【摘要】：現(xiàn)代短歌運(yùn)動(dòng)是20世紀(jì)50年代至60年代日本歌壇的重要力量。1956年成立青年歌人會(huì)議,形成運(yùn)動(dòng)的主體力量。由于其深受前衛(wèi)短歌的影響,在作品中強(qiáng)調(diào)自我存在的個(gè)人世界的擴(kuò)張,運(yùn)用非寫(xiě)實(shí)主義、隱喻、反語(yǔ)、口語(yǔ)化、散文化等手法多重建構(gòu)"人"的存在感。女性歌人的活躍、以政治斗爭(zhēng)為題材的"機(jī)會(huì)詩(shī)"的誕生,也構(gòu)成其重要的特點(diǎn)�，F(xiàn)代短歌運(yùn)動(dòng)本身提出短歌現(xiàn)代化進(jìn)程中的許多新問(wèn)題,對(duì)60年代的新一代歌人創(chuàng)作思想和創(chuàng)作手法產(chǎn)生很大的影響。
[Abstract]:The modern short song movement was an important force in the Japanese singing world from 1950s to 1960s. In 1956, the youth singers' conference was established to form the main force of the movement. Deeply influenced by avantgarde short songs, the author emphasizes the expansion of the personal world of self-existence in his works, and uses non-realism, metaphor, irony, colloquialization, prose and other techniques to construct the sense of existence of "human". The active female songwriter and the birth of opportunity poem with the theme of political struggle also constitute its important characteristics. The modern short song movement itself puts forward many new problems in the process of short song modernization, which has a great influence on the creative thoughts and techniques of the new generation of songwriters in the 1960s.
【作者單位】： 北方工業(yè)大學(xué)文法學(xué)院;
【分類號(hào)】：J609.313

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