本文選題：巴赫 + 中提琴　； 參考：《西安音樂(lè)學(xué)院》2012年碩士論文

【摘要】：巴赫是音樂(lè)歷史上一個(gè)重要的人物，是巴洛克時(shí)期音樂(lè)創(chuàng)作的重要代表人物。在音樂(lè)的創(chuàng)作中，巴赫把多種創(chuàng)作技巧融合在一起，創(chuàng)作了很多的作品，為后世留下了寶貴的財(cái)富。作為演奏者來(lái)說(shuō)，音樂(lè)結(jié)構(gòu)的分析對(duì)提高演奏水平，了解作曲家創(chuàng)作背景是很有必要和幫助的，巴赫既是一位作曲家，也是一位演奏家，所以對(duì)巴赫的作品分析，就顯得更加重要了。本文以巴赫《勃蘭登堡協(xié)奏曲》的第六首作品為研究對(duì)象，對(duì)作曲家的生平，創(chuàng)作背景，曲式結(jié)構(gòu)，演奏角度進(jìn)行分析，從個(gè)人演奏角度出發(fā)，對(duì)全曲進(jìn)行結(jié)構(gòu)與演奏兩方面的分析，從美學(xué)原則入手，更全面的彌補(bǔ)個(gè)人觀點(diǎn)中的不足，使演奏者更加深入的去了解剖析該作品。 該作品是早期一部十分重要的中提琴音樂(lè)作品，具有很重要的演奏意義及研究意義，對(duì)于早期為數(shù)不多的中提琴作品，敢于把中提琴作為主要旋律聲部，并且作為獨(dú)奏樂(lè)器來(lái)寫(xiě)的協(xié)奏曲，實(shí)在是一個(gè)大膽的嘗試與創(chuàng)新。這是一部標(biāo)準(zhǔn)的三個(gè)樂(lè)章的作品，具有典型的巴洛克時(shí)期協(xié)奏曲的特點(diǎn)快-慢-快，結(jié)構(gòu)上比較單一，和聲上，巴赫有一定的創(chuàng)新，但和聲的發(fā)展水品有限，在復(fù)調(diào)創(chuàng)作中，運(yùn)用了大量的復(fù)調(diào)創(chuàng)作的手法，典型的有卡農(nóng)、利都奈等。從整體看這部作品，布局嚴(yán)謹(jǐn)，條理性非常清晰。 這部《第六勃蘭登堡協(xié)奏曲》是由巴赫首演。在巴洛克時(shí)代，由于樂(lè)器的發(fā)展沒(méi)有當(dāng)今時(shí)代的這么優(yōu)越，這么科學(xué)，所以作品的演奏技術(shù)方面存在一定的局限性。當(dāng)今，演奏這部作品，多以接近模仿巴洛克時(shí)代的聲音為主，簡(jiǎn)化技術(shù)的幫助。對(duì)左手與右手的技術(shù)處理方面分別進(jìn)行分析，在左手方面，從觸弦，揉弦等幾方面來(lái)分析，右手方面，，以運(yùn)弓的特點(diǎn)與把握性為主，和特有的悠弓弓法等幾方面分別說(shuō)明，借助美學(xué)思想對(duì)巴赫音樂(lè)作品中特有的音樂(lè)哲學(xué)語(yǔ)言進(jìn)行闡述，幫助演奏者在演奏練習(xí)時(shí)條理性更清晰，練習(xí)目的更加明確。
[Abstract]:Bach is an important figure in the history of music and an important representative of music creation in Baroque period. In the creation of music, Bach combined a variety of creative skills and created a lot of works, leaving a valuable wealth for later generations. As a performer, the analysis of music structure is very necessary and helpful to improve the performance level and understand the background of composer's creation. Bach is not only a composer but also a performer, so he analyzes Bach's works. It's all the more important. This article takes the sixth work of Bach's Brandenburg Concerto as the research object, analyzes the composer's life, creation background, composition structure, performance angle, and sets out from the angle of individual performance. This paper analyzes the structure and performance of the whole song, starting with the aesthetic principles, making up for the deficiency of the individual viewpoint more comprehensively, so that the performer can understand and analyze the work more deeply. This work is a very important early viola music work, has very important playing significance and research significance, for the early few viola works, dare to regard the viola as the main melody voice, And as a solo instrument to write the concerto, it is a bold attempt and innovation. This is a standard three-movement work, with the typical Baroque Concerto features fast-slow-fast, relatively simple structure, in harmony, Bach has some innovation, but the development of harmony water products are limited, in the polyphony creation, The use of a large number of polyphonic techniques, typical of Canon, Lidoune and so on. From the overall view of the work, the layout is rigorous, organized very clear. The sixth Brandenburg Concerto was premiered by Bach. In the Baroque era, the development of musical instruments is not so superior and scientific, so there are some limitations in the playing technology. Today, the performance of this work, close to imitation of the Baroque era of the voice of the main, simplified technology to help. The technical treatment of the left hand and the right hand are analyzed respectively. In the left hand, the chord is touched, the kneading string is analyzed, and the right hand is mainly characterized by the characteristics and grasp of the bow, as well as the unique method of the bow, and so on. With the help of aesthetic thought, the unique musical philosophy language in Bach's musical works is expounded, which helps the performer to be more organized and clear in playing practice and to make the purpose of practice more clear.
【學(xué)位授予單位】：西安音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J622.2

【參考文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 劉敏;巴赫《勃蘭登堡協(xié)奏曲》作曲技法研究[D];東北師范大學(xué);2009年

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