【摘要】：元代河北音樂歷史是河北音樂歷史的重要組成部分,對于它的研究,不僅有助于中國音樂歷史研究體系的進一步完善,同時對于河北音樂歷史及中國區(qū)域性斷代音樂史研究體系進一步發(fā)展具有積極的意義與作用。河北音樂在百余年的元代歷史中獲得了廣泛的發(fā)展。元曲在河北盛極一時,造就河北出現(xiàn)了許多著名的音樂家,藝人。音樂家創(chuàng)作出來的元曲作品在藝人的精彩演繹下,流傳百世。民間歌舞,說唱音樂,民歌等藝術(shù)形式,也分別呈現(xiàn)出不同的發(fā)展線條,在不同的時期具有不同的特征。元代河北音樂的發(fā)展與政治,經(jīng)濟,文化有密切的關(guān)系,當(dāng)然也與藝術(shù)形式自身的演變有莫大的聯(lián)系。筆者就元代河北音樂內(nèi)容的各個方面進行展開敘述,通過對各種音樂形式的詳細研究與分析,力圖展現(xiàn)元代河北音樂的發(fā)展全狀。 本文分為五章進行敘述。第一章“民間音樂”,本文對元代河北民間音樂的研究,主要從民歌,歌舞,樂器,說唱音樂四個方面入手,通過對各種藝術(shù)形式發(fā)展線條的梳理與分析,勾畫出元代河北民間音樂的整體輪廓。第二章“元曲”,筆者就音樂家及其創(chuàng)作,藝人三個方面進行敘述,通過對它們的詳細分析與解析,展現(xiàn)元曲在河北發(fā)展的全貌。第三章“樂籍制度”,筆者就樂戶及禮樂戶兩大形式在河北的發(fā)展情況進行詳細敘述,展現(xiàn)元代河北樂籍制度的發(fā)展?fàn)顩r。第四章“音樂理論”,筆者以《唱論》和胡之恲音樂思想為主要論述目標(biāo),展現(xiàn)元代河北音樂理論發(fā)展的高度。第五章“宗教音樂”。從宗教音樂和道教音樂兩個方面,闡述元代河北宗教音樂發(fā)展的主要狀況。最后得出結(jié)論。
[Abstract]:The history of Hebei music in Yuan Dynasty is an important part of the history of Hebei music. The research on it not only contributes to the further improvement of the research system of Chinese music history, At the same time, it has positive significance and function for the further development of Hebei music history and Chinese regional music history research system. Hebei music has been widely developed in the history of Yuan Dynasty for more than a hundred years. Yuan Song in Hebei Province for a time, bringing up Hebei Province appeared a lot of famous musicians, entertainers. Musicians created Yuan qu works in the artist's wonderful performance, spread throughout the world. Folk songs and dances, rap music, folk songs and other forms of art, also show different lines of development, in different periods have different characteristics. The development of Hebei music in Yuan Dynasty is closely related to politics, economy and culture, and of course to the evolution of art form itself. The author describes all aspects of Hebei music in Yuan Dynasty, and tries to show the development of Hebei music in Yuan Dynasty through the detailed study and analysis of various music forms. This paper is divided into five chapters to describe. The first chapter "Folk Music", this article to Hebei folk music research, mainly from folk song, song and dance, musical instrument, rap music four aspects, through to the various artistic forms development line combs and the analysis, Outline the whole outline of Hebei folk music in Yuan Dynasty. The second chapter "Yuan qu", the author describes the musicians and their creation, artist three aspects, through the detailed analysis and analysis of them, to show the development of Yuan qu in Hebei. In the third chapter, "Music system", the author gives a detailed description of the development of Lehu and Lilehu in Hebei Province, showing the development of Hebei Music system in Yuan Dynasty. The fourth chapter "Music Theory", the author takes "singing Theory" and Hu Zhiquan's music thought as the main exposition goal, displays the Yuan Dynasty Hebei music theory development height. Chapter V "religious Music". This paper expounds the development of religious music in Hebei in Yuan Dynasty from two aspects: religious music and Taoist music. Finally, a conclusion was drawn.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J609.2

【引證文獻】

相關(guān)期刊論文 前1條

1 王婧怡;;《唱論》“宮調(diào)聲情說”研究綜述[J];歌海;2012年03期

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本文編號：2435408