上海城市進(jìn)程中的音樂劇場(chǎng)
發(fā)布時(shí)間:2019-03-17 15:28
【摘要】:上海作為國際化大都市,其音樂劇場(chǎng)的作用從特定的角度反映了這個(gè)城市的文化狀態(tài)和城市化程度。一方面,音樂劇場(chǎng)作為藝術(shù)交流及文化活動(dòng)的重要場(chǎng)所,可以部分滿足人們的文化需求,對(duì)市民的思想意識(shí)、審美情趣和生活方式具有一定影響,從中還可以了解到城市的文化設(shè)施、文化消費(fèi)和市民的文化素質(zhì)等城市化指標(biāo)的狀況;另一方面,音樂劇場(chǎng)作為具有文化中介性質(zhì)的演出經(jīng)營單位,其體制、經(jīng)營運(yùn)作、社會(huì)職能等的變遷都能反映出社會(huì)制度、經(jīng)濟(jì)制度對(duì)文化市場(chǎng)的影響。 論文正文分為序言和上下兩篇,共四章。上篇通過對(duì)上海音樂廳和上海大劇院的考察,力求較為全面的反映上海音樂劇場(chǎng)的運(yùn)作及演出市場(chǎng)的現(xiàn)狀。下篇主要闡述了音樂劇場(chǎng)在國外社會(huì)和上海這個(gè)城市中的功能,,并從觀眾群體、市民階層、上海文化市場(chǎng)、制定并實(shí)施文化戰(zhàn)略等不同的角度和層面對(duì)“上海音樂劇場(chǎng)對(duì)于塑造“國際交流中心城市”形象的作用”這一問題加以探討。 本文運(yùn)用音樂人類學(xué)的理論及方法,如音樂人類學(xué)中關(guān)注人與音樂、文化與音樂的視角,以及社會(huì)學(xué)中的社會(huì)調(diào)查法,以上海的音樂劇場(chǎng)作為田野工作的領(lǐng)域,根據(jù)筆者在上海大劇院和上海音樂廳考察所獲得的資料,通過“把上海音樂劇場(chǎng)安置于上海社會(huì)文化環(huán)境的脈絡(luò)中,從不同角度、層面關(guān)注上海音樂劇場(chǎng)的社會(huì)功能”這一研究思路,來分析、研究上海城市進(jìn)程中的音樂劇場(chǎng),以凸顯上海音樂劇場(chǎng)在開拓市民文化視野、增強(qiáng)市民文化鑒賞力、提升城市文化品位、促進(jìn)中外文化交流等方面起到的獨(dú)特作用。
[Abstract]:As an international metropolis, Shanghai's musical theater reflects the cultural status and urbanization of the city from a specific point of view. On the one hand, as an important place for artistic exchanges and cultural activities, the musical theater can partly meet the cultural needs of people and have a certain impact on the citizens' ideological awareness, aesthetic taste and lifestyle. We can also understand the status of urban cultural facilities, cultural consumption and citizens' cultural quality and other urbanization indicators; On the other hand, musical theater, as a kind of cultural intermediary, its system, operation and social function can reflect the influence of social system and economic system on cultural market. The main body of the paper is divided into preface and the next two chapters, a total of four chapters. In the first part, through the investigation of Shanghai Music Hall and Shanghai Grand Theater, the author tries to reflect the operation of Shanghai Music Theatre and the present situation of the performance market in an all-round way. The next part mainly expounds the function of musical theater in foreign society and the city of Shanghai, and from the audience group, the citizen class, the Shanghai cultural market, This paper discusses the role of Shanghai Music Theater in shaping the image of International Exchange Center City from different angles and levels, such as the formulation and implementation of cultural strategies. Using the theories and methods of musical anthropology, such as the perspectives of people and music, culture and music in musical anthropology, and the social investigation method in sociology, this paper takes the musical theater in Shanghai as the field work field. According to the data obtained from the investigation of Shanghai Grand Theater and Shanghai Concert Hall, through "placing the Shanghai Music Theater in the context of Shanghai's social and cultural environment, from different perspectives," At the level of paying attention to the social function of Shanghai Music Theater, this paper analyzes and studies the music theater in the process of Shanghai city, in order to highlight the Shanghai Music Theater in opening up the citizen's cultural vision and enhancing the citizen's cultural appreciation. Promote the city culture taste, promote the Chinese and foreign cultural exchanges and other aspects play a unique role.
【學(xué)位授予單位】:上海音樂學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2003
【分類號(hào)】:J692
本文編號(hào):2442430
[Abstract]:As an international metropolis, Shanghai's musical theater reflects the cultural status and urbanization of the city from a specific point of view. On the one hand, as an important place for artistic exchanges and cultural activities, the musical theater can partly meet the cultural needs of people and have a certain impact on the citizens' ideological awareness, aesthetic taste and lifestyle. We can also understand the status of urban cultural facilities, cultural consumption and citizens' cultural quality and other urbanization indicators; On the other hand, musical theater, as a kind of cultural intermediary, its system, operation and social function can reflect the influence of social system and economic system on cultural market. The main body of the paper is divided into preface and the next two chapters, a total of four chapters. In the first part, through the investigation of Shanghai Music Hall and Shanghai Grand Theater, the author tries to reflect the operation of Shanghai Music Theatre and the present situation of the performance market in an all-round way. The next part mainly expounds the function of musical theater in foreign society and the city of Shanghai, and from the audience group, the citizen class, the Shanghai cultural market, This paper discusses the role of Shanghai Music Theater in shaping the image of International Exchange Center City from different angles and levels, such as the formulation and implementation of cultural strategies. Using the theories and methods of musical anthropology, such as the perspectives of people and music, culture and music in musical anthropology, and the social investigation method in sociology, this paper takes the musical theater in Shanghai as the field work field. According to the data obtained from the investigation of Shanghai Grand Theater and Shanghai Concert Hall, through "placing the Shanghai Music Theater in the context of Shanghai's social and cultural environment, from different perspectives," At the level of paying attention to the social function of Shanghai Music Theater, this paper analyzes and studies the music theater in the process of Shanghai city, in order to highlight the Shanghai Music Theater in opening up the citizen's cultural vision and enhancing the citizen's cultural appreciation. Promote the city culture taste, promote the Chinese and foreign cultural exchanges and other aspects play a unique role.
【學(xué)位授予單位】:上海音樂學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2003
【分類號(hào)】:J692
【引證文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前3條
1 張苗苗;民族聲樂演唱在中國音樂劇中運(yùn)用的思考[D];天津音樂學(xué)院;2011年
2 梅久芳;哈爾濱音樂廳歷史發(fā)展研究[D];哈爾濱師范大學(xué);2011年
3 葛云璐;國內(nèi)Live House的分析和發(fā)展研究[D];南京藝術(shù)學(xué)院;2013年
本文編號(hào):2442430
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