本文選題：克隆鐘音樂 + 印度尼西亞音樂��； 參考：《中央音樂學院》2012年碩士論文

【摘要】：在浩如煙海的世界民族音樂中,印度尼西亞音樂無疑是東南亞音樂文化中獨樹一幟的代表,也是一個取之不竭的寶藏。在印度尼西亞傳統(tǒng)音樂中,令全世界音樂家和研究者趨之若鶩的是甘美蘭(Ganmelan)音樂,這是印尼特有的一種旋律性打擊樂器合奏音樂。然而,流傳最廣的卻是一種大眾音樂---克隆鐘(Kroncong)音樂。這是用西方樂器演奏的印尼風格的音樂,最受歡迎的是它的歌曲,如在許多國家流傳甚廣的《美麗的梭羅河》(Bengawan Solo)便是一首代表性的克隆鐘歌曲�？寺＄娫�(jīng)是唯一流行于印尼各島嶼、各民族之間的全國性的大眾音樂,但它又不同于一般意義上的流行音樂。由于在歷經(jīng)幾個世紀漫長的萌芽、演變和發(fā)展歷程中,它已經(jīng)和印尼本土音樂密不可分,甚至以一種混合了歐洲音樂元素、流行音樂元素、民間音樂和傳統(tǒng)音樂元素的綜合音樂形式流傳至今。 在國內,世界民族音樂研究尚處于逐漸發(fā)展壯大階段,雖然已經(jīng)有越來越多的人投入到這個學科中來,但仍然有許多未知的領域急待學習和探索。印度尼西亞音樂就是國內世界民族音樂研究的薄弱環(huán)節(jié)之一,而對于克隆鐘音樂的研究更是幾乎空白。對這樣一個曾經(jīng)在整個東南亞、日本、中國等地一度風行的多元音樂文化形式作深入的研究和調查無疑是重要的,況且,它的形成和發(fā)展歷程、各種音樂元素的融合方式、在印尼長時間盛久不衰的緣由等,都是值得探討和借鑒的。 本文第一章將對克隆鐘的音樂特征及溯源作全面介紹,并對其從萌芽、演變、發(fā)展到盛行的歷史進程進行必要梳理,以求較為清晰、條理性的展現(xiàn)克隆鐘的發(fā)展脈絡,回答一個最為基本的問題：“克隆鐘是什么?”。第二章筆者將運用音樂形態(tài)分析的方法解析克隆鐘的內部結構、配器、唱法等特點,探討其與甘美蘭合奏之間的聯(lián)系；另外運用語言學的研究方法分析克隆鐘歌詞音樂性現(xiàn)象。第三章則著眼于有關克隆鐘現(xiàn)今在印尼的流傳情況的調查及代表性音樂家的介紹,力求對研究對象有更全面的認知。 筆者認為,除了對克隆鐘做全面的了解而外,對它長久不衰的原因的分析應該注意外在歷史環(huán)境的影響和內在自適應能力方面的作用。最應該注意的是克隆鐘成為一種綜合音樂形式流傳至今的最根本原因是它對外來音樂的選擇性的取舍和對傳統(tǒng)音樂的靈活繼承,這是一種根植于本土音樂的舶來形式,它的多元音樂的融合方式對于我們探討本民族音樂的發(fā)展有著重要啟示意義。
[Abstract]:In the vast world folk music, Indonesian music is undoubtedly a unique representative of Southeast Asian music culture, and also an inexhaustible treasure.Among traditional Indonesian music, musicians and researchers from all over the world are attracted by Gamelan Ganmelan, a melodic percussion ensemble that is unique to Indonesia.However, the most popular is a popular music-Kroncongor.This is Indonesian-style music played on Western instruments, and the most popular is its songs, such as Bengawan Soloan, which has been widely spread in many countries, is a typical Clone Bell song.Clone Chung was once the only popular popular popular music among different ethnic groups in Indonesia, but it was different from popular music in general.After centuries of germination, evolution and development, it has become inextricably linked to native Indonesian music, even mixing European musical elements with pop music elements.Folk music and traditional music elements of the integrated music form has been handed down.At home, the study of folk music in the world is still in the stage of gradual development and expansion. Although more and more people have been involved in this subject, there are still many unknown fields that need to be studied and explored urgently.Indonesian music is one of the weak links in the study of folk music in the world, and the study of Clone Bell music is almost blank.It is undoubtedly important to make an in-depth study and investigation of such a multi-cultural form of music once popular throughout Southeast Asia, Japan, China, and so on. Moreover, its formation and development, and the way in which all kinds of musical elements are combined,In Indonesia for a long time long-lasting reasons and so on, are worthy of discussion and reference.In the first chapter of this paper, we will introduce the music characteristics and trace the origin of Clone Bell in an all-round way, and make a necessary combing of its historical process from germination, evolution and development to the prevailing history, in order to show the development of Clone Bell clearly and methodically.Answer one of the most basic questions: "what is a cloned clock?"In the second chapter, the author analyzes the internal structure, orchestration and singing characteristics of Clone clock by using the method of music morphological analysis, and probes into the relationship between it and gamelan ensemble, and analyzes the musical phenomenon of the lyric of Clone Bell by using the method of linguistics.The third chapter focuses on the investigation of Clone Chung's current circulation in Indonesia and the introduction of representative musicians in order to have a more comprehensive understanding of the subjects of study.The author holds that apart from a comprehensive understanding of the Clone clock, the analysis of its long lasting causes should pay attention to the influence of the external historical environment and the role of the internal adaptive ability.What should be noted most is that the most fundamental reason why Clone Chung has become a comprehensive form of music is its selective choice of foreign music and its flexible inheritance of traditional music, which is an imported form rooted in native music.Its multi-music fusion is of great significance for us to explore the development of our national music.
【學位授予單位】：中央音樂學院
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J633.42

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