【摘要】：笛,塤是我國(guó)最為古老的傳統(tǒng)樂(lè)器,河南舞陽(yáng)賈湖出土的骨笛,西安半坡出土的塤和浙江河姆渡出土的古哨,表明了笛、塤樂(lè)器在我國(guó)已有七、八千多年的發(fā)展歷史。隨著現(xiàn)代物質(zhì)文化的不斷發(fā)展,人們對(duì)精神文化生活的需求也同益增強(qiáng),千年古老的竹笛、塤樂(lè)器丌始不斷的融入現(xiàn)代文明并深受人們的喜愛(ài),涌現(xiàn)了一大批致力于傳統(tǒng)笛、塤樂(lè)器演奏、創(chuàng)作、研究的演奏家、作曲家及文化學(xué)者,劉寬忍就是其中的優(yōu)秀代表之一。他是我國(guó)當(dāng)代第一位民族管樂(lè)碩士學(xué)位獲得者、博士生導(dǎo)師、中國(guó)塤文化協(xié)會(huì)會(huì)長(zhǎng),他擅長(zhǎng)多種民族樂(lè)器的演奏,尤其是在笛、塤樂(lè)器的演奏上,幾十年來(lái)他潛心致力于傳統(tǒng)笛、塤樂(lè)器的發(fā)掘、整理、改良及表演、創(chuàng)作、科研乃至民族樂(lè)器的普及教育……取得了令人矚目的成就。他是新一代演奏家群體中具有鮮明演奏風(fēng)格特點(diǎn)的典型代表,是真正身體力行、務(wù)真求實(shí)、用心傳承和發(fā)揚(yáng)中國(guó)傳統(tǒng)文化的集大成者。卓越的演奏技術(shù)能力和獨(dú)到的演奏風(fēng)格在社會(huì)上產(chǎn)生了很大的影響,在我國(guó)民族管樂(lè)演奏界有著舉足輕重的地位。 筆者試圖從劉寬忍個(gè)體及具體的演奏作品為出發(fā)點(diǎn),分析其演奏風(fēng)格的成因與特點(diǎn),并從傳統(tǒng)審美學(xué)的角度對(duì)其演奏藝術(shù)做出理論的解析,從而擴(kuò)展演奏者的思路,更進(jìn)一步豐富中國(guó)笛、塤演奏的技術(shù)技巧和藝術(shù)表現(xiàn)力。本文運(yùn)用文獻(xiàn)法,歸納法,比較法以及例證法等,對(duì)劉寬忍的笛、塤演奏藝術(shù)進(jìn)行全方位的研究。全文共由緒論、四個(gè)章節(jié)和結(jié)語(yǔ)構(gòu)成,緒論是論文選題的緣由及中國(guó)笛塤發(fā)展綜述,研究現(xiàn)狀。第二章詳細(xì)的介紹劉寬忍的笛、塤藝術(shù)人生歷程,第三章具體分析劉寬忍演奏藝術(shù)的風(fēng)格成因、演奏的作品、演奏技法與演奏形式的探究等,并概括其整體的演奏風(fēng)格特點(diǎn)。第四章從傳統(tǒng)審美學(xué)的角度對(duì)劉寬忍的笛塤演奏藝術(shù)進(jìn)行全方位的闡釋,最后總結(jié)劉寬忍的演奏藝術(shù)成就,并對(duì)他未來(lái)的笛塤演奏藝術(shù)發(fā)展提出展望。
[Abstract]:Flute and health are the oldest traditional musical instruments in China. The bone flute unearthed from Jia Lake in Wuyang, Henan Province, the health unearthed in Xi'an Banpo and the ancient whistle unearthed in Hemdu, Zhejiang Province, show that flute and health instruments have a development history of more than 7,000 or 8,000 years in our country. With the continuous development of modern material culture, people's demand for spiritual and cultural life is also increasing. Thousands of years old bamboo flute and health instruments have been continuously integrated into modern civilization and deeply loved by people, and a large number of traditional flute have emerged. Liu Guangren, a performer, composer and cultural scholar who plays, creates and studies health musical instruments, is one of the outstanding representatives. He is the first national orchestra master's degree winner, doctoral supervisor and director of the China Health Culture Association. He is good at playing various ethnic musical instruments, especially in the performance of flute and health instruments. For decades, he devoted himself to the exploration, arrangement, improvement, performance, creation, scientific research and even popularization and education of traditional flute and health instruments. Remarkable achievements have been made. He is a typical representative of the new generation of performers with distinctive characteristics of playing style, and he is a master of real practice, seeking truth, inheriting and carrying forward Chinese traditional culture. Excellent playing technical ability and unique playing style have a great influence on the society, and play an important role in the field of national orchestra music in our country. The author attempts to analyze the causes and characteristics of his playing style from the point of view of Liu Kuanren's individual and concrete playing works, and to make a theoretical analysis of his playing art from the perspective of traditional aesthetics, so as to expand the performer's train of thought. Further enrich the technical skills and artistic expression of Chinese flute and health playing. By using the methods of literature, induction, comparison and example, this paper makes an all-round study on Liu Guangren's flute and health playing art. The full text is composed of introduction, four chapters and conclusion. The introduction is the reason of the topic selection and the review of the development of flute health in China. The second chapter introduces Liu Kuanren's flute and health art life course in detail, and the third chapter analyzes the style cause of Liu Kuanren's playing art, the works of playing, the exploration of playing techniques and forms, etc., and summarizes the characteristics of his overall playing style. The fourth chapter gives an all-round explanation of Liu Kuan's flute health playing art from the perspective of traditional aesthetics, and finally summarizes Liu Kuan's performance art achievements, and puts forward the prospect of his future flute health performance art development.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：J632.11

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