本文選題：笛曲曲牌 + 牌名前綴詞�。� 參考：《中國音樂》2010年03期

【摘要】：本文通過對(duì)"曹譜"《鈞天妙樂》卷本中笛曲曲牌的探賾索隱,尤其是對(duì)于部分曲牌牌名前綴詞的考釋,進(jìn)而推斷出該卷所收曲牌來源于元明時(shí)期的弦索官腔和昆曲"水磨調(diào)",明確指出這些曲牌至遲在明代的嘉、隆年間已進(jìn)入蘇南道家吹打,并將《鈞》卷成編年代大致確定在十六世紀(jì)中葉或稍前,而這個(gè)時(shí)間比之曹譜《霓裳雅韻》卷本幾乎早了一個(gè)世紀(jì)。
[Abstract]:In this paper, through the exploration and concealment of the flute qu card in the volume of Cao Pu's "Jun Tian Miao Le", especially the explanation of the prefix words of part of the qu card's name,Furthermore, it was inferred that the music collected in the volume originated from the chord mandarin of the Yuan and Ming dynasties and from the Kunqu Opera "Water grinding tune". It was clearly pointed out that these songs had entered the Southern Jiangsu Taoist school of play at the latest in the period of Jia and long in the Ming Dynasty.And the chronology of "Jun" was roughly determined in the middle of the sixteenth century or a little before, and this time was almost a century earlier than the volume of Cao's "Nieshang elegant rhyme".
【作者單位】： 江蘇省文化藝術(shù)研究院;
【基金】：全國藝術(shù)科學(xué)“十五”規(guī)劃立項(xiàng)課題(03GD114)《蘇南十番音樂研究》的部分內(nèi)容
【分類號(hào)】：J607

【共引文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 朱俊玲;昆曲在北方的流傳與發(fā)展[D];中國藝術(shù)研究院;2007年

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本文編號(hào)：1736558