論羅塞練習(xí)曲的練習(xí)方法及其對樂曲演奏的幫助
發(fā)布時間：2018-12-17 04:33
【摘要】：西里爾·羅塞(CYRILLE ROSE)是法國19世紀著名的單簧管演奏家。他雖不精于作曲,但有他編著的兩部單簧管練習(xí)曲確是所有單簧管演奏者在單簧管練習(xí)過程中必不可少,更是受益一身的作品。 本文共分為三章。第一章是對羅塞本人與他所處在的時代背景及他編著的兩部練習(xí)曲的簡單介紹。第一節(jié)為羅塞本人的生平介紹。第二節(jié)是對他所編著的《32首單簧管練習(xí)曲》內(nèi)容及其重要性的介紹。第三節(jié)是對他所編著的《40首單簧管練習(xí)曲》內(nèi)容及其重要性的介紹。 第二章是對兩部練習(xí)曲的練習(xí)方法及其訓(xùn)練目的做詳細的說明。羅塞的兩本練習(xí)曲經(jīng)歷多年的流傳,有著多種的練習(xí)方法以此讓演奏者達到技巧與旋律的雙重訓(xùn)練。第一節(jié)主要講述的是《32首單簧管練習(xí)曲》的訓(xùn)練目的及訓(xùn)練方法。第二節(jié)主要講述的是《40首單簧管練習(xí)曲》的訓(xùn)練目的及訓(xùn)練方法。 第三章是羅塞的兩部練習(xí)曲對于實際演奏樂曲所給予的幫助的綜合性描述。通過對于韋伯等單簧管經(jīng)典作品的手指技術(shù)、慢板抒情、華彩等段落的分別解析,再結(jié)合羅塞兩部練習(xí)曲的實際功能以此闡述它對于實際樂曲演奏所給予的幫助。 本文通過對于羅塞兩部單簧管練習(xí)曲的研究和分析,表明羅塞練習(xí)曲在對于我們實際演奏過程中的巨大幫助。同時加入了多種練習(xí)方法使得古典練習(xí)曲在同時應(yīng)對古典單簧管作品及近現(xiàn)代單簧管作品時都能體現(xiàn)其訓(xùn)練價值。大量對于練習(xí)曲的研究和練習(xí)將是所有單簧管演奏者成長道路上不可缺少的重要一步。
[Abstract]:Cyril Rosser (CYRILLE ROSE) is a famous French clarinet player in the 19 th century. Although he is not good at composing, there are two clarinet etudes he has written, which are necessary and beneficial to all clarinet players in the course of clarinet practice. This paper is divided into three chapters. The first chapter is a brief introduction to Rosie himself and his background and two Etudes he wrote. The first section is the introduction of Roser's life. In the second section, the contents and importance of 32 clarinet etudes written by him are introduced. The third section introduces the content and importance of his "40 clarinet Etudes". The second chapter is to the two Etudes practice methods and training purposes to do a detailed explanation. Roser's two Etudes have been circulating for many years, with a variety of practice methods to enable players to achieve both skills and melody training. The first section mainly describes the training purpose and method of < 32 clarinet etudes. The second section mainly describes the training purpose and method of < 40 clarinet etudes. Chapter three is a comprehensive description of the help of Roser's two etudes to the actual performance of music. Through the analysis of finger technique, lyric of slow plate and colorful paragraphs of classical clarinet works such as Weber, and combining with the actual function of Roser's two etudes, this paper expounds the help it can give to the actual music playing. Based on the research and analysis of the two clarinet etudes, this paper shows that Roser's etudes are of great help to our actual performance. At the same time, a variety of practice methods are added so that classical etude can reflect its training value when dealing with both classical clarinet works and modern clarinet works. A great deal of research and practice on etudes will be an indispensable step in the development of all clarinet players.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J624.1
本文編號：2383660
[Abstract]:Cyril Rosser (CYRILLE ROSE) is a famous French clarinet player in the 19 th century. Although he is not good at composing, there are two clarinet etudes he has written, which are necessary and beneficial to all clarinet players in the course of clarinet practice. This paper is divided into three chapters. The first chapter is a brief introduction to Rosie himself and his background and two Etudes he wrote. The first section is the introduction of Roser's life. In the second section, the contents and importance of 32 clarinet etudes written by him are introduced. The third section introduces the content and importance of his "40 clarinet Etudes". The second chapter is to the two Etudes practice methods and training purposes to do a detailed explanation. Roser's two Etudes have been circulating for many years, with a variety of practice methods to enable players to achieve both skills and melody training. The first section mainly describes the training purpose and method of < 32 clarinet etudes. The second section mainly describes the training purpose and method of < 40 clarinet etudes. Chapter three is a comprehensive description of the help of Roser's two etudes to the actual performance of music. Through the analysis of finger technique, lyric of slow plate and colorful paragraphs of classical clarinet works such as Weber, and combining with the actual function of Roser's two etudes, this paper expounds the help it can give to the actual music playing. Based on the research and analysis of the two clarinet etudes, this paper shows that Roser's etudes are of great help to our actual performance. At the same time, a variety of practice methods are added so that classical etude can reflect its training value when dealing with both classical clarinet works and modern clarinet works. A great deal of research and practice on etudes will be an indispensable step in the development of all clarinet players.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J624.1
【參考文獻】
相關(guān)期刊論文 前3條
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2 韓勁松;單簧管演奏的運指技術(shù)[J];晉中師范高等專科學(xué)校學(xué)報;2002年02期
3 龐亮;關(guān)于單簧管演奏基本練習(xí)的內(nèi)容及其訓(xùn)練方法研究[J];樂府新聲(沈陽音樂學(xué)院學(xué)報);2004年02期
，本文編號：2383660
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