本文選題：貝多芬 + 奏鳴曲�。� 參考：《福建師范大學(xué)》2004年碩士論文

【摘要】：本文借助貝多芬鋼琴奏鳴曲的譜面材料和美學(xué)、哲學(xué)等文獻(xiàn)資料，力求透過對(duì)作品本體的考察，以期運(yùn)用辯證的、歷史的眼光探討貝多芬鋼琴奏鳴曲的“英雄性”情感特征。 全文由四部分組成：一、“奏鳴曲的形成與發(fā)展”簡要追溯奏鳴曲的源起并探討貝多芬創(chuàng)作的承繼性；二、“貝多芬奏鳴曲與其交響曲的關(guān)系”旨在闡析“英雄性”情感內(nèi)容的表現(xiàn)及二者表現(xiàn)手法上的共性；三、“貝多芬奏鳴曲‘英雄性’的情感表現(xiàn)”力圖從社會(huì)歷史角度看待“英雄性”情感表現(xiàn)的時(shí)代折射；四、“表現(xiàn)手法的獨(dú)創(chuàng)性”是全文的重點(diǎn)，分別就運(yùn)用不協(xié)和音來表現(xiàn)個(gè)性化的“英雄性”情感、運(yùn)用抒情性情感反襯英雄性情感、運(yùn)用套曲結(jié)構(gòu)形成“英雄性”情感特征的連貫發(fā)展及結(jié)構(gòu)規(guī)模的創(chuàng)新突出“英雄性”情感特征四個(gè)方面探討貝多芬奏鳴曲的“英雄性”情感特征。 筆者認(rèn)為32首奏鳴曲是貝多芬一生情感歷程的高度濃縮，，并將全套作品視作一個(gè)有承繼關(guān)系的運(yùn)動(dòng)過程和完整有序的情感系統(tǒng)：從晨曦初露的“黎明”到恬靜和緩的“月光”，氣勢磅礴的“暴風(fēng)雨”過后的“悲愴”與“熱情”無一不是貝多芬“放縱與內(nèi)斂、叛逆與回歸”的內(nèi)心交響，以及“英雄”俯視蒼生的傲然姿態(tài)!
[Abstract]:With the help of the literature of Beethoven's piano sonatas and literature such as aesthetics and philosophy, this paper tries to explore the "heroic" emotional characteristics of Beethoven's piano sonatas from a dialectical and historical perspective through the investigation of the works' Noumenon.The full text consists of four parts: first, the formation and development of sonatas, a brief trace of the origin of sonatas and probe into the inheritance of Beethoven's creation;The relationship between Beethoven Sonata and his Symphony aims to explain the expression of "heroic" emotional content and the commonness of their expressive techniques.The emotional expression of "Hero" in Beethoven Sonata tries to look at the epoch refraction of "heroic" emotional expression from the angle of social history, fourth, "the originality of expression technique" is the focal point of the thesis.Using dissonant tone to express individualized "heroic" emotion, and using lyric emotion to contrast heroic emotion,This paper discusses the "heroic" emotional characteristics of Beethoven sonatas from four aspects: the consistent development of the emotional characteristics of "hero" and the innovation of the scale of the structure, highlighting the "heroic" emotional characteristics of the sonata of Beethoven.The author considers 32 sonatas to be the highly concentrated emotional course of Beethoven's life, and regards the complete set of works as an inherited process of movement and a complete and orderly emotional system: from the dawn of dawn to the quiet and gentle moonlight.The magnificent "storm" after the "Pathetique" and "passion" is Beethoven's "indulgence and restraint, rebellious and return" inner symphony, as well as "hero" look down on the proud posture of the living!!!
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2004
【分類號(hào)】：J657

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前6條

1 黃海瀾;貝多芬晚期鋼琴奏鳴曲中的賦格研究[D];福建師范大學(xué);2009年

2 陳翔;帕格尼尼五部小提琴協(xié)奏曲情感共性特征初探[D];福建師范大學(xué);2010年

3 王政;貝多芬鋼琴奏鳴曲戲劇性特征的初步研究[D];福建師范大學(xué);2007年

4 劉偉明;析貝多芬鋼琴奏鳴套曲中奏鳴曲式連接部的創(chuàng)作特點(diǎn)[D];湖南師范大學(xué);2010年

5 孫遠(yuǎn)軼;貝多芬《小提琴鋼琴奏鳴曲“克洛采”》的重奏協(xié)作以及鋼琴聲部的分析[D];湖南師范大學(xué);2012年

6 王凌云;貝多芬《降A(chǔ)大調(diào)鋼琴奏鳴曲》Op.26研究[D];西安音樂學(xué)院;2013年

本文編號(hào)：1738904