【摘要】： 中國(guó)手風(fēng)琴音樂(lè)創(chuàng)作經(jīng)歷半個(gè)多世紀(jì)的發(fā)展，逐步走向繁榮，呈現(xiàn)出創(chuàng)作風(fēng)格多元化，音樂(lè)內(nèi)容多樣化的可喜態(tài)勢(shì)。在百花齊放的中國(guó)手風(fēng)琴藝苑中，根據(jù)傳統(tǒng)音樂(lè)改編的手風(fēng)琴曲以其濃郁的民族風(fēng)格和氣質(zhì)確立了其在中國(guó)手風(fēng)琴音樂(lè)創(chuàng)作中的重要地位。本文以五首具有代表性的傳統(tǒng)器樂(lè)曲改編的手風(fēng)琴作品為研究對(duì)象，分析探討其創(chuàng)作手法和演奏特點(diǎn)，肯定此類(lèi)樂(lè)曲在中國(guó)手風(fēng)琴音樂(lè)中的藝術(shù)價(jià)值。作者期望以此能引起人們?cè)谑诛L(fēng)琴音樂(lè)創(chuàng)作中對(duì)傳統(tǒng)音樂(lè)文化的重視，推動(dòng)中國(guó)手風(fēng)琴音樂(lè)文化的發(fā)展。 論文分三大部分： 一、緒論：說(shuō)明傳統(tǒng)音樂(lè)改編曲在中國(guó)手風(fēng)琴音樂(lè)中的重要地位以及研究這一課題的目的及現(xiàn)實(shí)意義，，并概述本論題的主要內(nèi)容。 二、本論：是論文的主體，分三個(gè)部分進(jìn)行論述。 1、介紹原曲的演奏形式和音樂(lè)內(nèi)容；簡(jiǎn)介五首手風(fēng)琴改編曲。 2、五首改編曲在創(chuàng)作手法上的主要特點(diǎn)。從標(biāo)題、旋律、和聲、織體四個(gè)方面對(duì)改編曲的創(chuàng)作特點(diǎn)進(jìn)行概括性分析。 3、五首改編曲的演奏特點(diǎn)。從音色、節(jié)奏、氣韻三個(gè)方面論述演奏此類(lèi)作品應(yīng)注意的幾個(gè)問(wèn)題。 三、結(jié)語(yǔ) 通過(guò)對(duì)五首改編曲藝術(shù)價(jià)值的總結(jié)和分析，看中國(guó)手風(fēng)琴音樂(lè)的創(chuàng)作原則和創(chuàng)作方向。
[Abstract]:After more than half a century's development, Chinese accordion music creation has gradually become prosperous, showing a gratifying trend of diversified creation style and music content. In the Chinese accordion art garden, the accordion music adapted according to the traditional music has established its important position in the Chinese accordion music creation with its strong national style and temperament. This paper takes the accordion works adapted from five representative traditional instrumental music as the research object, analyzes their creative techniques and performance characteristics, and affirms the artistic value of this kind of music in the Chinese accordion music. The author hopes that this will arouse people's attention to traditional music culture in accordion music creation and promote the development of Chinese accordion music culture. The thesis is divided into three parts: first, introduction: explain the important position of traditional music adaptation in Chinese accordion music, the purpose and practical significance of studying this subject, and summarize the main contents of this thesis. Second, this theory: is the main body of the paper, divided into three parts to discuss. 1. Introduce the performance form and music content of the original music, and introduce five accordion adaptations. 2, 5 adaptations in the creation of the main features of the technique. From the title, melody, harmony, texture four aspects of the composition of the adaptation of the characteristics of a general analysis. 3, 5 adaptations of the performance of the characteristics. From three aspects of timbre, rhythm and charm, this paper discusses some problems that should be paid attention to in performing this kind of work. Third, the conclusion summarizes and analyzes the artistic value of the five adaptations, and looks at the creative principles and direction of Chinese accordion music.
【學(xué)位授予單位】：西北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2004
【分類(lèi)號(hào)】：J605

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 宋洋;論我國(guó)手風(fēng)琴藝術(shù)的民族化之路[D];內(nèi)蒙古師范大學(xué);2010年

本文編號(hào)：2328232