本文關(guān)鍵詞： 阿拉尼詩(shī)歌五首 里蓋蒂 音樂(lè)結(jié)構(gòu) 藝術(shù)表現(xiàn)　出處：《河北師范大學(xué)》2011年碩士論文　論文類型：學(xué)位論文

【摘要】：《阿拉尼詩(shī)歌五首》是現(xiàn)代藝術(shù)歌曲的典范之一,它是由20世紀(jì)中下葉乃至本世紀(jì)初活躍在西方樂(lè)壇的最重要的作曲大師之一——里蓋蒂創(chuàng)作的早期聲樂(lè)作品。本文以當(dāng)時(shí)里蓋蒂所處的社會(huì)環(huán)境以及盛行于本土的音樂(lè)流派、音樂(lè)風(fēng)格為背景,以該作品的音樂(lè)結(jié)構(gòu)與藝術(shù)表現(xiàn)為研究對(duì)象,通過(guò)探究該作品和聲語(yǔ)言、曲式結(jié)構(gòu)和樂(lè)思發(fā)展模式的處理思維與技術(shù)特征,以及藝術(shù)表現(xiàn)的種種相關(guān)問(wèn)題,表達(dá)出詮釋該作品的筆者的個(gè)人見(jiàn)解。 本文共分為緒論、正文的三章以及結(jié)論五個(gè)部分。 緒論從作曲家匈牙利時(shí)期生平、創(chuàng)作及社會(huì)環(huán)境概況、論文選題的意義、國(guó)內(nèi)外研究現(xiàn)狀三個(gè)方面,對(duì)本文的相關(guān)問(wèn)題做了詳實(shí)地闡述。 第一章論述《阿拉尼詩(shī)歌五首》的美學(xué)思維與音樂(lè)結(jié)構(gòu)思維,及其形成的歷史背景。其中,第一節(jié)介紹匈牙利的音樂(lè)傳統(tǒng)與社會(huì)文化,第二節(jié)探討20世紀(jì)中葉匈牙利的音樂(lè)流派與音樂(lè)風(fēng)格,第三節(jié)論述作品美學(xué)思維與音樂(lè)結(jié)構(gòu)思維的形成。 第二章論述《阿拉尼詩(shī)歌五首》的音樂(lè)結(jié)構(gòu)。共分為五節(jié),分別從曲式結(jié)構(gòu)與和聲結(jié)構(gòu)兩個(gè)方面,對(duì)五首藝術(shù)歌曲做了較為全面的分析。 第三章論述《阿拉尼詩(shī)歌五首》的藝術(shù)表現(xiàn)。其中,第一節(jié)談里蓋蒂與歌曲,第二節(jié)論述作品的歌詞與內(nèi)容,第三節(jié)論述作品的演唱速度、力度以及情感的表達(dá),第四節(jié)論述音樂(lè)的分句法與呼吸。 結(jié)論對(duì)《阿拉尼詩(shī)歌五首》中關(guān)于音樂(lè)結(jié)構(gòu)與藝術(shù)表現(xiàn)的問(wèn)題做了相應(yīng)的總結(jié)與概括,并提出了筆者的希望。
[Abstract]:It is one of the most important works of modern art songs . It is an early vocal work created by one of the most important masters of western music in the mid - 20th century and the beginning of the century . This paper is divided into three chapters and five parts : the introduction , the text and the conclusion . In this paper , the author makes a detailed exposition of the relevant problems in this paper from the aspects of life - level , creation and social environment , the significance of the thesis , the current situation at home and abroad . The first chapter deals with the aesthetic thinking and the musical structure thinking and the historical background of the five poems in the poems of the first section of the poem . The first section introduces the music tradition and social culture of Hungary , the second chapter discusses the music genre and music style of Hungary in the middle of the 20th century , and the third section discusses the formation of the aesthetic thinking of the works and the thinking of musical structure . The second chapter deals with the musical structure of the five poems of the poems of the five poems of the poems of the fifth part of the poem , which are divided into five sections , and the five artistic songs are analyzed comprehensively from the two aspects of the curved structure and the sound structure . The third chapter discusses the artistic expression of the five poems of the poems of the poems in the first section . The first section discusses the lyrics and contents of the works , the second section discusses the lyrics and contents of the works , the third section discusses the singing speed , strength and the expression of the emotion , and the fourth section discusses the sub - syntax and respiration of music . The conclusions are summarized and summarized in the five poems about musical structure and artistic expression in the five poems of the poem , and the author ' s hope is put forward .

【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J605

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本文編號(hào)：1486531