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試論“歷代琴式”的變化──兼及故宮博物院落霞式古琴的斷代

發(fā)布時(shí)間:2018-01-22 18:16

  本文關(guān)鍵詞: 明 清琴譜歷代琴式鑒定作用明代落霞式 出處:《故宮博物院院刊》2013年06期  論文類型:期刊論文


【摘要】:本文通過(guò)對(duì)明、清十三種琴譜中的"歷代琴式"中虞琴式、伶官式、師曠式、鳳素式、鳳勢(shì)式五種琴式與流傳下來(lái)古琴實(shí)物的對(duì)比,說(shuō)明流傳下來(lái)的古琴琴式與"歷代琴式"是一致的。同時(shí),作者運(yùn)用琴譜中"歷代琴式"的記載,簡(jiǎn)單分析了故宮博物院藏落霞式"可伴"琴,證明落霞式琴是明代才有的。
[Abstract]:In this paper, the comparison between Yuqin, Lingguan, Shikuang, Fengsu and Phoenix potential among the 13 kinds of instruments of Ming and Qing dynasties and the objects of ancient Qin is compared. It is shown that the ancient piano style is the same as that of the past dynasties. At the same time, the author makes a brief analysis of the the Palace Museum "accompanied" piano by using the records of the "successive piano style". It was proved that the lute was only available in the Ming Dynasty.
【作者單位】: 故宮博物院研究室;
【分類號(hào)】:J632.31
【正文快照】: 2005年筆者在工作中開(kāi)始接觸了一些古琴資料和古琴書(shū)籍,其中就有g(shù)肺饗壬嗉淼摹肚僨傘,

本文編號(hào):1455405

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