本文選題：傳承 + 民俗��； 參考：《河北師范大學(xué)》2011年碩士論文

【摘要】：傳統(tǒng)文化看不見、摸不著,但是一直影響著人類的思考及行為方式。特別是中國有著5千年漢化的國家。 中國傳統(tǒng)音樂從公元前21世紀(jì)至19世紀(jì),經(jīng)歷了其形成、新生、整理三個(gè)時(shí)期,這漫長地發(fā)展過程中,融匯了中國傳統(tǒng)的藝術(shù)元素,我沒從每個(gè)傳統(tǒng)音樂形式中發(fā)掘、挖掘中國古代的文化傳統(tǒng)。歷史上有很多文明,比如巴比倫文明、恒河文明、埃及法老文明都被歷史所掩蓋,而中華文明仍然屹立于世界民族之列。文化在一個(gè)國家中具有重大作用,要消滅一個(gè)國家就先消滅它的文化�？梢娢幕且粋�(gè)國家的根,是一個(gè)國家的靈魂。邢臺(tái)地區(qū)歷史文化悠久,包括音樂文化、民俗文化、歷史文化、人文文化、天文學(xué)文化等等。 邢臺(tái)地區(qū)傳統(tǒng)音樂形態(tài)多樣,具有很高的研究價(jià)值,筆者又是從事音樂文化的工作,基于此,本人以從事群眾文化工作為基礎(chǔ),以民族音樂學(xué)理論為指導(dǎo),深入多個(gè)縣、鄉(xiāng)采風(fēng)點(diǎn)進(jìn)行調(diào)查,收集了一些邢臺(tái)地區(qū)頗具特色的傳統(tǒng)音樂品種。 研究內(nèi)容包括巨鹿四股弦、隆堯秧歌戲、隆堯招子鼓、威縣亂彈、太平道樂這五個(gè)國家級非物質(zhì)文化遺產(chǎn)保護(hù)項(xiàng)目,分別從傳統(tǒng)音樂理論概念、邢臺(tái)地區(qū)傳統(tǒng)音樂形態(tài)、邢臺(tái)地區(qū)傳統(tǒng)音樂保護(hù)、邢臺(tái)地區(qū)傳統(tǒng)音樂理論到實(shí)踐層的設(shè)想四個(gè)方面進(jìn)行論述,試圖從當(dāng)代經(jīng)濟(jì)文化角度提出保護(hù)、繼承傳統(tǒng)音樂文化的途徑和方法,使邢臺(tái)地區(qū)的傳統(tǒng)音樂得以保存并發(fā)展。
[Abstract]:Traditional culture cannot be seen or touched, but it has always influenced human thinking and behavior. China, in particular, has a five-thousand-year-long history of Sinicization. From the 21st century BC to the 19th century BC, Chinese traditional music experienced its formation, new life, and sorting out three periods. In this long process of development, the Chinese traditional artistic elements were incorporated, and I did not find out from every traditional music form. Excavate the cultural tradition of ancient China. There are many civilizations in history, such as Babylonian civilization, Ganges civilization, Egyptian pharaoh civilization are covered by history, and the Chinese civilization still stands among the nations of the world. Culture plays an important role in a country. If you want to destroy a country, you must destroy its culture. Visible culture is the root of a country, is the soul of a country. Xingtai has a long history and culture, including music culture, folk culture, history culture, humanities culture, astronomy culture and so on. The traditional music in Xingtai area has various forms and has high research value. The author is also engaged in the work of music culture. Based on this, I take the mass culture work as the foundation, take the ethnomusicology theory as the guidance, and go deep into many counties. A survey was conducted in the rural areas, and some traditional music varieties in Xingtai area were collected. The research contents include five national intangible cultural heritage conservation projects, such as four strands of Julu, Longyao Yangge Opera, Longyao Zhaozi Drum, Weixian disorderly play, Taiping Dao Music, respectively from the concept of traditional music theory and the traditional music form in Xingtai area. This paper discusses the protection of traditional music in Xingtai area, the assumption from theory to practice of traditional music in Xingtai area, and tries to put forward the ways and methods of protecting and inheriting the traditional music culture from the angle of contemporary economy and culture. So that the Xingtai region of traditional music can be preserved and developed.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J607

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相關(guān)期刊論文 前1條

1 羅楊;民族民間文化的處境和抉擇[J];民間文化論壇;2004年04期

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本文編號：2038110