本文選題：里蓋蒂　切入點(diǎn)：微復(fù)調(diào)　出處：《中央音樂學(xué)院》2003年碩士論文　論文類型：學(xué)位論文

【摘要】： 喬治·里蓋蒂(Gy(?)rgy Ligeti)是繼巴托克之后匈牙利最偉大的作曲家，也是二十世紀(jì)先鋒派中最具創(chuàng)造性的作曲家之一。他作品中復(fù)雜多變的網(wǎng)狀織體和沉著靜態(tài)的音響特征在現(xiàn)代音樂中獨(dú)樹一幟，而這種音響正是得益于他對微復(fù)調(diào)的創(chuàng)造性運(yùn)用。 微復(fù)調(diào)以及機(jī)械模式等作曲技術(shù)是里蓋蒂到達(dá)西方之后才開始運(yùn)用并取得廣泛影響的，因此本論文對他的研究范圍主要集中在他西方時期(即第二與第三時期)的十幾部代表作品上。 本論文共分為三章：在第一章中，主要綜合闡述里蓋蒂的個人生平與創(chuàng)作時期，并對其風(fēng)格的形成與演變作一個大致的梳理；第二章對微復(fù)調(diào)的概念、來源及核心技術(shù)——音列卡農(nóng)在里蓋蒂作品中的運(yùn)用作了具體的技術(shù)分析，其后探討了其他西方作曲家以及中國作曲家對音列卡農(nóng)的創(chuàng)造性使用；第三章對除微復(fù)調(diào)之外的里蓋蒂的其他復(fù)調(diào)思維作了技術(shù)性分析。 在經(jīng)過較為細(xì)致的比較研究之后是論文的結(jié)語，作者將對里蓋蒂的復(fù)調(diào)思維進(jìn)行總結(jié)并對卡農(nóng)思維的拓展提出自己的見解。
[Abstract]:George Regatti? In 20th century, he was one of the most creative composers of the avant-garde school. In his works, the complex and changeable reticular texture and the calm and static sound features were unique in modern music, and he was one of the greatest composers in Hungary after Bartok, and also one of the most creative composers of the avant-garde school in 20th century. The sound was thanks to his creative use of micro-polyphony. Composing techniques such as micropolyphony and mechanical mode were not used until Rigatti arrived in the West and gained widespread influence. Therefore, the research scope of this thesis mainly focuses on more than a dozen representative works of his western period (the second and third periods). This thesis is divided into three chapters: in the first chapter, the author mainly expounds the personal life and creation period of Rigatti, and makes a rough combing of the formation and evolution of his style, the second chapter is about the concept of micro-polyphony. The source and core technology, the use of yinrikanon in Rigatti's works, is analyzed in detail, and then the creative use of yinrikanon by other western composers and Chinese composers is discussed. The third chapter makes a technical analysis of Righetti's polyphonic thinking except minor polyphony. After a detailed comparative study, the author will summarize Rigatti's polyphonic thinking and put forward his own views on the expansion of Cannon's thinking.
【學(xué)位授予單位】：中央音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2003
【分類號】：J614.2

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