本文關(guān)鍵詞：戲曲的咬字行腔在民族聲樂中的具體運用　出處：《中國音樂學院》2010年碩士論文　論文類型：學位論文

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【摘要】： 本文通過對中國傳統(tǒng)戲曲中演唱特點的研究,結(jié)合本人學習實踐經(jīng)驗,初步探討戲曲演唱中值得民族聲樂學習和借鑒的咬字行腔方法。我國戲曲文化源遠流長,在保留民族特色、弘揚民族文化上是一個成功的典范,而我們現(xiàn)在所說的民族聲樂則是更多地借鑒了西洋的發(fā)聲方法后而產(chǎn)生的一種有別于中國傳統(tǒng)聲樂的一種新唱法。在借鑒西洋發(fā)聲方法的過程中,由于中西方文化不同、中西方語言不同、中西方人物形態(tài)不同,導致了很多學生在演唱中國作品時不咬字、咬錯字、咬不準字以及在演唱民族歌劇時塑造人物形象不準確等諸多問題。因此本人認為,民族聲樂追求科學性不能以犧牲民族性為代價,要解決民族聲樂的上述問題完全可以通過吸收中國傳統(tǒng)戲曲咬字行腔的特點,做到科學的發(fā)聲方法性與民族特色二者兼顧,這樣才能保證自身的藝術(shù)活力及其無可替代的藝術(shù)價值。
[Abstract]:Based on the study of the characteristics of singing in Chinese traditional opera and the experience of my study and practice, this paper preliminarily discusses the Chinese opera singing method worthy of learning and drawing lessons from the national vocal music. The Chinese opera culture has a long history. It is a successful example to preserve the national characteristics and carry forward the national culture. However, the national vocal music is a new singing method which is different from the traditional Chinese vocal music, which is different from the traditional Chinese vocal music, and in the process of drawing lessons from the Western vocalization method, the national vocal music is a kind of new singing method, which is different from the traditional Chinese vocal music. Because of the difference of Chinese and western cultures, Chinese and western languages, and different forms of Chinese and Western characters, many students do not pronounce words and bite wrong characters when singing Chinese works. So I believe that the pursuit of scientific national vocal music can not be at the expense of national character. In order to solve the above problems of national vocal music, we can absorb the characteristics of Chinese traditional opera to pronounce characters and lines, so as to achieve both the scientific vocalization method and the national characteristics. Only in this way can we guarantee our artistic vitality and its irreplaceable artistic value.
【學位授予單位】：中國音樂學院
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J616

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相關(guān)期刊論文 前1條

1 畢海燕;從中國古典聲樂論著看民族唱法的特點[J];中國音樂;2002年01期

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本文編號：1401893