本文選題：道教 + 經(jīng)韻�。� 參考：《南京藝術(shù)學(xué)院學(xué)報(bào)(音樂(lè)與表演版)》2010年02期

【摘要】：本文綜合運(yùn)用形態(tài)分析、文獻(xiàn)稽考和古今互證之法考析當(dāng)代存活的三首道教經(jīng)韻,先析其當(dāng)代運(yùn)用形態(tài),認(rèn)為其異同交滲的現(xiàn)象表明其源于共同母體且又有所變異。接著逐一考證其產(chǎn)生年代和傳承軌跡,證明它們是在變與不變矛盾運(yùn)動(dòng)中傳承至今的古老經(jīng)韻。由此為準(zhǔn)確認(rèn)識(shí)道樂(lè)保存?zhèn)鹘y(tǒng)的現(xiàn)狀及其歷史價(jià)值提供新的視角、資料和觀點(diǎn)。
[Abstract]:In this paper, the author synthetically uses morphological analysis, the literature examination and the law of ancient and modern mutual proof to analyze the three Taoist rhymes of contemporary survival, first of all, it analyzes its contemporary application form, and points out that the phenomenon of its similarities and differences seepage shows that it originates from the common parent body and has some variation. Then, it is proved that they are the ancient rhyme in the movement of change and invariance. This provides a new perspective, data and viewpoint for the accurate understanding of the status quo and historical value of Taoist music preservation.
【作者單位】： 西南大學(xué)音樂(lè)學(xué)院;浙江師范大學(xué)圖書(shū)館;
【基金】：2007年國(guó)家社科基金項(xiàng)目階段性成果之一,項(xiàng)目批準(zhǔn)號(hào):07BZJ012
【分類(lèi)號(hào)】：J608

【共引文獻(xiàn)】

相關(guān)期刊論文 前5條

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本文編號(hào)：2107274