【摘要】：俄羅斯著名作曲家安納托利·伊凡諾維奇·庫夏科夫(akusyakov,Anatoly Ivanovich,1945---2007)的一生創(chuàng)作了許多風(fēng)格各異的音樂作品,在他的中期創(chuàng)作時即開始了對現(xiàn)代派創(chuàng)作技法的嘗試,此后則不乏明顯帶有新浪漫主義風(fēng)格的作品問世,這些作品頻繁的出現(xiàn)在世界各國手風(fēng)琴比賽及音樂會中,在觀眾和演奏者中都享有廣泛的聲譽(yù)。 《春天組曲》(Spring Visions)是庫夏科夫的晚年之作,創(chuàng)作于1999年,是其現(xiàn)代派音樂作品中的代表作之一,共由“在地球上”、“春之聲”、“冬天的回音”、“夢境”、“狂歡之鳥”、“朝著太陽”六個樂章組成。該作品將現(xiàn)代主義表現(xiàn)手法運(yùn)用的淋漓盡致,其中十二序列音體系、高位疊置和弦、音簇、不協(xié)和的尖銳音響以及排氣閥門的使用等現(xiàn)代派創(chuàng)作技法都在作品中體現(xiàn)出來。這首作品的演奏難度較高,既要求演奏者有過硬的演奏功底以完成作品中大量的快速跑動及大跨度和弦轉(zhuǎn)換,又要求表演者具備豐富的想象力以表現(xiàn)出作品中細(xì)膩的情感變化。 本文將以四個部分對作品進(jìn)行研究討論: 第一部分主要從作曲家本人的生平經(jīng)歷、創(chuàng)作特點以及《春天組曲》獨特創(chuàng)作背景等方面入手,展開討論,從而對作品進(jìn)行總體上的把握。 第二部分是《春天組曲》的和聲分析,先按照樂章順序逐一論述,后在章節(jié)最后從宏觀角度對作曲家和聲寫作特色進(jìn)行總體概述。 第三部分是對《春天組曲》曲式結(jié)構(gòu)的研究與分析。在對各樂章結(jié)構(gòu)做出圖示分析的基礎(chǔ)上,以主題材料在全曲各樂章中的貫穿為線索,以聯(lián)系的眼光探究該曲式結(jié)構(gòu)對音樂作品整體布局的影響及意義。 第四部分是對《春天組曲》在演奏方法上的研究與探索。筆者以自身演奏經(jīng)驗對作品在音樂處理、技巧運(yùn)用等方面做出相應(yīng)演奏提示。 本文將主要針對該作品的現(xiàn)代和聲創(chuàng)作手法予以分析,試圖從技術(shù)層面解析該作品的風(fēng)格特點及美學(xué)意義,并輔助以有關(guān)該作品音樂演奏技法的詳細(xì)論述,希望能夠通過本論文的寫作發(fā)掘出《春天組曲》更多的內(nèi)在價值,為手風(fēng)琴音樂創(chuàng)作及現(xiàn)代派作品演奏等方面的發(fā)展盡綿薄之力。
[Abstract]:The famous Russian composer Anatoli Ivanovic Kuchakov (akusyakov,Anatoly Ivanovich,1945-2007) has created many musical works of different styles in his life, and in his mid-term creation, he began an attempt at modernist creative techniques. Since then, there have been many works with a new romantic style, which frequently appeared in accordion competitions and concerts all over the world, and enjoyed a wide reputation among the audience and performers. "Spring Suite" (Spring Visions) is Kuchakov's late life work, created in 1999, is one of the representative works of his modernist music, together with "on Earth", "Spring Voice", "Winter echoes", "Dreamland". "Birds of Carnival", "towards the Sun" is composed of six movements. The works give full play to the use of modernist expressive techniques, in which twelve sequential phonological systems, high-level superimposed chords, phonological clusters, discordant sharp sound and the use of exhaust valves are all embodied in the works. The performance of this work is difficult, which requires the performer to have a good performance skill to complete a large number of fast running and long-span chord conversion in the work, but also requires the performer to have rich imagination in order to show the delicate emotional changes in the work. This article will study and discuss the works in four parts: the first part mainly from the composer's own life experience, creative characteristics and the unique creative background of the Spring Suite, and so on, to start with the discussion of the composer's own life experience, creative characteristics and the unique creative background of the Spring Suite. Thus carries on the overall grasp to the work. The second part is the harmony analysis of "Spring Suite", which first discusses one by one according to the sequence of movements, and then gives a general overview of composer's harmony writing characteristics from the macro point of view at the end of the chapter. The third part is the research and analysis of the spring composition. On the basis of illustrative analysis of the structure of each movement, this paper explores the influence and significance of the musical structure on the overall layout of musical works by taking the theme material running through each movement of the whole song as a clue, and exploring the influence and significance of the musical structure on the overall layout of the musical works from the perspective of connection. The fourth part is the research and exploration on the performance method of Spring Suite. The author based on his own playing experience in the music processing, skills and other aspects of the corresponding playing tips. This article will mainly analyze the modern harmony creation methods of this work, try to analyze the style, characteristics and aesthetic significance of the work from the technical level, and assist in the detailed exposition of the music performance techniques of the work. It is hoped that we can discover more intrinsic value of Spring Suite through the writing of this thesis, and contribute a little to the development of accordion music creation and modern music performance.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J614

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本文編號：2451667