“草原音樂文化”內(nèi)涵界定的方法論思考
發(fā)布時間:2018-06-01 01:26
本文選題:草原文化 + 音樂文化; 參考:《音樂創(chuàng)作》2014年06期
【摘要】:"草原音樂文化"概念是研究草原音樂文化之母。目前,學界盡管對草原文化及草原音樂文化的研究達到了一定的規(guī)模和層次,但對"草原音樂文化"概念的內(nèi)涵至今尚缺乏比較令人滿意的界定。本文為了明確界定"草原音樂文化"內(nèi)涵,以文獻、比較和借鑒的方法,提出了界定"草原音樂文化"中,核心問題的明確是前提、相關(guān)概念的辨析是基礎(chǔ)、草原文化概念的借鑒是切入點的論斷。
[Abstract]:The concept of "grassland music culture" is the mother of the study of grassland music culture. At present, although the research on grassland culture and grassland music culture has reached a certain scale and level, the connotation of the concept of "grassland music culture" is still lack of satisfactory definition. In order to clearly define the connotation of "grassland music culture", this paper, by means of literature, comparison and reference, puts forward that in defining "grassland music culture", the core problem is the premise, and the discrimination of related concepts is the basis. The reference to the concept of grassland culture is the judgment of the breakthrough point.
【作者單位】: 內(nèi)蒙古大學藝術(shù)學院音樂系;
【分類號】:J607
【共引文獻】
相關(guān)期刊論文 前10條
1 楊居t,
本文編號:1962302
本文鏈接:http://sikaile.net/wenyilunwen/musictheory/1962302.html
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