本文選題：特征 + 旋律��； 參考：《曲阜師范大學(xué)》2012年碩士論文

【摘要】：改革開放三十年來，人們的物質(zhì)文明水平得到較大的提高，同時(shí)對(duì)精神文明也提出更高的要求，隨著審美情趣的不斷增強(qiáng)，一些簡(jiǎn)單的地方民歌已經(jīng)滿足不了人們的審美要求，也不能更好的展現(xiàn)出演唱者的演唱水平。因此一些優(yōu)秀的作曲家有了一個(gè)新的構(gòu)思，即把原本比較簡(jiǎn)單的民歌小調(diào)改編成大中型的音樂作品。民歌改編曲就是這樣形成的，它的出現(xiàn)順應(yīng)了時(shí)代的潮流，受到人們的高度重視。本論文就中國(guó)民歌改編曲的特點(diǎn)、改編過程、藝術(shù)表現(xiàn)及其影響等逐一分析。 目前，國(guó)外還沒有發(fā)現(xiàn)有專家研究此類課題，即使在在國(guó)內(nèi)也僅僅是有人單獨(dú)的研究過某個(gè)作曲家的民歌改編曲，對(duì)民歌改編曲進(jìn)行全面系統(tǒng)的研究可謂是微乎其微。無論從其學(xué)術(shù)價(jià)值還是應(yīng)用價(jià)值上來看，民歌改編曲都可以作為東西方聲樂界的新課題來研究，從而推動(dòng)全世界的音樂事業(yè)登上更高的臺(tái)階。 通過自己的研究，能讓更多的人喜歡這類民歌改編曲，不只是單單喜歡它優(yōu)美的旋律，而且能體察到原民歌的民族風(fēng)情，以及其背后的感人故事。通過對(duì)此類民歌的分析，能使演唱者對(duì)此類作品有一個(gè)系統(tǒng)完整的把握，不僅在唱腔上，而且在感情表達(dá)、節(jié)奏、伴奏等多個(gè)方面，使他們能真正唱出屬于我們自己獨(dú)特的民族改編曲。 在多年的聲樂學(xué)習(xí)中，發(fā)現(xiàn)有許多的民歌改編曲，適合男生與女生的皆有，其中以女生居多。男生聲樂作品如《想親娘》《在銀色月光下》，女生聲樂作品如《孟姜女》《瑪依拉變奏曲》《小白菜》《蘭花花》等。這類作品表現(xiàn)力強(qiáng)，需要演唱者具備相當(dāng)高的聲樂技巧和藝術(shù)修養(yǎng)才能更好地演繹。而且，這類作品在聲樂教學(xué)中使用范圍廣、使用頻率高，具有比較高的藝術(shù)價(jià)值。因此，對(duì)此類民歌改編曲做系統(tǒng)的研究是非常有意義的。
[Abstract]:In the past 30 years of reform and opening up, people's material civilization level has been greatly improved, and at the same time, higher demands on spiritual civilization have been put forward. With the continuous enhancement of aesthetic taste, some simple local folk songs can no longer meet people's aesthetic requirements.Also can not better show the singer's singing level.As a result, some good composers have a new idea, that is, a simple folk song minor to adapt to large and medium-sized music.Folk song adaptation is thus formed, its appearance in line with the trend of the times, people attach great importance to it.This paper analyzes the characteristics, adaptation process, artistic expression and influence of Chinese folk songs adaptation one by one.At present, no experts have been found abroad to study this kind of subject. Even in China, only some people have studied the folk song adaptation of a composer alone, and the comprehensive and systematic study on the folk song adaptation is very little.In terms of its academic value and application value, folk song adaptation can be studied as a new subject in the field of Eastern and Western vocal music, thus promoting the music cause of the world to a higher level.Through their own research, can let more people like this kind of folk song adaptation, not only like its beautiful melody, but also can understand the national customs of the original folk song, and the moving story behind it.Through the analysis of this kind of folk song, the singer can have a systematic and complete grasp of this kind of work, not only in singing, but also in many aspects, such as emotional expression, rhythm, accompaniment, etc.So that they can really sing our own unique national adaptation.In many years of vocal music learning, found that there are many folk songs adapted for boys and girls, most of whom are girls.Male vocal music works such as "want my own mother" in silver moonlight, female vocal works such as "Meng Jiangnv" < Maillard Variations > < Cabbage > < Lanhua > etc.This kind of work has strong expressiveness and requires a high vocal skill and artistic accomplishment to perform better.Moreover, this kind of works is widely used in vocal music teaching and has high artistic value.Therefore, the study of this kind of folk songs adaptation system is very meaningful.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J616

【參考文獻(xiàn)】

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本文編號(hào)：1771087