【摘要】：男高音是歌劇舞臺上觀眾們追捧和喜好的聲部。那迷人、透亮、輝煌的劇場效果為歌劇舞臺增色不少。然而,男高音的唱高音難,曾一度是歌劇各聲部協(xié)調發(fā)展的瓶頸,也曾制約著歌劇藝術的發(fā)展。19世紀初葉,法國男高音歌唱家杜普雷(G.Duprez 1806～1896),第一個運用“換聲區(qū)”的方法演唱高音。從此,開創(chuàng)了男聲關閉(遮蓋)唱法的新紀元,使人類第一次找到了,解決男歌手“唱高音難”的科學方法。有了人聲藝術各聲部的協(xié)調和平衡,美聲唱法迅速傳遍了世界各地。 正當全世界都在“引進”科學的美聲唱法,來解決男高音唱高音難這一難題的時候。中國京劇凈角的高音唱法：“勾住眉心、腦后摘音、行于背、貫于頂、丹田提氣、兩肋虛張、聲音倒灌、膛音出剛音、立音”,也就是傳統(tǒng)所說的腦后音,其實與美聲唱法中,男高音的關閉唱法有著驚人的相似。這一現(xiàn)象,讓我們學歌唱的人感到無比的激動和興奮!有那么好的的唱法,現(xiàn)如今擺在了我們面前不去好好的繼承和發(fā)揚,卻偏要一味的“崇洋媚外”,這不是我們的悲哀嗎? 中國京劇博大精深,美聲唱法讓世界各國“趨之若鶩”,咱們中國京劇的“腦后音”與高難度的男高音的“關閉”唱法異曲同工。不光如此,京劇藝術中豐富多變的臉譜藝術；細微紛繁的行當劃分；標志獨特的流派藝術；虛擬化、程序化的表現(xiàn)手法等等,那一項不蘊涵著豐富深厚的文化?那一項不使外國觀眾看后感到新穎和耐人尋味? 我們天天振臂高呼要振興京劇藝術,卻還是擺脫不了它低迷、頹然的窘境。這不得不要引起我們的思考。結合全世界公認的科學的美聲唱法,把我們傳統(tǒng)的京劇藝術很好的去研究和發(fā)揚,京劇藝術是不需要我們“叫囂”著去振興的。
[Abstract]:The tenor is the voice of the audience on the opera stage. That charming, bright, brilliant theatrical effect adds a lot to the opera stage. However, the difficulty of the tenor in singing the tenor was once the bottleneck of the coordinated development of the various parts of the opera, and also restricted the development of the opera art. At the beginning of the 19th century, the French tenor G.Duprez Dupre (1806 / 1896), The first to use the method of "exchange area" to sing the high voice. Since then, a new era of male voice closing (covering) singing method, so that mankind first found a solution to male singers "difficult to sing high" scientific method. With the harmony and balance of various parts of voice art, Bel Canto spread rapidly all over the world. At a time when the world is "introducing" scientific Bel Canto to solve the difficult problem of tenor singing tenor. The soprano singing method of Chinese Peking Opera's net horn: "hook the brow, pick the back of the brain, line on the back, go through the top, Dantian lift the breath, the two ribs are empty, the voice is inverted, the chamber sounds out of the sound of the firm and the sound stands", that is, what is traditionally called the brain back sound, in fact, is in the Bel Canto method. The closing of the tenor is surprisingly similar. This phenomenon, let us learn to sing people feel incomparable excitement and excitement! There is such a good singing, now put in front of us not to inherit and carry forward, but blindly to "worship foreign countries", this is not our sorrow? Chinese Peking Opera is extensive and profound, and the beautiful singing method makes all countries of the world "flock to it". Our Chinese opera's "brain sound" is the same as the difficult tenor's "close" singing method. Not only this, Beijing Opera art rich and changeable face art; subtle and complicated division of the industry; logo unique genre art; virtualization, procedural expression techniques, etc., which does not contain a rich and profound culture? Which one doesn't make foreign audiences feel new and interesting? We raise our arms every day to revitalize the art of Peking Opera, but still can not get rid of its downturn, decadent predicament. This has to arouse our thinking. In combination with the worldwide recognition of the scientific canto, the traditional art of Peking Opera is well studied and developed. The art of Beijing Opera does not need our "clamor" to revitalize it.
【學位授予單位】：湖南師范大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J616

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