本文關(guān)鍵詞： 中立調(diào)式 音樂風(fēng)格 復(fù)合型 音樂體系　出處：《云南藝術(shù)學(xué)院》2011年碩士論文　論文類型：學(xué)位論文

【摘要】：垤施彝族音樂是紅河南岸彝族尼蘇音樂的代表,當(dāng)?shù)氐膫鹘y(tǒng)音樂內(nèi)容豐富、種類繁多,涵蓋社會生活各方面,調(diào)式風(fēng)格獨(dú)特,使用帶中立音的五聲調(diào)式,微降音的游移性使垤施彝族音樂具有模糊性,這比明晰性更具表現(xiàn)力及神秘性,是垤施彝族音樂的魅力所在。垤施彝族音樂既具有中國音樂體系的五聲性“音腔”特征,又因其“中立音”的特性,而與西北部維吾爾等民族所采用的波斯—阿拉伯音樂體系有一定的共通性,是一種復(fù)合型音樂體系,別具一格的音樂風(fēng)格,異于國內(nèi)各民族。垤施彝族音樂結(jié)構(gòu)簡練純美,旋法巧妙多樣,節(jié)奏疏密搭配,詠宣交替,靈活而有動力;獨(dú)特的七種樂器組合配置(即:樹葉、笛子、草桿、巴烏、三弦、四弦、二胡)再結(jié)合予掌聲、歌聲,以及自由呼應(yīng)、模仿為主的復(fù)調(diào)織體手法,整體音響渾然一體,風(fēng)格濃郁;襯詞獨(dú)具風(fēng)格,修辭手法巧妙多樣;內(nèi)容豐富的十套舞蹈動作,取材多樣,歌樂變化有致。舞隨樂變,中板的踩蕎,步法以“走弦”為主;快板的攆調(diào)、斗腳等,步法以“攆弦”為主。舞姿大氣柔美、輕盈飄逸。此外,本文還綜合分析了垤施歌舞的生存現(xiàn)狀,探求它在新時期的保護(hù)、傳承、及合理利用的對策。
[Abstract]:The music of the Yi people is the representative of the Nisu music of the Yi people on the south bank of the Red River. The local traditional music is rich in content and diverse in variety, covering all aspects of social life. The style of the mode is unique, and it uses a five-tone style with a neutral tone. The movement of diminutive sounds makes the music of the Yi people of Shi Shi fuzzy, which is more expressive and mysterious than clarity, and is the charm of the music of the Yi people. The music of the Yi people has the characteristics of the pentatonic "tone" of the Chinese music system. Because of its "neutral tone" characteristic, it has certain commonality with the Persian-Arab music system adopted by the northwestern Uygur and other ethnic groups. It is a compound music system with a unique style of music. Different from all ethnic groups in the country, he had a simple and beautiful musical structure, ingenious and varied methods of rotation and various rhythms, alternating chanting and propaganda, flexible and dynamic; a unique configuration of seven musical instruments (i.e. leaves, flute, straw, bawu, Sanxian, etc.). Four strings, erhu) combined with applause, singing, and free echo, imitation of the polyphonic texture technique, the overall sound integrated, rich style; unique style of lyrics, ingenious rhetoric, 10 sets of dance movements rich in content, The dance changes with the music, the step of the buckwheat in the plate is mainly "walking string"; the step of the Allegro is "chord"; the footwork is mainly "chord banding". The dancing style is gentle and graceful, and it is light and elegant. This paper also comprehensively analyzes the existing situation of the music and dance, and explores its protection, inheritance, and rational utilization in the new period.
【學(xué)位授予單位】：云南藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J607

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 李樝;;獨(dú)具特色的彝族音樂文化[J];楚雄師范學(xué)院學(xué)報(bào);2009年11期

2 陳岳琴;;彝族音樂構(gòu)成體系的綜述[J];電影評介;2008年21期

3 高麗;;淺析云南彝族民歌的音樂形態(tài)特征[J];電影評介;2009年15期

4 肖端;我國維吾爾族民族民間音樂中使用波斯-阿拉伯音樂體系之源流探析[J];福建師范大學(xué)學(xué)報(bào)(哲學(xué)社會科學(xué)版);2005年06期

5 龍倮貴;紅河縣彝族畢摩唱腔種類及其內(nèi)容[J];民族藝術(shù)研究;1995年05期

6 張國升;滇南彝族尼蘇“樂作舞”剖釋[J];民族藝術(shù)研究;1998年05期

7 汪致敏;紅河彝族音樂文化[J];民族藝術(shù)研究;2000年02期

8 陳興貴;;彝族民間舞蹈的特征與社會文化功能[J];民族藝術(shù)研究;2009年05期

9 馬云霞;析云南紅河彝族舞蹈中江外、江內(nèi)之區(qū)別[J];民族教育研究;2002年04期

10 巴莫阿依;試論彝族畢摩的傳承和教育[J];民族教育研究;1994年03期

，

本文編號：1553238