本文關(guān)鍵詞：中國當代風景攝影的“陌生化”創(chuàng)作探究　出處：《山東師范大學》2017年碩士論文　論文類型：學位論文

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【摘要】：隨著科技的進步,尤其是數(shù)碼技術(shù)的興起和蓬勃發(fā)展,人們對攝影的需求與日俱增。在全民攝影時代,風景攝影因易接觸、易駕馭等特點,成為眾多攝影人在各種攝影創(chuàng)作樣態(tài)中的首選。于是,在攝影領(lǐng)域中呈現(xiàn)了千軍萬馬奔向風景攝影的景象。一時間,眾多攝影理論家驚呼,這是一個影像泛濫的時代,也是一個盛產(chǎn)影像垃圾的時代。風景攝影本身沒有問題,只是很多創(chuàng)作者進入了風景攝影的誤區(qū)。中國的攝影理論家和攝影師在理論研討和創(chuàng)作實踐中,呼喚并探尋著中國當代風景攝影的突破。面對這種情況,從“陌生化”這一角度入手進行攝影創(chuàng)作,對推動風景攝影的創(chuàng)新,有著特殊意義。本文從中國當代風景攝影創(chuàng)作現(xiàn)狀出發(fā),試圖探尋一條解決目前存在的創(chuàng)作雷同問題,保持風景攝影之活力的路徑�！澳吧眲�(chuàng)作以陌生化理論為基礎(chǔ)。陌生化理論主張顛覆人們所熟悉的事物,從而呈現(xiàn)事物新的、陌生的一面。它強調(diào)創(chuàng)造性,通過藝術(shù)手法來打破人們熟視無睹的麻木狀態(tài),使人們重新感受生活。它在文學、戲劇、繪畫等文藝領(lǐng)域中均得到踐行,維持了藝術(shù)的鮮活感。本文在當代文化語境下,結(jié)合當代優(yōu)秀的風景攝影作品,對“陌生化”創(chuàng)作具體實踐途徑進行梳理歸納。“陌生化”作為一種創(chuàng)作方式,為風景攝影未來影像實踐提供了一種全新的觀看方式,在技巧、手法的創(chuàng)造性運用上,帶給攝影師以啟發(fā)。通過對“陌生化”創(chuàng)作的研究,為中國風景攝影領(lǐng)域提供新的理論支持,同時,也為陌生化理論在藝術(shù)實踐中的應用開拓了新領(lǐng)域。本文共分為四章:第一章,界定風景攝影并詳細分析中國當代風景攝影創(chuàng)作領(lǐng)域中存在的問題。分別從西方風景攝影和中國風景攝影的發(fā)展歷程中,界定風景攝影。辯證地看待中國當代風景攝影的現(xiàn)狀并著重分析了中國當代風景攝影領(lǐng)域中存在的問題。第二章,論述“陌生化”創(chuàng)作的理論基礎(chǔ),界定攝影領(lǐng)域中的“陌生化”創(chuàng)作、分析“陌生化”創(chuàng)作的可行性。首先,對陌生化理論進行概述。其次,結(jié)合攝影史,從“陌生化”創(chuàng)作的含義、邏輯過程和實質(zhì)三方面界定了攝影領(lǐng)域中“陌生化”創(chuàng)作。最后,結(jié)合當代文化語境,指出“陌生化”創(chuàng)作在當代風景攝影領(lǐng)域中的可行性。第三章,詳細論述“陌生化”創(chuàng)作在中國當代風景攝影的具體實踐途徑。將“陌生化”創(chuàng)作概括為顛覆和重構(gòu)。在具體論述中,根據(jù)當代攝影家的優(yōu)秀作品,從創(chuàng)作的“意”與“形”以及本土化攝影語言三個方面歸納總結(jié)出“陌生化”創(chuàng)作的實踐途徑。第四章,分析“陌生化”創(chuàng)作對中國當代風景攝影的價值、總結(jié)“陌生化”創(chuàng)作過程中對“陌生”的把握維度,提出“陌生化”創(chuàng)作的時效性以及筆者結(jié)合自身作品闡述對“陌生化”創(chuàng)作的理解。結(jié)語部分,再次陳述本文的核心觀點。對“陌生化”創(chuàng)作的研究帶給我們的啟示為:中國當代風景攝影突破和創(chuàng)新的過程中是有多條道路可尋的。“陌生化”創(chuàng)作是眾多途徑之一,它在創(chuàng)作過程中不斷尋求陌生點,呈現(xiàn)了新的風景影像。提出要以一種發(fā)展的眼光看待“陌生化”創(chuàng)作,才能更好地促進風景攝影的繁榮與發(fā)展。
[Abstract]:With the progress of science and technology, especially the rise and the rapid development of digital technology, people's demand for photography. In the era of grow with each passing day photography, landscape photography for easy access, easy to control etc., as many people in a variety of photography photography like state of choice. So, in the field of photography in the landscape photography to thousands upon thousands of horses and soldiers the scene. For a time, many photography theorists exclaimed, this is an era of rampant image, but also a rich image of garbage time. Landscape photography itself is no problem, just a lot of artists entered a misunderstanding landscape photography. Chinese photography theorist and photographer in theory research and practice, and explore a call Chinese contemporary landscape photography breakthrough. In the face of this situation, from the angle of "Defamiliarization" of photography, landscape photography to promote innovation, has a special significance. This article from the status quo of China contemporary landscape photography, trying to find a solution to the existing problem creating the same path, to maintain the vitality of landscape photography. The "Defamiliarization" creation with defamiliarization theory. The theory of defamiliarization advocates the overthrow of familiar things, to show something new, strange side of it. Emphasizing creativity, through art to break the numb people turn a blind eye, so that people feel the life. In literature, drama, painting and other arts have been practicing in the field of art, to maintain the freshness of this paper. In the context of contemporary culture, combined with the excellent works of contemporary landscape photography, the creation of "Defamiliarization" specific practical ways of summarizing. "Defamiliarization" as a creative way for future landscape photography imaging practice provides a new way of viewing in the skills, techniques and Make use of, bring the photographer to inspire. Through the study of "Defamiliarization" creation, support, new theory for China landscape photography field at the same time, also open up a new field for the application of the theory of Defamiliarization in artistic practice. This paper is divided into four chapters: the first chapter, the definition and landscape photography with the analysis of the existing problems in Chinese contemporary landscape photography in the field. From the development course of Western landscape photography and China landscape photography, landscape photography. The current definition of dialectical view of Chinese contemporary landscape photography and analyzes the China contemporary landscape photography in the field. The second chapter discusses the theoretical basis of "Defamiliarization" creation, definition of photography in the field of "Defamiliarization" creation, the feasibility analysis of "Defamiliarization" creation. First, an overview of the theory of defamiliarization. Secondly, combined with the history of photography, from the "Defamiliarization" record The meaning and essence of the three aspects of the logical process defines the field of photography in the "strange" creation. Finally, combined with the contemporary cultural context, points out the feasibility of "Defamiliarization" creation in the contemporary landscape photography in the field. The third chapter discusses the "Defamiliarization" creation in the practice way. When China generation of landscape photography the creation of "Defamiliarization" summarized as subversion and reconstruction. In the paper, according to the outstanding works of contemporary photographers, from the creation of "meaning" and "form" and the localization of photography language three aspects summed up the practical ways of defamiliarization "creation. In the fourth chapter, the analysis of" Defamiliarization "creation of China the value of contemporary landscape photography, summed up the" Defamiliarization "in the creation process of" grasp the dimensions of strange ", proposed the creation of" Defamiliarization "timeliness and the author's own works of" Defamiliarization "record For understanding. The conclusion part, again statements the core ideas of this thesis. The study on the "Defamiliarization" creation inspiration: is a number of roads can be found Chinese process of contemporary landscape photography breakthrough and innovation. "Defamiliarization" is one of the many ways of creation, in the creative process of constantly seeking strange, presents a new image. Proposed to look at "strange" to create a development vision, in order to better promote the prosperity and development of landscape photography.

【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J414

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