本文選題：中國鋼琴改編曲 + 民族風格��； 參考：《天津音樂學院》2004年碩士論文

【摘要】： 中國鋼琴改編曲在中國鋼琴作品中占有重要地位，它以其濃郁的民族風格深受人們的喜愛。圍繞中國鋼琴作品的演奏，如何從多方面吸取民族音樂的精華，如何發(fā)揮鋼琴自身的優(yōu)勢，克服其自身的劣勢，如何借鑒吸收民族樂器的演奏技法，是本文所要論述的主要問題。 本文以作者自身的演奏體會作為基礎，在實現(xiàn)鋼琴演奏與中國民族音樂風格的統(tǒng)一方面發(fā)表了初步見解。論文主要以五首傳統(tǒng)器樂改編的鋼琴曲為例，結合對中國民族器樂演奏技法的初步探索，結合對哲學、詩歌、繪畫、書法等相關學科的了解，結合對中國民族音樂風格以及中國古典文化背景的研究，并與西方音樂及文化進行分析比較來闡述中國鋼琴作品的民族特色。具體來說，，本文在標題性、結構、聲韻、氣韻、旋律、節(jié)奏、音色、民族器樂與中國鋼琴曲八個方面進行了詳細的闡述，并逐一分析論證，從不同側面、不同角度加以說明。希望便于演奏者在學習、演奏此類作品時廣開思路，由感性認識上升為理性認識，盡可能地挖掘中國音樂作品的藝術魅力，更準確地把握中國鋼琴作品的民族風格。
[Abstract]:Chinese piano adaptation plays an important role in Chinese piano works, and it is loved by people for its strong national style. Around the performance of Chinese piano works, how to absorb the essence of national music from many aspects, how to bring into play the advantages of the piano itself, how to overcome its own disadvantages, how to draw lessons from the playing techniques of national musical instruments, It is the main problem to be discussed in this paper. Based on the author's own performance experience, this paper gives some preliminary opinions on the unification of piano playing and Chinese folk music style. This paper mainly takes five pieces of piano music adapted from traditional instrumental music as an example, combined with the preliminary exploration of the Chinese national instrumental music playing techniques, combined with the understanding of philosophy, poetry, painting, calligraphy and other related disciplines. Based on the study of Chinese folk music style and the background of Chinese classical culture, this paper analyzes and compares with western music and culture to expound the national characteristics of Chinese piano works. Specifically, this article in title, structure, rhyme, charm, melody, rhythm, timbre, national instrumental music and Chinese piano music eight aspects of detailed elaboration, and one by one analysis and demonstration, from different sides, different angles to explain. It is hoped that it will be convenient for players to learn and play such works in a broad way of thinking, from perceptual to rational, to tap the artistic charm of Chinese musical works as far as possible, and to grasp more accurately the national style of Chinese piano works.
【學位授予單位】：天津音樂學院
【學位級別】：碩士
【學位授予年份】：2004
【分類號】：J624.1

【引證文獻】

相關期刊論文 前2條

1 劉芳藝;;鋼琴作品的民族風格探析[J];文教資料;2010年22期

2 薛慶;;論四首中國現(xiàn)代鋼琴作品的情景交融——以《峨嵋晚鐘》等組曲為例[J];音樂創(chuàng)作;2012年11期

相關碩士學位論文 前3條

1 趙s鈑

本文編號：1963200