimin and others. Chinese photography theorists and practitioners constantly endow it with new connotations, and the spread of documentary photography in China has also changed from "taboo" to "openness", from traditional presentation methods such as film exhibitions and picture albums to new media forms such as the Internet, mobile phones and so on. Weibo, as an interactive platform for information dissemination and sharing, has the functions of text, graphics, video and audio, and so on. Information sharing is instant, rapid, and has a strong influence. Continue to play its role in participating in life and interfering in life. On the new platform, documentary photography has undergone remarkable changes in the main body of communication, the content of communication, the media, the form of communication, the audience, the effect of communication, and so on. The changes of these elements have their own advantages, disadvantages, opportunities and threats. Therefore, it is urgent and necessary to make a systematic study and analysis of these changes and put forward corresponding concrete countermeasures. With the continuous development of social economy and media technology, documentary photography will also be presented in people's lives in a new form of communication. It is also of great significance for the development of documentary photography to make a brief analysis of the spreading way of documentary photography after Weibo.
【學(xué)位授予單位】：廣西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：G206;J405

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本文編號(hào)：1622852