本文選題：鐘耀光 + 二胡協(xié)奏曲《快雪時晴》　； 參考：《中央音樂學院》2011年碩士論文

【摘要】：臺灣自古以來是中華人民共和國不可分割的一部分。由于歷史的原因,導致海峽兩岸文化等各方面的交流形成多年隔斷,因此大陸對其近代民族音樂的發(fā)展情況了解得甚少。然而近年來,隨著兩岸的開放政策,臺灣與大陸的音樂文化往來也日益密切,通過兩岸積極推進的演出、比賽、學術交流活動,一系列優(yōu)秀的臺灣作品在大陸備受好評,隨之而來涌現(xiàn)出了一批當代杰出的青年作曲家和演奏家,臺北市國立樂團團長鐘耀光,就是其中代表之一。 在本文中,筆者選取具有時代特征的臺灣“國樂”作品——鐘耀光于2008年創(chuàng)作的二胡協(xié)奏曲《快雪時晴》作為研究對象。以大陸地區(qū)音樂演奏者對創(chuàng)作特色及演奏藝術的研究角度出發(fā),在創(chuàng)作背景中闡述了與二胡協(xié)奏曲《快雪時晴》相關的臺灣民族器樂的發(fā)展現(xiàn)況和二胡在臺灣發(fā)展的歷程；作曲家鐘耀光的生平簡介利對民族音樂的理念以及此曲的創(chuàng)作歷程；通過分析二胡協(xié)奏曲《快雪時晴》主題素材、樂思衍展、結(jié)構邏輯以及演奏藝術上的理解與心得,揭示了其在臺灣國樂發(fā)展的藝術價值與當代臺灣音樂的重要地位。由此發(fā)現(xiàn)臺灣音樂與大陸音樂存在的各自優(yōu)勢。希望通過本文的書寫,更緊密的聯(lián)系兩岸的音樂創(chuàng)作、音樂表演及音樂研究,在更大程度上推動海峽兩岸的音樂文化交流——讓大陸音樂人士更廣泛地關注臺灣國樂,也讓臺灣音樂界更加了解大陸音樂。
[Abstract]:Taiwan has been an inalienable part of the people's Republic of China since ancient times. As a result of historical reasons, cross-Strait cultural exchanges and other aspects of the formation of many years of separation, so the mainland to its modern folk music development very little understanding. However, in recent years, with the policy of opening up between the two sides of the Taiwan Strait, the music and cultural exchanges between Taiwan and the mainland have become increasingly close. Through the performances, competitions and academic exchanges actively promoted by the two sides of the Taiwan Strait, a series of excellent Taiwan works have received high praise in the mainland. A group of contemporary outstanding young composers and performers emerged, including Taipei State Orchestra Director Zhong Yaoguang. In this paper, the author chooses Taiwan's "National Music" work, Zhong Yaoguang's Erhu Concerto "Fai Xue Shi Qing", which has the characteristics of the times, as the research object in 2008. From the perspective of the mainland musicians' research on the creative characteristics and performance art, this paper expounds the current situation of the development of Taiwan's national instrumental music related to the Erhu Concerto "Fai Xue Shi Qing" and the course of the development of erhu in Taiwan. The life of composer Zhong Yaoguang is a brief introduction to Li's concept of folk music and the creation of this song. Through the analysis of the theme material, music exhibition, structural logic, and understanding and experience of performance art of Erhu Concerto, It reveals its artistic value in the development of Taiwan national music and the important position of contemporary Taiwan music. Therefore, we find the respective advantages of the existence of Taiwan music and mainland music. I hope that through the writing of this article, we will more closely link up with cross-strait music creation, music performance and music research, so as to promote to a greater extent the cross-straits musical and cultural exchanges-to enable mainland musicians to pay more attention to Taiwan's national music. It also makes the Taiwan music industry more aware of mainland music.
【學位授予單位】：中央音樂學院
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J632.21

【參考文獻】

相關期刊論文 前3條

1 趙廣暉;臺灣音樂的傳承、分期與流變[J];音樂藝術(上海音樂學院學報);1998年04期

2 梁茂春;;讓音樂史研究更全面——關于臺灣、香港音樂研究[J];音樂藝術(上海音樂學院學報);2007年02期

3 劉長福;;二胡演奏中的音準問題(上)[J];樂器;2008年08期

，

本文編號：1802627