本文選題：《聽風(fēng)》 + 二度創(chuàng)作��； 參考：《天津音樂學(xué)院》2012年碩士論文

【摘要】：二度創(chuàng)作就是要在尊重原創(chuàng)的基礎(chǔ)上,認(rèn)真解讀原創(chuàng)作品的創(chuàng)作意圖及內(nèi)在情感,根據(jù)自身的演奏經(jīng)驗和能力,合理的把握和運用各種技巧和手段,真實準(zhǔn)確的表現(xiàn)作品內(nèi)容。器樂作品的二度創(chuàng)作,雖已不是一項新穎的研究課題,但它始終是演奏者孜孜不倦的探索目標(biāo)和永恒追求。本文中,筆者以作品《聽風(fēng)》為載體,從創(chuàng)作特點、曲式結(jié)構(gòu)和段落分析方面,結(jié)合我的自身演奏進行分析。從不同角度分析了作曲家姚盛昌先生創(chuàng)作的《聽風(fēng)》這首樂曲所蘊含的意境,及作品的深刻內(nèi)涵、創(chuàng)作技法和這部作品對三弦這件樂器的完美展現(xiàn)。
[Abstract]:Second creation is to respect the original on the basis of careful interpretation of the original works of creative intention and internal feelings according to their own experience and ability to play reasonable grasp and use of various skills and means to truly and accurately express the content of the work. Although the second creation of instrumental music works is not a new research subject, it is always the persistent goal and eternal pursuit of players. In this paper, I take the work "listening to Wind" as the carrier, from the aspects of creative characteristics, musical structure and paragraph analysis, combined with my own performance to analyze. This paper analyzes the artistic conception of the music composed by composer Yao Shengchang from different angles, the profound connotation of the work, the creative techniques and the perfect display of the three-string instrument in this work.
【學(xué)位授予單位】：天津音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J614

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