一種基于藝術(shù)精神的“禮樂思想”——論徐復(fù)觀的“禮樂鄉(xiāng)愁說”
發(fā)布時(shí)間:2018-12-24 12:26
【摘要】:徐復(fù)觀在思想上極力肯定中國(guó)文化的合理之處,高度評(píng)價(jià)中國(guó)傳統(tǒng)文化的合理內(nèi)核,形成了他的獨(dú)具一格的文化哲學(xué)和中國(guó)文化觀。他將儒家的"禮樂之治"定義為"儒家在政治上永恒的鄉(xiāng)愁"。這種"禮樂之治"實(shí)際上體現(xiàn)了儒家的藝術(shù)精神的內(nèi)涵:要求"仁與音樂的合一"和"道德與藝術(shù)的統(tǒng)一",是對(duì)儒家藝術(shù)精神的一種"整體性"觀照。
[Abstract]:Xu Fuguan strongly affirmed the reasonableness of Chinese culture in his thoughts, and highly appraised the rational core of Chinese traditional culture, which formed his unique cultural philosophy and Chinese cultural view. He defined Confucian "Rule of Rites and Music" as "the eternal homesickness of Confucianism in politics". This kind of "rule of etiquette and music" actually embodies the connotation of Confucian artistic spirit: the requirement of "harmony of benevolence and music" and "unity of morality and art" is a "holistic" view of Confucian artistic spirit.
【作者單位】: 西安音樂學(xué)院音樂學(xué)系;
【分類號(hào)】:J60-05
[Abstract]:Xu Fuguan strongly affirmed the reasonableness of Chinese culture in his thoughts, and highly appraised the rational core of Chinese traditional culture, which formed his unique cultural philosophy and Chinese cultural view. He defined Confucian "Rule of Rites and Music" as "the eternal homesickness of Confucianism in politics". This kind of "rule of etiquette and music" actually embodies the connotation of Confucian artistic spirit: the requirement of "harmony of benevolence and music" and "unity of morality and art" is a "holistic" view of Confucian artistic spirit.
【作者單位】: 西安音樂學(xué)院音樂學(xué)系;
【分類號(hào)】:J60-05
【參考文獻(xiàn)】
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本文編號(hào):2390622
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