【摘要】： 本文闡述了藝術(shù)歌曲在我國產(chǎn)生和發(fā)展的歷史文化背景，初步介紹和分析了我國20世紀(jì)20-40年代期間一些有代表性的音樂家創(chuàng)作的藝術(shù)歌曲及其各自的創(chuàng)作風(fēng)格，探討了這一時(shí)期藝術(shù)歌曲的創(chuàng)作特點(diǎn)和審美傾向。 這一時(shí)期的藝術(shù)歌曲，，具有大膽進(jìn)行民族風(fēng)格創(chuàng)作、采用古詩近現(xiàn)代詩詞創(chuàng)作、與時(shí)代相結(jié)合創(chuàng)作，以及寫作技法多樣、注重伴奏、體裁相對(duì)單一等特點(diǎn)。在審美傾向上，講究詩詞與音樂結(jié)合中求“和”的美、民族創(chuàng)新的美、真實(shí)情感的美和短小精悍的美。給人以藝術(shù)創(chuàng)作應(yīng)堅(jiān)持走民族創(chuàng)新之路和努力反映人生實(shí)際的啟示。
[Abstract]:This paper expounds the historical and cultural background of the emergence and development of art songs in China, and introduces and analyzes the artistic songs and their respective writing styles of some representative musicians from the 20th century to the 1940s. This paper probes into the creative characteristics and aesthetic tendency of art songs in this period. The artistic songs of this period have the characteristics of bold national style creation, ancient poetry and modern poetry creation, combining with the times, as well as various writing techniques, paying attention to accompaniment, and relatively single genres. In terms of aesthetic tendency, the beauty of seeking harmony in the combination of poetry and music, the beauty of national innovation, the beauty of true emotion and the beauty of inflexibility. To give people artistic creation should adhere to the road of national innovation and strive to reflect the actual enlightenment of life.
【學(xué)位授予單位】：西南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2003
【分類號(hào)】：J609.2

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 廖輔叔;從藝術(shù)歌曲的定名說起[J];人民音樂;1999年09期

本文編號(hào)：2219414