音色-音響的特質(zhì)及其結(jié)構(gòu)方式——薩麗亞藿《伊娥》剖析
發(fā)布時(shí)間：2019-03-11 10:23
【摘要】：本文通過對芬蘭當(dāng)代著名作曲家歌雅·薩麗亞藿的《伊娥》從"音響安排與音色調(diào)配"、"電子技術(shù)下的配器重構(gòu)與音響橫向關(guān)系"、"音色-音響構(gòu)架與音樂結(jié)構(gòu)的多義性"等三方的剖析,論述了現(xiàn)代音樂作品中的"音色-音響特質(zhì)及其結(jié)構(gòu)方式"。
[Abstract]:This paper discusses the "timbre-sound quality and its structure" in the modern musical works through the analysis of the three parties such as the "Sound arrangement and timbre provision", the "The Relationship between the Reconstruction of the Sound and the Sound of the Sound in the Electronic Technology", the "timbre-the polysemy of the sound frame and the music structure" and so on.
【作者單位】： 上海音樂學(xué)院作曲系;
【分類號】：J624.1
，
本文編號：2438208
[Abstract]:This paper discusses the "timbre-sound quality and its structure" in the modern musical works through the analysis of the three parties such as the "Sound arrangement and timbre provision", the "The Relationship between the Reconstruction of the Sound and the Sound of the Sound in the Electronic Technology", the "timbre-the polysemy of the sound frame and the music structure" and so on.
【作者單位】： 上海音樂學(xué)院作曲系;
【分類號】：J624.1
，
本文編號：2438208
本文鏈接：http://sikaile.net/wenyilunwen/musictheory/2438208.html
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