本文選題：電子音樂 + 計算機音樂�。� 參考：《南京航空航天大學(xué)》2012年碩士論文

【摘要】：本文是對目前流行的電子音樂現(xiàn)場呈現(xiàn)中互動方式的研究。由于這種音樂形式中的互動行為多以計算機軟硬件技術(shù)和各種傳感技術(shù)為依托，因此文中大量采用了計算機數(shù)字音頻技術(shù)理論和交互式系統(tǒng)設(shè)計理論來分析和解釋其音樂創(chuàng)作、設(shè)計和編程等問題。又由于這種音樂形式中的互動行為不僅是一種技術(shù)手段，而且也是一種藝術(shù)手法，這些手段和手法是用來表達藝術(shù)和體驗審美的，因此本文還著重應(yīng)用科學(xué)技術(shù)理論對音樂藝術(shù)現(xiàn)象和審美意圖進行了較為深入的分析和研究�？茖W(xué)技術(shù)分析與藝術(shù)表達分析相結(jié)合，這應(yīng)該是本文在研究方法方面的一個顯著特點。此外，以科學(xué)技術(shù)角度的分析為依據(jù)，引申到對科技手段如何用來構(gòu)成美的藝術(shù)形式、又如何用美的藝術(shù)形式體現(xiàn)其審美理想等問題的討論，本文在這方面的論述思路，可以看做是解釋科技與藝術(shù)之間關(guān)系的一種方法論思路。 文章從“電子音樂中互動行為的概念與實質(zhì)”展開討論，以求探明這種藝術(shù)行為的本質(zhì)特征；由此引出本文研究的核心問題——“電子音樂創(chuàng)作中的互動行為構(gòu)架設(shè)計”，探討互動行為在創(chuàng)作、構(gòu)思階段如何被預(yù)設(shè)為一種程序構(gòu)架的技術(shù)性原理、邏輯性安排和藝術(shù)性構(gòu)想；接著對“電子音樂展示中的互動行為呈現(xiàn)方式”進行分類闡釋，全面探討電子音樂與各種互動對象之間的內(nèi)在聯(lián)系；然后通過對“作品《管弦樂隊印象》實例分析”，較為細致、完整地描述了人-人互動和人-機互動及其技術(shù)細節(jié)和藝術(shù)手法如何在一首電子音樂作品中得以完美展現(xiàn)；最后以如何用技術(shù)來表現(xiàn)藝術(shù)為視角，討論了“電子音樂互動行為的藝術(shù)表達和審美特征”問題，提出了“互動”是這種音樂形式的本質(zhì)屬性的觀點，并認(rèn)為“互動”不僅是這種音樂形式中一種音樂創(chuàng)作的方式，，也是一種音樂表達的方式，更是人們用來表現(xiàn)藝術(shù)旨趣的一種審美方式。 總之，本文所涉獵的研究對象以及研究中所采用的理論視角和研究方法，都是為了幫助人們進一步了解作為電子音樂中主流發(fā)展趨勢的互動行為；啟發(fā)人們理解這種互動行為給音樂藝術(shù)帶來的新穎審美體驗；進而為促進這種互動行為在更高層次上的創(chuàng)新而提供可資參考的理論啟示。這正是本課題研究的意義和價值所在。
[Abstract]:This paper is a study of the current popular electronic music scene in the interactive way. Because the interactive behavior in this music form is mostly based on computer hardware and software technology and various sensing technologies, the theory of computer digital audio technology and interactive system design theory are used in this paper to analyze and explain its music creation. Design and programming issues. And because the interactive behavior in this musical form is not only a technical means, but also an artistic technique, which is used to express art and experience aesthetics, Therefore, this paper also focuses on the application of scientific and technical theory to the phenomenon and aesthetic intention of music and art for more in-depth analysis and research. The combination of scientific and technological analysis and artistic expression analysis should be a remarkable feature of this paper in terms of research methods. In addition, based on the analysis of science and technology, this paper extends the discussion of how the scientific and technological means are used to form the artistic form of beauty and how to embody its aesthetic ideal with the artistic form of beauty. It can be seen as a methodological way to explain the relationship between technology and art. This paper discusses the concept and essence of interactive behavior in electronic music, in order to find out the essential characteristics of this kind of artistic behavior, and leads to the core problem of this paper, namely, "the Design of Interactive behavior Framework in Electronic Music creation". This paper probes into the technical principle, logical arrangement and artistic conception of how interactive behavior is preset into a program framework in creation and conception stage, and then explains the "presentation mode of interactive behavior in electronic music exhibition". A comprehensive study of the internal relationship between electronic music and various objects of interaction, and then through the work "Orchestra impression" case analysis, more detailed, A complete description of how human-human interaction and human-machine interaction, as well as their technical details and artistic techniques, are perfectly represented in an electronic musical work; and finally, from the perspective of how to use technology to express art, This paper discusses the issue of "artistic expression and aesthetic characteristics of electronic music interaction", and puts forward the view that "interaction" is the essential attribute of this musical form, and holds that "interaction" is not only a form of music creation in this music form, It is also a way of expressing music, and it is also an aesthetic way for people to express their artistic purport. In a word, the research object of this paper, as well as the theoretical perspective and research methods used in the study, are all to help people understand the interactive behavior as the mainstream development trend of electronic music. It enlightens people to understand the new aesthetic experience brought by this kind of interactive behavior to music art, and then provides some theoretical enlightenment for promoting the innovation of this kind of interactive behavior on a higher level. This is the significance and value of this research.
【學(xué)位授予單位】：南京航空航天大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J611.1

【參考文獻】

相關(guān)期刊論文 前10條

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2 王次p

本文編號：1832374